100 Books Like Night Train

A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!

Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.

It’s time I was reading Lydia Davis’s own stories, I tell myself, which are said to be remarkable, and I find that they are just that. She is nothing new to readers of serious literary fiction, having been writing her curious short stories since the late seventies. Her constructions are precise and elegant. Although plainspoken, her language is stylized and restrained in its effects. She is very much in control of her fictional creations. In some instances, they seem like exercises in logic, however Kafkaesque. Unlike Snijders’ stories, hers are more formal in tone and presentation. They have a satisfying shape and a sense of an ending that is not arbitrary.

Davis’s theater is that of consciousness. Personages in her small dramas of “the mind working” are exceptionally alert, sometimes painfully so; often they have trouble falling asleep. Their dreams have the solidity of objects. Dither and nervousness characterize… show more.

Why does an intelligent young woman who is ambitious to occupy a place of her own in the world collaborate with men, in this instance, a husband, in constructing a life that is “perfectly organized unto death?” The story, you say, is a familiar one. What makes Ernaux’s different and painful to read is her narrator’s awareness of her gradual surrender (that of Ernaux herself) to patriarchal expectations, regardless of how strenuously she would deny them, delay their satisfaction, struggle to follow her passion (for teaching and writing), and, in ever-increasing panic, remind herself that even Virginia Woolf baked pies. By what deception does she come to accept that her existence is a purposeful one, knowing that it has been arranged by others?

This abnegation to the reductive role of womb and breast is all the stranger in this book (part novel, part memoir, part sociological study) because only in… show more.

I suspect that I was led to take The Malady of Death from my shelf by a subconscious directive. I admit that I am afraid of this book, its relentless probing, afraid I will never understand it however much I struggle. Confounded by it twenty-five years ago, I put it aside until my consciousness could mature. (Ha!) The fault must be mine, since her style, language, and structure are as limpid as Ernaux’s or Davis’s, although Duras’s prose carries a poetical charge deliberately absent in the other two writers. I begin to think that the trouble lies in my sex, that as a man, an Other to women, I can’t possibly know what Duras’s narrator is being made to gradually reveal not with the leer of a striptease artist but with the solemnity of a priestess presiding over ancient feminine mysteries.

Would feminists accuse me of being obtuse and,… show more.

The writer loves Amsterdam that much is clear. He deftly shows how this one city grew from the most unpromising location to become not only a great city in its own right, but also the city where tolerance, markets, and the ideals of liberal tolerant capitalist society were forged and burnished. Our modern liberal cosmopolitanism was created in Amsterdam. We owe a great deal to Amsterdam and its citizens. 

I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were… show more.

This is undoubtedly the most captivating biography I’ve had the pleasure to read.

This woman, in the prime of her very ‘alive’, but somewhat distorted sexually active life is confused by her childhood, accosted by the Germans during the war, yet brings inspiration and love to those in the Nazi camp she finds herself living as wars escalate. She is hope.

This is a history about three young women in the Netherlands who resisted the occupiers by murdering enemy soldiers.

The story told in Three Ordinary Girls about young women who assassinated German soldiers had already been told partially in the memoirs of the survivors.

The story of Hannie Schaft, the ring leader and a student at Amsterdam University at the outset of the war, is now part of the history told to students in Dutch schools.

But author Tim Brady does an admirable job of bringing new perspectives to these heroes by weaving a story that reads like a novel even though the facts are documented in his footnotes.

I am a fan of historical fiction anyway, but historical fiction and coffee? Brilliant! Liss’s book is set in 17th Century Amsterdam, which at the time was the centre of commerce in Europe, and in particular, one of the first ports to trade in the newly discovered coffee commodity. The main character, Miguel Lienzo is loosely based on Pasqua Rosé—the historical figure credited with opening the first coffee house in Oxford, England. There are diabolical schemes, adventure, plenty of double-crossing, flawed but likeable characters, and a very satisfying ending. To my knowledge, this is extremely historically accurate as well.

This is the first book I read by Melissa Copeland, and it fits perfectly on my checklist for suspense and strong ladies. Her writing keeps you on the edge of your seat, dying to find out who Paige, the heroine, can trust. The plot twists were on point, and the chemistry between Paige and Sean had me over the moon. The strength she writes through Paige resonated with me and made it easy for me to accept all her choices. I highly recommend this novel as an example of a woman's survival and ability to find love in hard places.