Here are 29 books that Odalisque fans have personally recommended if you like
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My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.
It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.
What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow.
When a vicious band of half-men, half beasts invade the Two Rivers seeking their master's enemy, Moiraine persuades Rand al'Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light .
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When you grow up believing in magic, you inevitably face a moment when the world invites you to stop. Books are the reason to keep believing. Fantasy novels specifically give their readers magic to dive into and savor. What makes these fantasy novels so important to me is that they don’t just tell stories about magic, they tell their stories with such verve, such daring, such commitment to achieving the impossible, that they make magic. Reading these books, you will hold your breath, unable to believe that what feels like it’s about to happen could possibly happen when you turn the page... but don’t worry. It will.
Guy Gavriel Kay is widely known and admired for his sweeping, epic fantasy novels, all set in fantastical version of real historical countries—but before he turned to that genre, he wrote the Fionavar Trilogy.
Think Lord of the Rings with critical differences: the characters all have a wry sense of humor and an appreciation of irony and many of those characters are women, strong, intelligent, fierce, complex women. Kay also goes for broke as a storyteller here; you can almost hear him wondering, “Can I pull this off?” And he does it every single time.
The first volume in Guy Gavriel Kay's stunning fantasy masterwork, now reissued with the beautiful original cover art by Martin Springett.
Five men and women find themselves flung into the magical land of Fionavar, First of all Worlds. They have been called there by the mage Loren Silvercloak, and quickly find themselves drawn into the complex tapestry of events. For Kim, Paul, Kevin, Jennifer and Dave all have their own part to play in the coming battle against the forces of evil led by the fallen god Rakoth Maugrim and his dark hordes.
I am an Associate Professor of medieval history at Robinson College in the University of Cambridge. One exciting aspect of research about early medieval Britain is that there is always more to discover and understand, whether from artefacts being uncovered in archaeological excavations (like the Staffordshire Hoard), or from manuscripts that languish in archives and libraries across Britain without a modern translation and commentary. The books on this list—which offer insights into different aspects of early British life—are some of those that have captivated me most over my years of reading.
Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.
We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally.
Through detailed study of these women the author demonstrates the integral place of royal queens in the rule of the English kingdom and in the process of unification by which England was made.
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I loved Innocent Traitor by Alison Weir because it focuses solely on a much-forgotten woman of Tudor History. Weir gets across that Jane Gray was simply used as a political pawn. She was such a young girl, at only 17, and her parents gave no thought as to her happiness. She was scared and felt utterly alone and was handed the crown. If only for nine days, this young girl was Queen of England before her execution. She truly was an innocent traitor.
_____________________________________ A wrenching novel about the life and death of Lady Jane Grey, one of the most complex and sympathetic figures in Tudor England, by popular historian Alison Weir: ideal for fans of Wolf Hall
Lady Jane Grey was born into times of extreme danger. Child of a scheming father and a ruthless mother, for whom she was merely a pawn in a dynastic power game with the highest stakes, she lived a life in thrall to political machinations and lethal religious fervour.
Jane's astonishing and essentially tragic story was played out during one of the most momentous periods of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
The System is the third book in the Baroque Cycle which begins with Quicksilver and continues with The Confusion. The whole Cycle is a rip-roaring, wildly inventive, and massively ambitious saga, ranging from the mid-seventeenth to the early eighteenth century, spanning the globe and casting an amazing set of characters from Leibnitz and Newton, to King George, Thomas Newcomen and William Teach the pirate. It's astonishing and has some of the best subterranean London episodes I've ever read, including an escape from Newgate Prison which takes in the Bank of England, a Roman Temple, and a medieval privy. Read all three books and hang on to your hats, it's a thrilling ride.
Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle.
The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies?
Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and…
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I enjoyed this book so much, I have read it three times. I first came across The Singer’s Crown when I was much younger than I am now, but I have since then read it multiple times because the love of the main character, Prince Kattanan, was so innocent, and I just couldn’t help but fall in love with him as he held secret feelings for Princess Melisande.
The story blends betrayal, a cast-out prince, magic, and secret feelings like a perfect blend of creamy chocolate and magical peanut butter. It is one of my favorites, and it keeps pulling me back to reread the story over and over; I highly recommend it.
Prince Kattanan duRhys was in direct line to the throne—until his royal family was cruelly slaughtered by a usurping uncle who spared the life of his "favorite nephew" but left the boy mutilated and incapable of claiming his birthright.Nearly a decade on, Kattanan is a harmless wanderer—a coveted prize—serving many different masters. But now the singer's simple life is threatened by chaos and dark wizardry, by his impossible secret love for the betrothed Princess Melisande . . . and by an obligation of the blood that forces Kattanan to pursue vengeance and a crown he's not certain he wants.
The inner world of people has always fascinated me, which is why I created the initiative “student for students” where people could just come and talk about what they are going through. In countless sensitive conversations, I got to know many people struggling with the question “to be or not to be”. Then, my sister took her life. I accepted her decision. However, many struggled to do the same. “How can she do this to us?”, “It was selfish of her”, “But she was intelligent.” etc. Countless statements showed that people could understand, but not comprehend what happened. Therefore, I want to create awareness for mental health topics.
Best known for its famous quote “To be or not to be.” Shakespeare’s masterpiece Hamlet revolves around the struggles of life.
I find this piece inspiring —not because of the question of suicidal ideation but—because of how it is written. Shakespeare manages to put an entire existential crisis into such a concise statement. I wish I could write quotes like that. Also, Shakespeare’s 5 act structure, although from theatre, builds the backbone of my books.
The language is witty, stating so much in between the lines. What I find most inspiring about it as an author, though, is that Shakespeare managed to appeal to a broad mass by providing entertainment to the simpler folks while addressing sensitive political topics and philosophical questions for the intellectuals.
In recent years, ways of dealing with Shakespeare’s texts and with the interpretation of his plays have been undergoing significant change. The New Folger editions, while retaining many of the features that have always made the Folger Shakespeare so attractive to the general reader, at the same time reflects these current ways of thinking about Shakespeare.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I fell in love with fantasy and science fiction when I was a boy and began reading Greek and Roman mythology, DC Comics, and Tom Swift kids' books. The interest never waned. Of course, I made my way through Asimov, Tolkien, Herbert, Clarke, Heinlein, and LeGuin when I was older, and that hooked me to be a forever science fiction/fantasy reader. So when I began my own writing career, I had ample role models to fall back on in my chosen genre. It helped that I obtained a Master's degree in English. Now I have written seven books in the Patch Man series, with five already published, and a fantasy entitled Gray Riders.
I was looking for a series that caught my attention from the first page, and Jim Butcher’s Furies of Calderon did not disappoint me.
This is another series that uses the Roman Empire as a basis for the story, so I was immersed in Roman legionaries and their use of fighting techniques, but what involved me the most were Butcher’s characters.
I loved the relationship between the main character, Tavi, and the woman he connects with, Kitai, who is also a member of the horse clan and one-time enemy of the Empire. Characters are also connected with earth elements such as wind, fire, earth, and water, my favorite being a wind fury that allows characters to fly.
In this extraordinary fantasy epic, the #1 New York Times bestselling author of the Dresden Files leads readers into a world where the fate of the realm rests on the shoulders of a boy with no power to call his own...
For a thousand years, the people of Alera have united against the aggressive and threatening races that inhabit the world, using their unique bond with the furies—elementals of earth, air, fire, water, wood, and metal. But in the remote Calderon Valley, the boy Tavi struggles with his lack of furycrafting. At fifteen, he has no wind fury to help…