Here are 100 books that Eyes Open fans have personally recommended if you like
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Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
I love the way that you get to travel around the world with this book. Its simple idea must have been a logistical nightmare to photograph; finding a home, people who would be willing to have the inconvenience of having all of their possessions taken out of their homes and placed in front of them.
Being nosey and inquisitive myself I enjoy the way you can peak into these families lives through the objects they own (or don’t own). I find the differences in the families circumstances and possessions a poignant visual representation of consumerism.
Called “Fascinating! An incredible book” by Oprah Winfrey, this beloved photography collection vividly portrays the look and feel of the human condition everywhere on Earth.
In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions; a few jars and jugs for some, an explosion of electronic gadgetry for others.
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is a brilliant first introduction to the countries of the world; I’ve spent many evenings with my children looking through the large double-page maps, which are filled with charming illustrations relating to each country and nuggets of information.
It’s fun learning about national foods, animals, famous people, cities, and buildings of each country. Now I know the Chinese use cormorants to catch fish, and the national bird of Nepal is a Himalayan Monal!
1
author picked
Maps
as one of their favorite books, and they share
why you should read it.
This book is for kids age
10,
11,
12, and
13.
What is this book about?
Travel the world without leaving your living room.
This book of maps is a visual feast for readers of all ages, with lavishly drawn illustrations from the incomparable Mizielinskis. It features not only borders, cities, rivers, and peaks, but also places of historical and cultural interest, eminent personalities, iconic animals and plants, cultural events, and many more fascinating facts associated with every region of our planet.
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
We all think we’re individuals and unique. I love the way this project shatters that illusion. It’s also true that humans are tribal, and in this book, we get to see modern tribes.
I find it fun flicking through the pages of the portraits and seeing repetitions of people who are seen on their own to be alternatives, but when seen as a group, they seem to somehow conform.
Rotterdam-based photographer Ari Versluis and profiler Ellie Uyttenbroek have systematically documented the dress codes of various social groups. Rotterdam's heterogeneous street scene remains a major source of inspiration for them, although for this new edition, with 48 new series, they have also visited Milan, Beijing, Rio de Janeiro, Casablanca, Praia (Cabo Verde), New York, Bordeaux, London and Paris.
For those who enjoy fantasy adventure, the Faerie Tales from the White Forest series offers a new twist on the traditional faerie tales so loved by young readers.
From devastating curses to death-defying quests, Brigitta and her growing collective of misfit friends face greater and greater challenges when destiny calls…
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is delightful and charming book of photographs of fruit & vegetables, turned into musicians, acrobats, and various animals. I love the way he has used familiar objects and given them expressive personalities.
It is fun discussing with my children how Henry Rox managed to make the compositions (they were done in the 1930s—1940s, long before Photoshop) and how these pictures can change your perception of what a banana or onion can be.
Die Henry Rox Revue verbindet artistische Meisterleistungen zwischen Akrobatik, Musik und Tanz mit Skurrilitäten des Alltags - Unmögliches ist hier in einmaligen Fotografien festgehalten. Henry Rox` fotografische Bildwelt ist eine verrückte Revue mit hintergründigem Witz und launigem Charme. Sie spielt mit Verkleiden und Parodieren und lebt von einfachen wie gleichermaßen phantasievollen Arrangements und Inszenierungen, in denen er unterschiedlichste Rollen mit diversen Früchten und Gemüsen als Hauptdarsteller besetzt. Die wenigen Dokumente, Fotografien und Hinweise auf Henry Rox` Arbeiten sind auf viele Archive und Sammlungen in Amerika und Europa verteilt. Eine umfassende Veröffentlichung, eine ausführliche Einordnung seiner Arbeiten hat es bisher nicht…
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I love the huge size (12.5”x17”) and gorgeous printing of this book.
Of course, the photos are amazing. This book was published by Abrams during the years when they were known for their exquisite art books. There are not many publishers who would put out a book like this today, including Abrams. The photos of New York City in this book are the work of a photo genius.
I get immense pleasure holding this book and going through the pages which show all of New York in beautiful late sun and night light, and so large you can feel like you are right there.
Aerial photographs of the famous landmarks, historic buildings, and local neighborhoods of New York provide a birds-eye-view of one of America's major cities
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
It’s hard these days to get a sense of what Leningrad looked like back in the 1960s and 1970s, and these photographs are also a tribute to the alternative art of that era: grainy black-and-white-images of stray dogs on rubbish tips, drunks in backyards, dilapidated façades stretching along the eerie silver of canals. The photographers included (such as Boris Smelov, Lev Zviagin, Slava Mikhailov, Boris Kudryakov and Olga Korsunova) aren’t nearly as well-known as they should be, and are as interesting in their way as the ubiquitous Boris Mikhailov. For a comparable figure who isn’t included in Val’ran’s book because her work was only discovered recently, see this site with Masha Ivashintsova’s work, curated by her daughter.
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
I am a retired sociology professor with many academic publications. At Home and At Sea is my first trade book. The couple in the book are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of this time in their lives and the importance of social history, which examines the lived experience of the past. The vast literature of war and naval history focuses on major battles and the actions of a few “great men”—admirals, generals, presidents. But these accounts omit the everyday lives of millions of “ordinary people,” like my parents, caught in the sweep of history.
Before I began to read this book, I knew it was about the men who raised the stars and stripes atop Mt. Suribachi, a photograph of which became an iconic image of the Battle of Iwo Jima and the Pacific War. Indeed, the book meticulously conveys the story of the six flag raisers, men who were representative of the U.S. Marines and those who fought at Iwo Jima.
Their lives are fascinating in themselves. But as I discovered, the book is much more. It a gripping account of the Battle, where the Americans sustained more casualties than the Japanese, a moving tribute to the courage, valor, and camaraderie of the Marines, and a thorough exploration of myths surrounding the flag raising and its effects on the flag raisers.
#1 NEW YORK TIMES BESTSELLER • This is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America
In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America.
In February 1945, American Marines plunged into the surf at Iwo Jima—and into history.…
I am an Oxford local historian, and the only Oxford guide endorsed by the Lewis Carroll Society. I have helped shape Oxford’s annual Alice’s Day since the first one in 2007, and have participated in French, Dutch, Canadian, Brazilian and British TV and radio documentaries, most notably for BBC 2 and BBC Radio 4. My interest is mainly the many Oxford realities which are hidden away within the apparent fantasy of the ‘Alice’ books, an angle which has enabled me to lecture on this internationally famous topic as far away as Assam in India. Subsequently, my appreciation of Carroll’s versatility as a mathematician, photographer, inventor, diarist, and letter writer has grown steadily over the years.
Mention the name ‘Lewis Carroll’ and most people will immediately think of the two Alice books. Very few would equate the name to Charles Dodgson, the photographer. This, however, is the aspect of the multi-talented Oxford don which Gernsheim, a professional photographer himself, appraised in his 1949 first edition for the very first time, concluding that Dodgson was ‘the most outstanding photographer of children in the nineteenth century. Many of the black and white plates substantiate this claim, but equally, Dodgson’s mastery of this new invention enabled him to meet and photograph (sometimes uniquely) numerous famous writers and artists, as well as many Oxford contemporaries. As an aside, Edward Wakeling’s 2015 Catalogue Raisonné is a comprehensive listing of every one of Dodgson’s hundreds of known photographs.
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
These days, you take a picture and see it right away, but when I started taking snapshots, I’d shoot a roll of film, take it down to the photo developer, and wait a day or two to get my snaps back. They always came in a photo wallet, and opening it was a big part of the ritual of finding out how my pictures turned out.
I also used the wallet to store them and still have lots of them from the 1990s and early 2000s. Annebella Pollen’s great little book takes me back to that time and shows me the evolution of those wallets over almost a hundred years, and the care that went into designing them.
I discovered Jewish photographers a couple of decades ago when I worked on a book, Cityscapes: A History of New York in Images. At the time, I was intrigued with how to tell the city’s history through photographs. Then, when I started to request permission to publish, I discovered that most of the photographers were Jewish New Yorkers. That sent me down a twisting path as I learned about more and more and more Jewish photographers. All types of photographers: professional and lay, photojournalists and street photographers, fashion photographers and family photographers. I fell in love with the multitude of their images. Turns out I was not the only one.
It filled me with wonder at how much one could learn from studying just one photograph. The photo, by Dmitri Baltermants, a Soviet Jewish photojournalist, was taken outside of Kerch, in Ukraine, of dead bodies lying in the snow in 1942. Baltermants focused on a non-Jewish woman mourning the death of her non-Jewish husband, but the photo came to symbolize so much more.
I love how Shneer traces the path of this photo across decades, illuminating how many meanings can be attached to a single image.
In January 1942, Soviet press photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity, where an estimated 7,000 Jews and others were executed at an anti-tank trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took photos that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never before seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image…
