Books like Not Here to Be Liked — picked by fans

Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.

Hayley is thrilled to be accepted to a prestigious summer program for aspiring teen animators. But then only boys are chosen to direct the participants’ short films, and that might only scratch the surface of the boys’ club culture within the program. The multiple forms of sexism Hayley experiences throughout are so real, they were painful to read (in the best, truest way), as I reflected on my own experiences with misogynistic gatekeeping—but the community and solidarity that develop throughout this fantastic novel are very satisfying. 

The Other Side of Perfect is about a young ballet dancer, Alina, who suffers a life-changing injury and must learn to deal with her multilayered, sometimes unsympathetic, anger.

Even though its themes are heavy, I somehow couldn’t put this one down. The characters are so real (and often funny), and every conflict unfurls with realistic nuance, sometimes devastatingly so.

Mariko Turk’s refusal to simplify emotions—even when exploring painful topics like racism—earns this book a standing ovation from me.

This book is an absolutely to-die-for rivals-to-lovers tale, sparked when Natalie is forced to team up with her long-time enemy on a musical in order to secure funding for the arts at their high school. Natalie’s evolving relationships with her family and friends are complex and brilliant, and I felt all the feelings about the interplay between art and ambition while reading. 

I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.

This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.

Natasha Preston got me into reading and I am no stranger to her books or her crazy endings. As much as I have a love-hate relationship with the ending of this book….it has been a year since I picked this book up, and I still think about it to this day. Constantly.

It gives slasher/scream movie vibes set during Halloween and I could not for the life of me put it down when I read it.

I will, in fact, be doing a re-read this spooky season because it truly sets the tone for Halloween.

This was one of my favourite books when I was a child, and it still makes me laugh even now. On first reading, I was immediately captivated by the witty depiction of the closed world of Linbury Court Preparatory School, a traditional boys’ boarding school inspired by the school at which the author had taught. The endearing central character of Jennings is well-meaning and spirited, but his mad-cap schemes, in which he is aided by his chum Darbishire, inevitably backfire with hilarious results. I especially loved the language of their schoolboy banter, eg “what a wizard wheeze!” for “what a great idea”. Although first published in 1950, it’s still a very entertaining read.

Into the Labyrinth by John Bierce is another academy-fantasy tale where the main character, Hugh, studies magic alongside others. This is a great story for emotional development and plot twists! At first, things seem like they don’t add up, but by the end, you get a satisfying sense of “ah-ha!” as most of your questions are answered (not all, though!).

This is a great coming-of-age story where Hugh finds great mentors, deals with his first love, and struggles with magic where others excel. It’s a great entry point for younger readers, too. Just well worth the read.

What can I say? It’s the goated friendly freaks book.

This collection of super short connected stories stars one kid per tale. The kids are weird and wild, and something that has really stuck with me my whole life is that some of the kids are rotten and stay rotten. Not everyone needs to grow and change in 120 pages.

Let a character stink. Let a kid be a wet rat. Let a nasty teacher be eaten. Anyway, there’s this incredible way that the author employs a third-person limited POV that gets me every time, even on the hundredth read.

A few illustrators have graced the pages of this all-time favorite. I grew up reading an edition illustrated by the amazing Julie Brinkloe. I also have a copy illustrated by Adam McCauley, which I also really love.

I liked how Ramona is a feisty 9-year-old dealing with real-world kid problems. Everything in Beverly Cleary's novels is real life.

I listened to the audiobook on this one, too. It's read by Stockard Channing. Another golden voice that pops with character.

This book is also home to the best opening line of any book in English literature: "Ramona Quimby was 9 years old. She had brown hair, brown eyes, and no cavities."