Here are 100 books that Natural-light Photography fans have personally recommended if you like
Natural-light Photography.
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I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I have almost all of the photobooks by Eliot Porter, the master of color nature photography, but this is my favorite. He uses his “intimate landscapes” approach to great effort to capture the beauty of this wildlands in extraordinary detail.
The photography of Eliot Porter captures the majestic beauty of the Appalachian wilderness. In the contrast, the harsh human history--the blighting force of today's industrial tourism, the sad fate of the Cherokee Indians, and the mountaineers--is sensitively recorded by Abbey. 45 color illustrations. 128 pages. Size D.48 color illus. 10 x 13 3/4. $37.50 value.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I have seen many photos of trees over the years, but these unique photos by Robert Adams of cottonwoods near his home in Colorado are poetic and lyrical.
They make the viewer feel the trees are almost speaking back with messages both haunting and affirming.
A new expanded edition of Robert Adams’ homage to the cottonwood tree
Trees have been a subject of lifelong engagement for acclaimed American photographer Robert Adams (born 1937), and no species has enthralled him more than the cottonwood. Revered by the Plains Indians, native cottonwoods animate the landscape unforgettably but their thirst for water and lack of commercial value have made them common targets for removal by agricultural business and housing developers. Some of Adams’ earliest pictures were of cottonwoods, and he photographed them throughout the 35 years that he lived in Colorado, beginning in 1975. Each of the black-and-white…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I have long been an admirer of Jim Brandenburg's nature photography. This is his magnum opus, in which he raised the bar by only exposing one photographic frame each day for the 90 days of autumn. The results are spectacular.
Presents the noted photographer's images of Northern Minnesota taken during his self-assigned task of taking only one photograph per day through the fall season.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I found this guidebook the best for identifying species and explaining their characteristics within a forest. Knowing the species improved my forest photgraphy greatly.
A beautiful, masterful and much needed work that willhenceforth be our guide to North American trees.Brought to you by David Sibley of Sibleys Birder Guides.
My interest in photography began as a student at Pratt Institute, a preeminent art school, and I have worked in the field my entire adult life, not as a photographer but as a picture editor and photography critic. I was the Page One Picture Editor of The New York Times and wrote regularly about photography for the paper. I have published two biographies: one on Richard Avedon, among the more significant artists of the 20th century, and another on Sam Wagstaff, one of the earliest collectors who established the art market for photography; a book of collected reviews and essays called Photography After Frank; and essays on individual photographers for museum catalogues and artist’s monographs. I produced the 2011 documentary, Bill Cunningham New York.
As the legendary curator of photography at the Museum of Modern Art, John Szarkowski was instrumental in elevating photography’s stature to an equal among the fine arts. He is eloquent in his explanation about the meaning of photography and illuminating in his descriptions of each of the one hundred photographs published in this book from MoMA’s sterling collection of photographs. There is no better guide to an awakening of your own eye than Szarkowski.
`This is a picture book, and its first purpose is to provide the material for simple delectation', wrote curator John Szarkowski in this first survey of The Museum of Modern Art's photography collection. Since 1930, when the Museum accessioned its first photograph, it has assembled an extraordinary and wide-ranging collection of pictures for preservation, study and exhibition. A visually splendid album, Looking at Photographs is both a treasury of remarkable photographs and a lively introduction to the aesthetics and the historical development of photography. This reissue, with new digital duotones, enhances a classic volume and makes it available to a…
I’ve spent a lifetime in search of the coziest ski village, the most spectacular mountaintop view, and the ultimate powder descent, and for the past 35 years, I’ve been writing about and photographing my experiences for ski and travel magazines. I am one of the world’s most published ski journalists, with more than 600 feature articles with photos having appeared in 20 countries. I’ve skied about 4700 days in my life, and have managed to ski in 650 ski resorts, in 75 countries, and on all seven continents. I have also written an unusual multi-media novel with photos and music called Coming of Age.
Ray Atkeson was one of the premiere ski photographers of the early days of skiing, although he continued to produce photos from the 1920s all the way into the 1990s. His photos were primarily in black and white and can easily be compared to the brilliant nature photography of Ansel Adams. My mother, herself a ski pioneer, who became the first female to certify as an instructor in California, modeled for Atkeson in the 1940s. This book is a compilation of some of the finest ski photos ever put together.
Bundle up for a visual adventure of vintage skiing featuring images by one of the most famous ski photographers of that era: Ray Atkeson. With more than 75 skiing photographs in stunning black and white, the snowy slopes of yesteryear will call to black diamond and bunny hill skiers alike.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
Traveling is a time when you often need to entertain a bored child on a train, plane, or in a car. This book has tons of great games, puzzles, stickers, and even cultural information that will educate your child. Lots of photography and illustrations to entertain, as well. A good mix of education and fun.
Make car and plane trips a blast with these fun, educational travel activities for kids. The interactive games and travel journal will keep kids busy during vacations and school holidays.
Doodles to draw, puzzles to solve, games to play, and stickers to find--children will be entertained whether the family is traveling by car, plane, or even just hanging poolside. The Travel Activity Book includes a unique blend of illustrations and photography for lots of visual fun. The book also highlight facts and information about real destinations and monuments, so children can discover life and culture around the world. Learns about…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
When my wife and I met in 1975, one of the things we had in common was that we both owned a copy of Growing Up Female. And the bindings on both copies were pretty worn out. This is a deeply personal journal of compelling photographs and eloquent text about women—from a feminist’s point of view. What I love about this book is how deeply moving it is and how well it demonstrates a narrative approach to taking, editing, and sequencing first-person photographs. Not to mention that this book sold 25,000 copies (unheard of for books of photography) and had a significant impact on the view of a woman’s place in our culture.
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is a fun book of photography projects for children (although they would also be good for any adult aspiring photographer). I like the way it has varied practical projects which get you thinking about the process of making photographs based around a theme or idea.
It poses interesting questions to think about when taking a photograph, and as Susan Meilsellas says “whether or not a photograph can change the world, photography can change you. Just open your eyes!”
Compiled by Magnum photojournalist Susan Meiselas, Eyes Open is a sourcebook of photography ideas for kids-to engage with the world through the camera.
Twenty-three enticing projects help inspire a process of discovery and new ways of telling stories and animating ideas. Eyes Open features photographs by young people from around the globe, as well as work by professional artists that demonstrates how a simple idea can be expanded. Playful and meaningful, this book is for young would-be photographers and those interested in expressing themselves creatively.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw forBritish Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents.
In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.
Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of…
