Here are 100 books that New York Diaries fans have personally recommended if you like
New York Diaries.
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I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
I am definitely recommending some very big books here!
This one is easily recognizable because of the size of its spine, but it’s also incredibly interesting – an economic, social, and political history of New York City from its founding to consolidation, I think the best thing about this book is all the subjects it covers which I knew nothing about.
New York City during the American Revolution comes to mind. So does the early history of New York’s apartment buildings. There’s a reason this book won a Pulitzer Prize.
I like the sequel too (called Greater Gotham, only by Wallace), but prefer this book, I think, because I know the post-1898 history better while much of this book was novel to me.
To European explorers, it was Eden, a paradise of waist-high grasses, towering stands of walnut, maple, chestnut, and oak, and forests that teemed with bears, wolves, racoons, beavers, otters, and foxes. Today it is the city of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe.
In "Gotham", Edwin G. Burrows and Mike Wallace have produced a monumental work of history,on ethat ranges from the Indian tribes that settled in and around the island of Manna-hata, to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Growing up in Brooklyn I heard stories about local mafia figures. Now, as the author of several books that deal with crime, I am passionate about good storytelling. I believe that a novel delving into the world of crime and criminals should be fast-paced and believable. Readers have told me that they give up on a book because, in their words: 1. “It isn’t believable” and 2. “It didn’t draw me in.” God forbid that any of the books I’ve written should fall into either of those categories! The books that I recommend are tops in the genre of The Best Mob Books That Tell It Like It Is.
This is a novel about Italian immigrants struggling to survive in New York City’s Little Italy during the early years of the twentieth century amid the growth of the Black Hand, the precursor to the American mafia. The book is unique in that most of the characters are the author’s actual ancestors and people with whom they had come into contact during that era. Similarly, the grisly central events described in the story all occurred.
It is beautifully written and filled with fascinating historical details. The characters and the descriptions of places and events come alive on the page. Fabiano includes an extensive Glossary of Italian Terms used in the book, as well as a multi-generational family tree. Elizabeth Street makes for very good reading!
Based on true events, Elizabeth Street is a multigenerational saga that opens in an Italian village in the 1900's, and crosses the ocean to New York's Lower East Side. At the heart of the novel is Giovanna, whose family is targeted by the notorious Black Hand-the precursor to the Mafia. Elizabeth Street brings to light a period in history when Italian immigrant neighborhoods lived in fear of Black Hand extortion and violence-a reality that defies the romanticized depiction of the Mafia. Here, the author reveals the merciless terror of the Black Hand-and the impact their crimes had on her family.…
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.
2018 HONORABLE Mention for Romance Forward INDIES Winners Gracie Miller is a small-town girl who has landed her dream job in New York City. As jewelry designer for one of the most prestigious jewelers in the world, she completed a particularly stunning piece, a custom setting for a large pink diamond. But when her billionaire client Mrs. Katsaros comes to repair a minor issue with the setting, Gracie is horrified to realize it is not the ring she created. Someone has forged her design, and the priceless diamond is gone.
Mrs. Katsaros has no desire to bring media attention to…
Pregnant out of wedlock, sixteen-year-old Annie Moore is sent to live at a convent for fallen women. When the nuns take her baby, Annie escapes, determined to find a way to be reunited with her daughter. But few rights or opportunities are available to a woman in the 1860s, and…
My father came from Ukraine, and every summer took the family to stay on a farm in an immigrant community in southern New Jersey, Carmel, a community begun by the Baron de Hirsch Foundation, which settled Jews from all over Europe. Italian immigrants also settled there. I lived in a family that spoke to their siblings in three languages, Yiddish, Russian, and Ukrainian. Hence, I was privy to the loves and losses of people who felt estranged from their language and often yearned to return to their country of origin.
Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America. Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.
Award-winning writer Rich Cohen excavates the real stories behind the legend of infamous criminal enforcers Murder, Inc. and contemplates the question: Where did the tough Jews go?
In 1930s Brooklyn, there lived a breed of men who now exist only in legend and in the memories of a few old-timers: Jewish gangsters, fearless thugs with nicknames like Kid Twist Reles and Pittsburgh Phil Strauss. Growing up in Brownsville, they made their way from street fights to underworld power, becoming the execution squad for a national crime syndicate. Murder Inc. did for organized crime what Henry Ford did for the automobile,…
I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.
The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.
As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me.
THE CLASSIC BESTSELLER: 'The greatest book about food ever written' 'A compelling book with its intriguing mix of clever writing and kitchen patois ... more horrifically gripping than a Stephen King novel' Sunday Times 'Extraordinary ... written with a clarity and a clear-eyed wit to put the professional food-writing fraternity to shame' Observer _____________________________ After twenty-five years of 'sex, drugs, bad behaviour and haute cuisine', chef and novelist Anthony Bourdain decided to tell all - and he meant all. From his first oyster in the Gironde to his lowly position as a dishwasher in a honky-tonk fish restaurant in Provincetown;…
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I loved this book because it pitted the criminal’s warped psyche against that of the private detective.
Would the latter be willing to compromise his own moral code to stop the heinous actions of the former? How far is anyone willing to go not only to confront evil but to eliminate it?
Andrew Vachss's implacable private eye has a new client, Strega. She wants Burke to find an obscene photograph—and that search will take him into the ocean that flows just beneath the city, an ocean whose currents are flesh and money, the anguish of children and the pleasure of twisted adults. It is a place that Burke can visit only at the risk of his sanity and his life. But between the power of Strega and his own sense of justice, there is no turning back.
In Strega one of our most acclaimed crime writers gives us a thriller that might…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I love all Dawn Powell’s novels, but this 1936 satire of the New York literary scene might be my favorite.
Powell brilliantly captures the metropolitan grit and glamour of New York City in the 1930s, the backstabbing literary gossip, hard-drinking parties and seedy bars, and all the publishing world’s deep loyalties and betrayals. The city itself is a character, and all the people in the book feel both true to life and larger than life.
The book follows the aspiring writer Dennis Orphen, who is guilty of stealing the details of his dear friend’s life in his novel—and what ensues is hilarious, sparkling, and surprisingly moving.
Dennis Orphen is a young, clever novelist with a keen eye for a good story. This time, however, his material is drawn from the romantic woes of his closest friend, Effie Callingham. More than a decade earlier, Effie's husband-the superstar writer Andrew Callingham-abandoned her for a younger, prettier woman. In the years since, Effie has stubbornly defended his reputation, clinging to the desperate hope that he might one day come to his senses and return.
When Dennis's novel is published, their friendship is put to the test. In his thinly veiled portrait, Effie's private pain is exposed to a scandal-hungry…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a “green goods” con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described “good fellow.”
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose as…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
Her pepper peach preserves are delectable, but murder is a jam that could ruin her life.
Roxy Constantine is the jam queen of Shavano, Colorado. But her social life is a bust, and she’s still recovering from a bad experience with a predatory chef as a line cook in Denver.…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
