Here are 100 books that Eyes Open fans have personally recommended if you like
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Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
I love the way that you get to travel around the world with this book. Its simple idea must have been a logistical nightmare to photograph; finding a home, people who would be willing to have the inconvenience of having all of their possessions taken out of their homes and placed in front of them.
Being nosey and inquisitive myself I enjoy the way you can peak into these families lives through the objects they own (or don’t own). I find the differences in the families circumstances and possessions a poignant visual representation of consumerism.
Called “Fascinating! An incredible book” by Oprah Winfrey, this beloved photography collection vividly portrays the look and feel of the human condition everywhere on Earth.
In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions; a few jars and jugs for some, an explosion of electronic gadgetry for others.
This is the Inspiring true story of a young girl surviving Mengele’s hell. This is an incisive, harrowing, and touching memoir of Eva Mozes Kor and her twin sister Miriam, who are sent to Auschwitz only to be torn from their parents and given to Josef Mengele, "The Angel of…
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is a brilliant first introduction to the countries of the world; I’ve spent many evenings with my children looking through the large double-page maps, which are filled with charming illustrations relating to each country and nuggets of information.
It’s fun learning about national foods, animals, famous people, cities, and buildings of each country. Now I know the Chinese use cormorants to catch fish, and the national bird of Nepal is a Himalayan Monal!
1
author picked
Maps
as one of their favorite books, and they share
why you should read it.
This book is for kids age
10,
11,
12, and
13.
What is this book about?
Travel the world without leaving your living room.
This book of maps is a visual feast for readers of all ages, with lavishly drawn illustrations from the incomparable Mizielinskis. It features not only borders, cities, rivers, and peaks, but also places of historical and cultural interest, eminent personalities, iconic animals and plants, cultural events, and many more fascinating facts associated with every region of our planet.
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
We all think we’re individuals and unique. I love the way this project shatters that illusion. It’s also true that humans are tribal, and in this book, we get to see modern tribes.
I find it fun flicking through the pages of the portraits and seeing repetitions of people who are seen on their own to be alternatives, but when seen as a group, they seem to somehow conform.
Rotterdam-based photographer Ari Versluis and profiler Ellie Uyttenbroek have systematically documented the dress codes of various social groups. Rotterdam's heterogeneous street scene remains a major source of inspiration for them, although for this new edition, with 48 new series, they have also visited Milan, Beijing, Rio de Janeiro, Casablanca, Praia (Cabo Verde), New York, Bordeaux, London and Paris.
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is delightful and charming book of photographs of fruit & vegetables, turned into musicians, acrobats, and various animals. I love the way he has used familiar objects and given them expressive personalities.
It is fun discussing with my children how Henry Rox managed to make the compositions (they were done in the 1930s—1940s, long before Photoshop) and how these pictures can change your perception of what a banana or onion can be.
Die Henry Rox Revue verbindet artistische Meisterleistungen zwischen Akrobatik, Musik und Tanz mit Skurrilitäten des Alltags - Unmögliches ist hier in einmaligen Fotografien festgehalten. Henry Rox` fotografische Bildwelt ist eine verrückte Revue mit hintergründigem Witz und launigem Charme. Sie spielt mit Verkleiden und Parodieren und lebt von einfachen wie gleichermaßen phantasievollen Arrangements und Inszenierungen, in denen er unterschiedlichste Rollen mit diversen Früchten und Gemüsen als Hauptdarsteller besetzt. Die wenigen Dokumente, Fotografien und Hinweise auf Henry Rox` Arbeiten sind auf viele Archive und Sammlungen in Amerika und Europa verteilt. Eine umfassende Veröffentlichung, eine ausführliche Einordnung seiner Arbeiten hat es bisher nicht…
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I love the huge size (12.5”x17”) and gorgeous printing of this book.
Of course, the photos are amazing. This book was published by Abrams during the years when they were known for their exquisite art books. There are not many publishers who would put out a book like this today, including Abrams. The photos of New York City in this book are the work of a photo genius.
I get immense pleasure holding this book and going through the pages which show all of New York in beautiful late sun and night light, and so large you can feel like you are right there.
Aerial photographs of the famous landmarks, historic buildings, and local neighborhoods of New York provide a birds-eye-view of one of America's major cities
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
It’s hard these days to get a sense of what Leningrad looked like back in the 1960s and 1970s, and these photographs are also a tribute to the alternative art of that era: grainy black-and-white-images of stray dogs on rubbish tips, drunks in backyards, dilapidated façades stretching along the eerie silver of canals. The photographers included (such as Boris Smelov, Lev Zviagin, Slava Mikhailov, Boris Kudryakov and Olga Korsunova) aren’t nearly as well-known as they should be, and are as interesting in their way as the ubiquitous Boris Mikhailov. For a comparable figure who isn’t included in Val’ran’s book because her work was only discovered recently, see this site with Masha Ivashintsova’s work, curated by her daughter.
Floretta- the story of an old woman who discovers life beautifully anew thru the helping hands of a child. The chakra colors of dawn and twilight are woven through the pages as the cycle of life is magically composed. The subject of “heaven,” has the potential to open discussions with…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This book mixes history, social classes, cultures, and repression in a broiling stew of love, fear, and the will to survive that kept me captivated.
I wanted to see the characters overcome their own weaknesses as they built their survival skills in this captivating story that takes place in Spain during the Franco dictatorship.
I discovered Jewish photographers a couple of decades ago when I worked on a book, Cityscapes: A History of New York in Images. At the time, I was intrigued with how to tell the city’s history through photographs. Then, when I started to request permission to publish, I discovered that most of the photographers were Jewish New Yorkers. That sent me down a twisting path as I learned about more and more and more Jewish photographers. All types of photographers: professional and lay, photojournalists and street photographers, fashion photographers and family photographers. I fell in love with the multitude of their images. Turns out I was not the only one.
I’m not a fan of theory, which Amos Morris-Reich is, but I loved how he embedded his theory in five fascinating cases that would not normally be considered together.
One case involved a Nazi photographer, one concerned a Jewish promoter and collector of photographs, one looked at Jewish photographers in Eastern Europe, and two considered very different Jewish photographers: Helmar Lerski and Robert Frank. The combination is thought-provoking.
It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
I loved this book because it deepened my understanding of light, lenses, cameras, how humans view color, and the limits of human vision. I strongly believe that the more I know about the tools I use to create my images and how my images are perceived by my viewers, the better a photographer I will become.
Reading this book took me one long step further toward that goal.
While there are many books that teach the "how-to" of photography, Science for the Curious Photographer is a book for those who also want to understand how photography works. Beginning with an introduction to the history and science of photography, Charles S. Johnson, Jr. addresses questions about the principles of photography, such as why a camera needs a lens, how lenses work, and why modern lenses are so complicated.
Addressing the complex aspects of digital photography, the book discusses color management, resolution, "noise" in images, and the limits of human perception. The creation and appreciation of art in photography is…
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
This book is a lively, questioning, and comprehensive survey of American photography, from its beginnings to the present. It analyzes achievements in each of the genres, from portraiture, through landscape, to documentary, fashion, etc. It treats individual photographic artists, from Avedon to Weegee, from the views of New York taken by Berenice Abbott to J.T. Zealy’s likenesses of enslaved Africans. American Photography is always concerned to underscore what photographs have to tell us about major aspects of American culture: race and ethnicity, gender and identity, business and technology, religion, and region. It also has numerous well-reproduced images; illuminating sidebars and boxes on such topics as the daguerreotype or picture magazines; a helpful timeline; and notes on further reading and viewing. The book was expanded and retitled as Photography in America in 2015, but the first edition still holds up.
This lively new survey offers fresh insights into 150 years of American photography, placing it in its cultural context for the first time. Orvell examinines this fascinating subject through portraiture and landscape photography, eamily albums and memory, and analyses the particularly 'American' way in which American photographers have viewed the world around them. Combining a clear overview of the changing nature of photographic thinking and practice in this period, with an exploration of key concepts, the result is the first coherent history of American photography, which examines issues such as the nature of photographic exploitation, experimental techniques, the power of…
