88 Books Like No Beauties or Monsters

If you like your mysteries paired with retold classics—think Jane Austen meets Agatha Christie for tea—I highly recommend this one! Price superbly captured the essence of Austen's characters and made them all her own. Instead of Bingley's purchase of Netherfield starting the story, he’s accused of murdering his brother-in-law. Quick-witted and resourceful Lizzie Bennet is eager to prove her worth as a solicitor in her father's barrister office and takes on the case to the prideful Darcy's dismay. Collins' character is just as cringy, and charming Wickham is a Bow Street Runner, helping Lizzie on her case. (You want him to be good! Just this once, Wickham!)

If you like your sleuthing seaside—with mermaids!—I recommend These Wicked Waters. Our main character, Annie, reluctantly spends her summer working at her mother’s new island resort, but things get super mysterious when the staff starts disappearing and she learns about the island’s curse. Cursed islands give me immediate grabby hands. With nods to The Odyssey, the sirens in this story are not your friendly, musical-loving mermaids. And the hurricane at the end will have you on the edge of your seat. 

This book had everything I love in a paranormal thriller—magic, secrets, twists, turns—but with an amazing setting that reads almost like a character itself.

Sain does such a good job of describing La Cachette, Louisiana, that I could feel the swamp heat humming from the pages. The fictional town also boasts the title of self-proclaimed psychic capital of the world, which makes secret-keeping nearly impossible—a perfect tension-builder for a fast-paced plot riddled with secrets, psychics, and unreliable characters.

Another good small-town mystery, I recommend Lazarus if you prefer your whodunits full of heart and humor. Margo and Hank are the sweetest teen detective couple since Nancy Drew and Ned Nickerson. Only problem is Hank’s dead. 

The book is a dual POV, and their love for each other comes out of the pages as they grapple with what haunts them. In Margo's situation, the cold case death of her mother, and in Hank's, his accidental murderers plotting something nefarious, and wondering what's best for Margo--stay with her to protect her, or move on so she can too.

Every time I thought I figured out who the killer could be, Hank or Margo brought another neighbor’s secrets to light. The cornfield-filled, rural Nebraska setting lent creepy vibes.

Prepare to have your world turned upside down in this peculiar take on the faerie novel. We meet Cathy as a resident of modern England but learn she’s actually an escapee from “The Nether,” a faerie mirror world that’s stuck in the 19th century. As a historian, I absolutely love how Newman moves characters between the worlds—without time travel! And just imagine being in the shoes of a young woman forced to straddle the freedoms that come with modern life with a life with an arranged marriage. And above all, she must appeal to the whims of the faerie lord who controls her family’s fortunes. Come for the premise, but stick around for her deep world-building and richly-drawn characters (I mean, who doesn’t love a talking gargoyle?)

Like with my first recommendation, I feel that this book appeals to a desire for adventure that we all had as kids. Who didn’t dream of Time Travel adventures as a kid? And again, as an adult, I have of course come to realize that I’d not last a day if I were to fall into this sort of adventure – and although time travel is supposedly possible, albeit only as a one-way journey due to the nature of time-dilation, the undertaking of such a journey, and the physical aspects of what is involved, I’d never want to do it now. Of course, in Playing Beatie Bow, Abigail’s time travel method is very simple (and impossible), but the trouble she gets into in the past is complicated, complex, and dangerous. The book’s dual settings might not appeal to young readers of today, but its lessons about learning to live… show more.

Dean Koontz has influenced my writing more than any other author. For decades, his books have been at the top of my reading list. Year after year, he consistently writes top-tier, inventive page-turners. His villains are evil. His heroes and heroines are likable and easy to relate to. He gets that one can’t traverse a frightening world without humor, and by analogy, neither can we. Elsewhere is one of his best in a long time. Equal parts bone-chilling, creepy, nerve-racking, and sinister, balanced by love, compassion, loyalty, and second chances, it doesn’t get better than this. 

In February 2016, astronomers announced the discovery of gravitational waves, the last remaining prediction of Einstein’s General Theory of Relativity. Gravitational waves are produced by the collision of gigantic bodies—neutron stars, blackholes—and from exploding stars. This book details the trials and tribulations as scientists attempt to build the most accurate measuring devices known to humankind. The result of their success is the LIGO observatories in Washington and Louisiana. 

Since the first discovery, we now have listened to a multitude of gravitational waves—our universe sings with these songs as the waves flow across the universe. Waves that may allow us to hear the sounds of the Big Bang. The intragalactic ships in my own books utilize these gravitational waves to travel at faster-than-light speeds. I was awed by the scientific determination and rooted for the scientists as they overcame one hurdle after another.

It is in Bergson's Time and Free Will that I first encountered an inspiring way to think of time. A way of thinking about time that does not focus on the time of clocks and calendars; that does not emphasize the physical homogeneous aspect of time, but rather reveals the relation between time and human existence. This book opened up not only an entirely new way of thinking about time, but a new way of approaching life: instead of focusing on the spatial, static, exterior, homogeneous milestones of life, I rather focus on the temporal, fleeting, inner, heterogeneous qualities of my life. Bergson writes in a relatively clear style, and his texts are accessible also for the interested layperson.

I loved this book for its sparkling, eloquent prose. As a young writer, I strove to emulate the author. The book’s engaging, often novelistic, narrative tells the tale of how we came to understand and accept that our planet moves, that the universe is very old and very large, and began with a Big Bang.

The characters—Galileo, Newton, and Einstein—come to life as real people struggling to understand. Their bewilderment at our strange cosmic home pulled me into the story. The unwelcome realizations reveal the power of science to force us to abandon our cherished notions of how we wish the world to be—to “Come of Age in the Milky Way.”