Books like Nibbles — picked by fans

Sitting on the bookshelf horizontally (swing on top)—I was intrigued the moment I laid eyes on it and it did not disappoint. 

Just about every book I own is structured the same with the spine is always on the side of the book. But this book has the spine on top! I opened the book and flipped the pages up as Mel falls down the tree. Then, through the clever illustrations and design of the text, I wound up turning the book upside and found myself flipping the pages down to make Mel fly back up the tree. What sorcery was this?

I’ve seen many illustrators try to have readers turn a book, but I have never had such a smooth and seamless experience!

Without using any physically interactive mechanisms, this book still engages!

It breaks the fourth wall and the narrator asks you directly to do certain tasks—tap the dot, tilt the book to the left, shake the book, etc. When reading this book with my kids, I’ve never heard so many giggles. It is also a great way to help teach my kids colors, actions, and directions. Reading this book becomes a form of play!

I grew up loving animation and was captivated by how putting drawings together could create an illusion of life.

This wordless picture book somehow captures that awe with its interactive tabs. By flipping the tabs throughout the book, the characters move and feel like they are being animated.

I love that the story is a dance between Flora and her flamingo friend, literally and figuratively, as they have a disagreement. Everything about this book is well thought out—the interactive mechanisms really enhance the story. Additionally, the drawings are just so beautiful. It’s simply fantastic!

I first learned about Aaron Becker’s work at an SCBWI conference during his breakout session where he was discussing the development of his book, Journey.

I was surprised to see a board board by him but was intrigued by the die cuts and rainbow color wheel. Upon opening the book, seemed to be departure from his other work, but it was just as beautiful and brilliant. It was inspiring to see his range.

I found this book to be perfect for my kid as babies and young toddlers. It’s short, simple, and really captures their attention when light is coming through the transparent colored circles. And it’s cool to see and talk about how mixing primary colors create all the other colors.

Monstress is an awful lot of things: An epic fantasy that confronts the horrors of modern war; a work of fusion that marries Western and Eastern aesthetics and the epic scale of George R. R. Martin with the cosmic and body horror of Junji Ito; an incredible trove of beautiful visual art; a stage for women of all kinds, young and old, beautiful and monstrous, weak and powerful, with and without shark heads; and a story about a girl coming to grips with a dark family legacy and what it means for her place in a bloody, painful world.

More than anything else, it’s about what happens when people use each other. For my money, the best epic fantasy currently being published in any form.

Spooner incorporates a classic Russian fairy tale into her rendition of Beauty and the Beast, creating a rich narrative set in an enchanted forest, both mysterious and dangerous. Though the framework of the original tales is there, this novel does a great job redressing the mannequin (figuratively speaking) so that we get a fresh and enjoyable exploration into the duality of human nature—among other things. I loved the tenacious heroine, who’s a skilled archer and feels more at home in the woods, and it’s her desire for revenge that sparks the chain of events that follow. The author’s version of the beast goes beyond the archetypal motif of “bad guy with good heart,” and the pacing of the book allows for a more authentic delivery (and transformation) of emotion between the characters.  

This book is a wonder of a collaboration between siblings Sofia Samatar and Del Samatar, and it has haunted me for years.

This collection is a surreal work of autobiography told through Sofia’s short fiction and Del’s illustrations, all featuring different monsters. These monstrous vignettes are interwoven with memories of growing up as multiracial Somali Americans in the 1980s—to me, they highlight the power of speculative fiction at its very best.

This book feels a little bit like reading someone’s journal, and a little bit like when I realize I’m dreaming but can’t wake myself up. The monsters mesmerized and unsettled me; the Graphis gives me shivers and the Collector of Treasures makes me feel ill. It’s a challenging read and one that I will come back to again and again.

Translated from Korean, Solo Leveling is the story of a world where mysterious portals have opened and lead into caves full of nightmarish creatures. To combat these “Dungeons”, humans have harnessed magic in order to awaken what are called Hunters – people who are stronger, faster, and more powerful than the average person. One of these Hunters is named Jinwoo Sung, known across Korea as the weakest hunter to have awakened. Barely stronger than a normal human, he’s nearly died hundreds of times but keeps fighting in order to support his sister and sick mother. After a sudden encounter with a strange Dungeon, he’s gained the ability to Level Up, finally giving him the chance to prove that he’s not just some weakling who needs to be protected.

This story resonates with me because you can’t help but be envious of a power like this. The more the MC fights,… show more.

I love funny books! In Monsters 101, three hilarious professors share little-known, laugh-out-loud facts about monsters of all shapes and sizes. Readers will get a kick out of the non-fiction format and bright visuals. The author-illustrator of the book is the same illustrator of my book If I Had a Gryphon, so he knows a thing or two about drawing monsters!

I have recommended this novel as it is one of the few to come out of the Iraq war written by an Iraqi writer, telling its story from the point of view of the local Iraqis. 

Hadi, an old junk dealer, dismayed by the hasty burials of incomplete bodies after the daily bombings, puts together a body from the parts he finds. This composite body, he calls “Whatsitsname,” becomes possessed with the soul of a bombing victim and sets about killing those responsible for turning Baghdad into a slaughterhouse.

Blending its style between war fiction, horror, and fantasy, this darkly effective satire of the fatal logic of sectarianism follows Whatsitsname as he expands his scope, claiming: “There are no innocents who are completely innocent, and no criminals who are completely criminal.”