Here are 100 books that Nights Below Station Street fans have personally recommended if you like
Nights Below Station Street.
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I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I rooted for nearly every character in the book, despite their being ornery survivors who might be a little too fractious and independent-minded to enjoy as neighbors. The one exception was a devious and self-serving guy, proving that good stories need contrasts.
The book reads more like a set of linked stories than a straight novel. St. Pierre spins engaging tales that deliver a unique combination of earthy humor and a fine portrayal of the ranch country of the central interior of British Columbia.
Smith--a man of moderate ambition, unknown first name, and dubious companions--has a quarter horse in which he has great faith. But the path from quarter horse of good stock to cutting horse of skill and finesse is strewn with obstacles, unforgettable characters and the kind of earthy humor Paul St. Pierre's writing is known for.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
A rich mix here: humor, mild suspense, serious themes encompassing Jewishness and the fallout of the Nazis’ mass murder of European Jews, and cautionary themes about obsessions and the dangers of hero worship. The background setting is a Montreal neighborhood Richler grew up in, knew well, and happily depicted.
Some of Richler’s other novels also describe Montreal and some of its people. You could argue that Barney’s Version and Solomon Gursky Was Here are better books overall. I particularly liked this one because it has a youthful verve and adventurous feel.
St. Urbain’s Horseman is a complex, moving, and wonderfully comic evocation of a generation consumed with guilt – guilt at not joining every battle, at not healing every wound. Thirty-seven-year-old Jake Hersh is a film director of modest success, a faithful husband, and a man in disgrace. His alter ego is his cousin Joey, a legend in their childhood neighbourhood in Montreal. Nazi-hunter, adventurer, and hero of the Spanish Civil War, Joey is the avenging horseman of Jake’s impotent dreams. When Jake becomes embroiled in a scandalous trial in London, England, he puts his own unadventurous life on trial as…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
The descriptions of interpreting aerial reconnaissance photos during the Second World War were interesting. But the real hook for me was the compelling portrayal of small-town Saskatchewan life in the 1940s. The heroine—and the book does have a streak of chick lit about it—sounded like the real people I met while working as a reporter in Saskatchewan during the mid-1970s. Her hometown was recognizable, too. I keep hoping some of the spirit of these places and their people will survive well into the 2000s.
A Toronto Star Bestseller!
Rose, a Canadian intelligence officer in Britain in World War II, struggles with conflicting feelings about the war and a superior's attention.
Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women's Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass.
When her commanding officer, Gideon Fowler, sets his sights on…
I have lived primarily in Vermont, but my relationship to a remote portion of Maine wilderness is the one geographical consistency in my 81 years. Trained as an academic, I did have literary influences, but my chief influences derived from my early decades among men and women whose arduous existences in the great North Woods preceded electricity, power tools, and modern household conveniences. These men and women had to make their own entertainment, and they did so by way of storytelling, and their stories became a kind of community property. Whatever the genres of my 24 books, I have sought to emulate the timing and precision that these masters commanded.
In both my novels I explore the cultural, almost exclusively oral history of Maine woodsmen and -women. An old man now, I knew people who worked as loggers, river drivers, and so on before the advent of power tools, electricity, or motorized hauling.
A non-writer friend told me about this book, which is concerned with the same culture across the New Brunswick border, mere miles from where my novels are set. His evocation of that arduous, raconteur-populated, dangerous world bolstered my own seat-of-the-pants knowledge and offered a wealth of specific physical detail and a sense of storytelling’s central importance in the old logging communities.
The book, then, served as a model for my own explorations of a culture whose likes we will never see again and whose preservation in words is among my own most passionate aims.
In his major new novel, The Friends of Meager Fortune, Richards explores the dying days of the lumber industry in the mid-twentieth century. This is a transfixing love story of betrayal, envy, and sexual jealousy, which builds to a tragically inevitable climax. It is also a devastating portrait of a pre-mechanized time, and a brilliant commemoration of the passing of a world. Rich with all the passion, ambition and almost mythic vision that defines David Adams Richards' work, The Friends of Meager Fortune is a profound and important book about the hands and the heart; about true greatness and true…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
This collection of Canadian Jewish fiction gave me 33 different short fiction, personal essays, and poetry windows into the hearts and minds, longings, fears, and dreams of Canadian Jews.
I can’t think of another volume that captures so much life at the intersection of Jewish literary vitality and Canadian content–understood liberally. I think I was most moved by David Bezmozgis’ and Isa Milman’s contributions.
The New Spice Box includes short fiction, personal essays, and poetry by Jewish writers from a broad range of cultural backgrounds. Fresh and relevant, profound and lasting, this anthology features works by acclaimed short story writers David Bezmozgis, Mireille Silcoff, and Ayelet Tsabari; groundbreaking memoirists Bernice Eisenstein and Alison Pick; and award-winning poets Isa Milman, Jacob Scheier, and Adam Sol.
The driving force behind The New Spice Box is the desire to uncover the twin touchstones of original expression and writerly craft, and to balance the representation of genres, styles, and authorial perspectives. Here, authors summon the past as they…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve spent most of my life fascinated by what happens when women stop editing themselves. As a former television reporter, health educator, and memoirist, I’ve lived on both sides of the polished story and the private reckoning in my search for truth. Writing my own memoir forced me to confront how often women are encouraged to soften conflict, spiritualize pain, or tidy up the truth to make it more palatable. I’m drawn to books that refuse that impulse—stories where healing isn’t performative, and transformation isn’t neat.
I love this book because it refuses to sanitize childhood chaos.
I know Cea personally, and knowing what it took for her to tell this story makes the book even more powerful. Her upbringing was wildly unconventional—often unsafe—and she doesn’t soften that truth to make it more inspirational or digestible.
What stayed with me wasn’t just the extremity of her early life, but the clarity with which she tells it: no victimhood, no theatrics, no moral clean-up. This book reminded me that resilience doesn’t come from pretending things weren’t messy—it comes from looking directly at what was, and choosing consciousness anyway.
Sex, drugs, and . . . bug stew? In the vein of The Glass Castle and Wild, Cea Sunrise Person’s compelling memoir of a childhood spent with her dysfunctional counter-culture family in the Canadian wilderness—a searing story of physical, emotional, and psychological survival.
In the late 1960s, riding the crest of the counterculture movement, Cea’s family left a comfortable existence in California to live off the land in the Canadian wilderness. But unlike most commune dwellers of the time, the Persons weren’t trying to build a new society—they wanted to escape civilization altogether. Led by Cea’s grandfather Dick, they lived…
As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.
We love Euell Gibbons, the man and book that began it all a lifetime ago! Stalking the Wild Asparagus spurred the rise of foraging and ecological awareness in sixties America, and remains relevant today.
The book is folksy, personal, and inspirational but also remains scientifically accurate, and as a born teacher Euell is careful to define the limits of which foods you can gather and safely eat. It’s a miracle it was published, and we should be immensely grateful to David Mackay Co. of New York for going for it back in 1962–and giving themselves a bestseller.
Nearly sixty years ago an unknown writer named Euell Gibbons (1911-1975) presented a book on gathering wild foods to the New York publisher David McKay Co. Together they settled on the title, Stalking the Wild Asparagus. No one expected that this iconic title would become part of the American language, nor did they anticipate the revival of interest in natural food and in environmental preservation in which this book played a major role. Euell Gibbons became an unlikely celebrity and made many television appearances. Stalking the Wild Asparagus has sold the better part of half a million copies since the…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.
Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.
With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization.
A foundational work of radical anticolonialism, back in print
Originally published in 1974, The Fourth World is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World-an alternative to the new world, the old world, and the Third World. Manuel was the…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’m the author of 26 twisty psychological thrillers, many of which are Amazon bestsellers. I’ve sold over three-quarters of a million books and particularly enjoy writing about dysfunctional families and unpleasant neighbours! Several of my novels touch upon this theme: The Visitors, The New Neighbour, and Violets Are Blue, to name just three. And yes, I have drawn upon some difficult experiences I’ve had with neighbours... I’m a full-time author and I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!
From the very first page, Someone Like You had me hooked.
This is one of those books you pick up “just to start” and before you know it, hours have disappeared because you simply can’t put it down. It’s full of interesting characters and plot twists and left me feeling on edge, with my heart racing as I turned those pages faster and faster.
I loved the setting with its super creepy vibes, which only increased exponentially when more and more scary things started happening. I really warmed to Carey and her son and was rooting for them throughout. The explanations at the end made complete sense and tied things up perfectly.
I thought this was an excellent debut novel and I look forward to reading more by Elena Frost.
Has she found the perfect haven? Or a deadly trap?
Carey Billingham thought the lighthouse at Saltwick would be a fresh start for her and her son—a peaceful escape from a dark past. But vandalism, odd holiday guests, and a figure from her nightmares signal something is terribly wrong. As her grip on reality frays, Carey must face a terrifying truth that will test her sanity.
Someone Like You – the chilling psychological thriller, perfect for fans of John Marrs, Freida McFadden, Nicola Sanders.
What readers are saying about Someone Like You:
“...genuinely a brilliant thriller, and not like any…
