Here are 100 books that Night Train fans have personally recommended if you like
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From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!
Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.
Flaubert's erotically charged and psychologically acute portrayal of a married woman's affair caused a moral outcry on its publication in 1857. Its heroine, Emma Bovary, is stifled by provincial life as the wife of a doctor. An ardent devourer of sentimental novels, she seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. It was deemed so lifelike that many women claimed they were the model for…
These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late…
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
It’s time I was reading Lydia Davis’s own stories, I tell myself, which are said to be remarkable, and I find that they are just that. She is nothing new to readers of serious literary fiction, having been writing her curious short stories since the late seventies. Her constructions are precise and elegant. Although plainspoken, her language is stylized and restrained in its effects. She is very much in control of her fictional creations. In some instances, they seem like exercises in logic, however Kafkaesque. Unlike Snijders’ stories, hers are more formal in tone and presentation. They have a satisfying shape and a sense of an ending that is not arbitrary.
Davis’s theater is that of consciousness. Personages in her small dramas of “the mind working” are exceptionally alert, sometimes painfully so; often they have trouble falling asleep. Their dreams have the solidity of objects. Dither and nervousness characterize…
Published to huge acclaim in the US, Lydia Davis? important debut collection of 34 stories seems to assure us that reality is ordered and reasonable. However, as the characters in the stories prove, misunderstanding and confusion are inherent in everyday life.
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
Why does an intelligent young woman who is ambitious to occupy a place of her own in the world collaborate with men, in this instance, a husband, in constructing a life that is “perfectly organized unto death?” The story, you say, is a familiar one. What makes Ernaux’s different and painful to read is her narrator’s awareness of her gradual surrender (that of Ernaux herself) to patriarchal expectations, regardless of how strenuously she would deny them, delay their satisfaction, struggle to follow her passion (for teaching and writing), and, in ever-increasing panic, remind herself that even Virginia Woolf baked pies. By what deception does she come to accept that her existence is a purposeful one, knowing that it has been arranged by others?
This abnegation to the reductive role of womb and breast is all the stranger in this book (part novel, part memoir, part sociological study) because only in…
A Frozen Woman charts Ernaux's teenage awakening, and then the parallel progression of her desire to be desirable and her ambition to fulfill herself in her chosen profession - with the inevitable conflict between the two. And then she is thirty years old, a teacher married to an executive, mother of two infant sons. She looks after their nice apartment, raises her children. And yet, like millions of other women, she has felt her enthusiasm and curiosity, her strength and her happiness, slowly ebb under the weight of her daily routine. The…
These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late…
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
I suspect that I was led to takeThe Malady of Death from my shelf by a subconscious directive. I admit that I am afraid of this book, its relentless probing, afraid I will never understand it however much I struggle. Confounded by it twenty-five years ago, I put it aside until my consciousness could mature. (Ha!) The fault must be mine, since her style, language, and structure are as limpid as Ernaux’s or Davis’s, although Duras’s prose carries a poetical charge deliberately absent in the other two writers. I begin to think that the trouble lies in my sex, that as a man, an Other to women, I can’t possibly know what Duras’s narrator is being made to gradually reveal not with the leer of a striptease artist but with the solemnity of a priestess presiding over ancient feminine mysteries.
A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence,…
A lover of suspense thrillers and all things horror, my first introduction to romance novels was during book club. I love a good Rom-Com but as a reader, I used to shy away from erotica or meet-cute alpha male novels. Now I devour romance novels but they need very specific things. Strong heroines and suspense...and yes, great love scenes. Sparking my passion for the romance-suspense mash-up, I took a personal story and turned it into a suspense-driven romance full of angst. With 2 published novels, I continue to read and write romance thrillers hoping to change the stigma of romance as ‘fluff’ and ‘smut’ and show the strength in love.
This is the first book I read by Melissa Copeland, and it fits perfectly on my checklist for suspense and strong ladies. Her writing keeps you on the edge of your seat, dying to find out who Paige, the heroine, can trust. The plot twists were on point, and the chemistry between Paige and Sean had me over the moon. The strength she writes through Paige resonated with me and made it easy for me to accept all her choices. I highly recommend this novel as an example of a woman's survival and ability to find love in hard places.
Everyone has an ex they regret. Mine just happens to be a notorious Dutch arms dealer. I've spent years running and hiding from David, but he's finally grown tired of tormenting me. Now he just wants me dead. With no more friends and family left alive, and no one out there I can trust, it's starting to look like my time has finally run out. Until I meet Noah, a persistent stranger with secrets of his own. My efforts to hide from David are failing. So when Noah offers his help, I'm not exactly in a position to decline. But…
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
One of my favourite books of all time! Not only because the author is Dutch (like me!!). The narrator Kiki is a worrier. She worries most of all about her dad who is a doctor who works in dangerous war zones. This book manages to be funny and sad and beautiful at the same time. Read it!
'It's about something called the odds,' said my mother. 'For instance, the odds that you'll become a millionaire are very, very small. The odds that you'll find a coin in the street are a lot bigger. And it's the same thing with fathers. The odds of having a father are big, and the odds of not having a father are small. So you don't have to worry too much about not having a father."Can you make the odds of something smaller?' I asked. 'Or bigger?' 'Yes,' my mother said. 'Sometimes.'Kiki's father, a doctor, is always putting himself in danger by…
To this day, I love stories and books that bring a sense of nostalgia to my heart. As I read now, many of these bring me back to my youth and those early days when I really started to love reading. For the most part, books on this list are seen through the eyes of a middle-grade protagonist—stories of overcoming obstacles and finding family in unexpected places. And characters who overcome mistakes, ultimately lending a hand. I love kindness and empathy in these books, whether spread throughout the story or reaching those qualities by the end, more than anything.
I love this book because the story takes me back to a different era while I learn the customs and traditions of another country. I enjoy the aspects of the story that are not about the winter holiday but the “feeling” around it. The characters are well-written, and I love the ones who display charity and kindness and find ways to lift others, even when the latter have the grit and determination to find their own joy.
Hans Brinker is a classic children's story set in the Netherlands, following the titular character as he aspires to compete in ice skating races and help his family.
At the start, we discover that our young hero is responsible for his entire family's welfare, after his father was injured in an accident. Rather than be downcast by his father's poor condition, Hans is emboldened and determined to turn the family's fortunes around by competing in ice skating races. The stakes become higher as a potential but expensive cure for Hans' stricken father is revealed by the family's doctor.
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
Gregory Shapiro – the American Netherlander – brings you a must-have alternative to the Dutch assimilation course. What is the true Dutch identity? Shapiro shares his hilariously clumsy assimilation into Dutch culture and blasts some well-known stereotypes along the way. The book includes questions from the real Dutch Assimilation Exam, whose logic Shapiro delightfully dissects to reveal the Dutch identity they’d rather you didn’t know. How to Be Orange includes a photo essay of the most awkward Dutch product names and is illustrated by award-winning cartoonist Floor de Goede.
How to Be Orange makes you redefine the Holland you thought…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
The writer loves Amsterdam that much is clear. He deftly shows how this one city grew from the most unpromising location to become not only a great city in its own right, but also the city where tolerance, markets, and the ideals of liberal tolerant capitalist society were forged and burnished. Our modern liberal cosmopolitanism was created in Amsterdam. We owe a great deal to Amsterdam and its citizens.
Amsterdam is not just any city. Despite its relative size it has stood alongside its larger cousins - Paris, London, Berlin - and has influenced the modern world to a degree that few other cities have. Sweeping across the city's colourful thousand year history, Amsterdam brings the place to life: its sights and smells; its politics and people. Concentrating on two significant periods - the late 1500s to the mid 1600s and then from the Second World War to the present, Russell Shorto's masterful biography looks at Amsterdam's central preoccupations. Just as fin-de-siecle Vienna was the birthplace of psychoanalysis, seventeenth…
I believe there is a supernatural spirit that guides the universe, and I am passionate about the God who created it. From the many experiences in my life, I have learned that there is a bigger picture. That picture is God. You can believe in his power to change lives or not. You can believe in him and his son or not, but that does not mean they don't exist. I may not believe in life in other galaxies, but that does not mean they are not out there somewhere.
This is undoubtedly the most captivating biography I’ve had the pleasure to read.
This woman, in the prime of her very ‘alive’, but somewhat distorted sexually active life is confused by her childhood, accosted by the Germans during the war, yet brings inspiration and love to those in the Nazi camp she finds herself living as wars escalate. She is hope.
On 8 March 1941, a 27-year-old Jewish Dutch student living in Nazi-occupied Amsterdam made the first entry in a diary that was to become one of the most remarkable documents to emerge from the Nazi Holocaust. Over the course of the next two and a half years, an insecure, chaotic and troubled young woman was transformed into someone who inspired those with whom she shared the suffering of the transit camp at Westerbork and with whom she eventually perished at Auschwitz. Through her diary and letters, she continues to inspire those whose lives she has touched since. She was an…
