Books like Only Killers and Thieves — picked by fans

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.

As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.

Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the… show more.

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”

When novelist Paul Sheldon suffers a terrible car accident, he finds himself in the care of Annie Wilkes, a woman who claims to be his biggest fan and wants to nurse him back to health. But Annie isn’t pleased with the way Paul has brought his beloved series featuring Misery Chastain to a close. 

I love that we get a front-row seat to this unhinged author-fan encounter. Despite the horror that’s inflicted, readers—especially ones who are also writers—may take a perverse pleasure in seeing a fan have such strong feelings about a fictional character. 

Another component I adore is the way an author’s ego often causes them to overlook warning signs that would set off alarm bells in others who have a clearer picture of what’s really going on.

This 2002 novel follows young Harriet Cleve Dufresnes in 1970s Mississippi during the aftermath of the death of her nine-year-old brother, who was killed by hanging in the shadow of unexplained circumstances. I am particularly enamored by the novel’s focus on the customs and dynamics of Harriet’s extended Southern family.

Tartt best describes in her own words why I love this novel: It is “a frightening, scary book about children coming into contact with the world of adults frighteningly.”  

Joy’s work is always deeply ethical, asking not only what his characters will do, but what they should do—and what it costs them to try.

In this novel, a hunting accident spirals into violence, loyalty, and impossible decisions in the North Carolina mountains. It’s a taut, morally complex thriller with the soul of a Greek tragedy, written in prose that sings.

Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.

Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!

I loved that this book tells the story of him introducing his new baby sister, Margaret, to the reader. It also focuses on how Daniel can be a big helper in the family in an easy and relatable way.

The book also mentions the importance of special time with just Mom and Dad, which assures the older sibling that he or she is not forgotten and still loved. 

This ranch-centered book puts a human face on the cost of war.

A best in the West (or at least his small Nevada town) bull rider is physically and mentally torn apart by war. He can’t see the future he envisioned for himself anymore. But the story is really about his younger brother, Cam. I love Cam’s humor most of all, but his devotion to his idolized big brother is what makes this more than a story about a skateboarder turned bull rider.   

This book is about family in an opposite way from The Red Pony it confirms the safety net family can provide. 

In this fictional story about the Battle of Gettysburg, two 11-year-old buglers (one from the 71st Pennsylvania Infantry and the other from 11th Mississippi) meet in the woods and share some moments in conversation away from the din of the fighting.

The story helps young readers reflect on the common humanity and suffering of the soldiers on both sides during the Civil War. In elegant prose and beautiful pictures it humanizes the experiences, fears, and uncertainties faced by these men and boys (and their families).