80 Books Like House of Dragons

I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.

The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.

It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.

The old story of the child who was secretly the son or daughter of royalty is a solid fantasy trope. And for good reason—it resonates. Almost all children secretly imagine they are a prince or princess, that they are special. The Pariah has none of that. Young Alwyn’s mother was a prostitute, and he never knew his father. Be certain that his dad was no one special, for this is not one of those kinds of stories. Alwyn is a thief, grubbing out an existence in the forest with a band of robbers. As far as personal virtues go, Alwyn is a liar and murderer. Anthony Ryan redeems Alwyn, though, digging into the good that exists even in those that have acted so heinously. And I may have described Alwyn uncharitably—the thief is a product of tough times, neglect, and hard realities. When he somehow ends up in service to… show more.

Was there ever a less heroic leading character than Prince Jalan? Apparently a vain, selfish coward, he would not even be likable if he was not also funny and honest. Well, he is honest some of the time, in his inside voice, even while being a liar to almost everyone else. So, when Jalan gets unwillingly and unwittingly caught up with an enormous Viking to go on a quest to save the world, I had to wonder how this one was going to work out. But it turns out that Jalan may have been lying to himself more than the reader, or himself, even realized, and he may not be quite the coward that he says he is.

This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.

As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.

Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.

This was one of the first books I read with dragons in it. We follow a dragon named Firedrake as he ventures to find a place where dragons can live in peace forever. He is accompanied by his little brownie friend, Sorrel, and a boy named Ben. This book sparked my love of dragons, and to this day, I love to go back and read through the adventure that started it all.

Best known for its famous quote “To be or not to be.” Shakespeare’s masterpiece Hamlet revolves around the struggles of life.

I find this piece inspiring —not because of the question of suicidal ideation but—because of how it is written. Shakespeare manages to put an entire existential crisis into such a concise statement. I wish I could write quotes like that. Also, Shakespeare’s 5 act structure, although from theatre, builds the backbone of my books.

The language is witty, stating so much in between the lines. What I find most inspiring about it as an author, though, is that Shakespeare managed to appeal to a broad mass by providing entertainment to the simpler folks while addressing sensitive political topics and philosophical questions for the intellectuals.

The end of the Tudor dynasty is often rushed over; as everyone knows, Elizabeth I died childless, and her throne passed to her Stuart cousin, James. Leanda de Lisle shows why this transfer of power shouldn’t be glossed over in this sumptuous nonfiction.

In this book, she explores the wild, colourful, tumultuous politicking that went on in Elizabeth’s final years and in the years immediately after her death. What results is a story of plots, murders, and spies, as politicians employed every trick (clean and dirty) to ensure the Stuarts gained the Tudor crown.

The System is the third book in the Baroque Cycle which begins with Quicksilver and continues with The Confusion. The whole Cycle is a rip-roaring, wildly inventive, and massively ambitious saga, ranging from the mid-seventeenth to the early eighteenth century, spanning the globe and casting an amazing set of characters from Leibnitz and Newton, to King George, Thomas Newcomen and William Teach the pirate. It's astonishing and has some of the best subterranean London episodes I've ever read, including an escape from Newgate Prison which takes in the Bank of England, a Roman Temple, and a medieval privy. Read all three books and hang on to your hats, it's a thrilling ride.

I was looking for a series that caught my attention from the first page, and Jim Butcher’s Furies of Calderon did not disappoint me.

This is another series that uses the Roman Empire as a basis for the story, so I was immersed in Roman legionaries and their use of fighting techniques, but what involved me the most were Butcher’s characters.

I loved the relationship between the main character, Tavi, and the woman he connects with, Kitai, who is also a member of the horse clan and one-time enemy of the Empire. Characters are also connected with earth elements such as wind, fire, earth, and water, my favorite being a wind fury that allows characters to fly.

Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.

We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally.