Books like The Singer's Crown — picked by fans

This book brought adventure, magic, and a touch of romance, and I cannot wait for the second book to come out!

When the main character returned home after her first job as a messenger in the land of Ilbeor, she found her whole family had caught a deadly disease with no cure, and all she had left of them was a scarf that doesn’t burn in fire. The story of her adventure to find the truth kept me on my toes until the last page.

I cannot recommend this book enough if you are looking for a female lead that doesn’t back down when the harshest of obstacles have been thrown her way, some even from an evil sorcerer plotting from the shadows. 

This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.

Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.

I read this book when I was younger, as the main character is fourteen, but I have recently reread it with a different view, being older. And it still had me excited to keep reading to the end, not having lost the mystique of magical components and a cute love story that it did all those years ago.

With a conquering empire invading their borders, Princess Thirrin must seek help from those she has only heard terrible tales about and gains an unlikely relationship with a witch’s son in the process. This is one of my favorite books that has me picking it up a couple times to revisit the journey Thirrin must venture, and it never lets me down. 

Nothing beats a good ol’ hero saving the princess story at the end of the day. It might be cliche and old, but I still love it when two characters fall in love, destined to be together, and the male character rises to hero status, having to do everything he can to rescue the princess.

That was just one of the things that I really loved about this book, another being the evil and sadistic prince the princess, Haleine, must marry and later try and escape from. There’s always that secret pleasure of the dark, evil antagonist that, when written right, just makes the story perfect. And that’s what I found in Effigy.

I was looking for a series that caught my attention from the first page, and Jim Butcher’s Furies of Calderon did not disappoint me.

This is another series that uses the Roman Empire as a basis for the story, so I was immersed in Roman legionaries and their use of fighting techniques, but what involved me the most were Butcher’s characters.

I loved the relationship between the main character, Tavi, and the woman he connects with, Kitai, who is also a member of the horse clan and one-time enemy of the Empire. Characters are also connected with earth elements such as wind, fire, earth, and water, my favorite being a wind fury that allows characters to fly.

The end of the Tudor dynasty is often rushed over; as everyone knows, Elizabeth I died childless, and her throne passed to her Stuart cousin, James. Leanda de Lisle shows why this transfer of power shouldn’t be glossed over in this sumptuous nonfiction.

In this book, she explores the wild, colourful, tumultuous politicking that went on in Elizabeth’s final years and in the years immediately after her death. What results is a story of plots, murders, and spies, as politicians employed every trick (clean and dirty) to ensure the Stuarts gained the Tudor crown.

I loved this book because it is all about the main character, Yarvi, overcoming the obstacles that are thrown at him through no fault of his own. Yarvi is happy with his life; he does not seek problems or hunger for more; he is simply expected to do something, and everything begins to unravel from there.

I really liked Yarvi. He is likable and quick-witted, and his intelligence makes up for his disability, which means others often put him down. I loved his journey and his character growth with an ending that was just perfect.

Best known for its famous quote “To be or not to be.” Shakespeare’s masterpiece Hamlet revolves around the struggles of life.

I find this piece inspiring —not because of the question of suicidal ideation but—because of how it is written. Shakespeare manages to put an entire existential crisis into such a concise statement. I wish I could write quotes like that. Also, Shakespeare’s 5 act structure, although from theatre, builds the backbone of my books.

The language is witty, stating so much in between the lines. What I find most inspiring about it as an author, though, is that Shakespeare managed to appeal to a broad mass by providing entertainment to the simpler folks while addressing sensitive political topics and philosophical questions for the intellectuals.

I loved Innocent Traitor by Alison Weir because it focuses solely on a much-forgotten woman of Tudor History. Weir gets across that Jane Gray was simply used as a political pawn. She was such a young girl, at only 17, and her parents gave no thought as to her happiness. She was scared and felt utterly alone and was handed the crown. If only for nine days, this young girl was Queen of England before her execution. She truly was an innocent traitor.

Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.

We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally.