100 Books Like Open Throat

I was immediately drawn into this story’s premise: former best friends who haven’t seen each other in forty years reuniting in Los Angeles for one night of conversation, a night that will leave each woman changed forever.

Lacey and Edith met and bonded as young girls on the East Coast, but it is Hollywood that tore them apart. I am always interested in stories of female friendship, when ties are strongest, and when they are severed. And, of course, the introduction of a movie star love interest is bound to test even the tightest bond.

This story is especially poignant because it is told by two older women, looking back, who understand the consequences of their decisions and know what they would do over again and what they regret most. 

Shockingly, it wasn’t until taking an Asian-American History class in college that I learned about the US internment of Japanese-Americans during World War II. My husband is Japanese-American, and so I now also have family who experienced this shameful time in our history firsthand.

Evergreen is the second book in Naomi Hirahara’s Japantown Mystery series, the first being Clark and Division. It takes place during post-WWII and centers around Aki (a nurse’s aide) and her family's struggles after being released from Manzanar in 1946. This backdrop and its inherent social injustices are adeptly interwoven with a murder mystery happening in Little Tokyo.

In itself, this is a compelling combination of mystery and historical fiction. But it's also a morally significant book, and I'm so glad that Naomi Hirahara was the one to write it. 

In this book, I admired author Stephanie Dray's ability to portray Frances Perkins, the first female US cabinet member, as a multifaceted woman who defied societal expectations driven by her determination and intellect to set her apart in a political world dominated by men.

My respect for Perkins grew as Dray revealed the complexities Perkins faced in balancing her public career with the responsibilities of marriage and motherhood. I felt connected to this aspect of Perkins' life; understanding her personal struggles made her an even more relatable character and her accomplishments even more remarkable.

Beyond the personal narrative, I discovered the inner workings of FDR's administration and the crucial contributions Perkins made in shaping policies that still affect us today, earning her place in history. 

I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.

The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.

Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.

I have a fascination with belonging, and this book explores this subject as if holding a flawed gemstone up to the light and marveling at its radiance. Hello Beautiful is centered on four sisters in a close Italian family and a man who grew up as an only child in a cold family. It gets interesting when these two families become joined by marriage. 

Belonging is reveled in, longed for, not even dared to be longed for, and squandered as we follow their lives. I admire how it tenderly shows that these are all part of the journey towards authentic belonging. This story is so beautifully written that I felt nourished by the compassion that is infused into this quest to become our best selves. 

This short, dark novel hooked me from the beginning. Its beginning is, in fact, its ending when it is revealed that the protagonist, a young woman named Janet, has just been murdered. The story then jumps back in time to when Janet is born. I was drawn to the sharp, wry narrative voice and the gothic, stormy setting of northern mid-20th century Scottland.

The rest of the novel is an account of Janet’s coming-of-age instead of a typical and dull whodunit, which I loved because it felt fresh, true, and real to me—a revelation, in fact. I was so happy to encounter a young female protagonist who was odd, bookish, intelligent, grumpy, lonely, and highly unpopular.

The one thing I appreciate above all else in a novel is emotional gravitas. That feeling transcends time and place; the only thing that matters is what happens to the character(s) you care about. You feel your heart beating, and when you finally put the book down, all you can say is ‘wow.’

Stacy Willingham’s debut lingers long in the memory after the book is read. Her talent at describing setting is any writer’s dream, and her characters snuck into my heart and made me care deeply, all the way to the pulse-pounding conclusion. It is the best thriller I have read in the past half-decade, only challenged by her subsequent novels.

This Christian fiction novel holds a special place in my heart because I didn’t really know who Melody Carlson wrote this book for.

Christy Miller was written for teens and young adults. Where Yesterday Lives was written for Young Adults. But what Christian family drama has characters that are 16, 37, and 72?! Okay, maybe grandma is 71, but the point of the matter is that it’s told from multiple POVs across three different generations.

As of writing this, I’m 28 and I loved it. Why? It’s about a family. A true-to-life family, with true-to-life problems. Girls get taken out of school and pulled away from their boyfriends in real life. Sometimes moms and dads get divorced. And sadly, sometimes grandma or grandpa may start forgetting things they should remember.

This story made me laugh, cry, and feel so grateful that even in our mess, God still loves us. If… show more.

I started this book on a plane, continued to read in my seat after the plane landed, and was seriously annoyed at the flight attendant when forced to deplane. This is one of those books with a simple twist on the fantasy genre I wish I’d thought of—a race of beings who subsist on eating books.

Dean’s world building is superb, the protagonist is a badass, and the portrayal of the fractured relationships among characters—especially with her son—complicated and relatable. I finished it (in a chair at the airport) in one sitting, and it was worth it. 

I absolutely loved this book. Michael Crummy is an incredibly clear writer and tells an incredibly clear and compelling story about life in a Newfoundland outport (Mockbeggar) in the 1800s, focusing on a sibling rivalry between merchants, the widow Caine, and her brother Abel Strapp.

Life there is hasty, brutish, and short. The descriptions of daily life, including violence, made everyone in our book club squirm. But what I liked most was that he takes the reader right to Mockbeggar (and its neighbour, Nonsuch) - within a page or two, you feel like you are inside a church in Mockbeggar. From that point on, you never leave the outport and its way of life.