Will I love Music?

This is the most fun you’ll ever have reading about music history, guaranteed. Gioia focuses on outsiders, renegades, and people at the margins of society who launched musical innovations that were later adopted – and legitimized – by leaders of mainstream culture.

“So don’t be surprised,” he warns early on, “if a woman’s erotic love song gets turned into a scriptural utterance by a king. That’s how the history of music unfolds, especially for anything innovative or transgressive.”

I especially appreciated how, in examining music’s 4,000-year history, Gioia never fails to highlight contributions by women, which sets his book apart. 

A Subversive History of Music is not just fascinating, but scholarly, thought-provoking, and accessible.

I’ve always believed that music springs from the least expected sources, most of them “unofficial”, and Gioia seems to agree. The central idea is this: musical innovation never springs from society’s officially approved sources, but from its despised outsiders, those with little or no power in everyday life – women, black people, young people – who develop their ideas in isolation from the mainstream.

Very often they live in port cities like New Orleans or Liverpool, which are flooded with influences from elsewhere.