Here are 100 books that Chased by the Light fans have personally recommended if you like
Chased by the Light.
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I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I have almost all of the photobooks by Eliot Porter, the master of color nature photography, but this is my favorite. He uses his “intimate landscapes” approach to great effort to capture the beauty of this wildlands in extraordinary detail.
The photography of Eliot Porter captures the majestic beauty of the Appalachian wilderness. In the contrast, the harsh human history--the blighting force of today's industrial tourism, the sad fate of the Cherokee Indians, and the mountaineers--is sensitively recorded by Abbey. 45 color illustrations. 128 pages. Size D.48 color illus. 10 x 13 3/4. $37.50 value.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I have seen many photos of trees over the years, but these unique photos by Robert Adams of cottonwoods near his home in Colorado are poetic and lyrical.
They make the viewer feel the trees are almost speaking back with messages both haunting and affirming.
A new expanded edition of Robert Adams’ homage to the cottonwood tree
Trees have been a subject of lifelong engagement for acclaimed American photographer Robert Adams (born 1937), and no species has enthralled him more than the cottonwood. Revered by the Plains Indians, native cottonwoods animate the landscape unforgettably but their thirst for water and lack of commercial value have made them common targets for removal by agricultural business and housing developers. Some of Adams’ earliest pictures were of cottonwoods, and he photographed them throughout the 35 years that he lived in Colorado, beginning in 1975. Each of the black-and-white…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I first learned the techniques of nature photography from the Ansel Adams 5-book series. Adams offers great insights into how to best approach photographing difficult aspects of nature (including forests) in all weather and light conditions.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I have been a working photographer my whole life, with 30 years of experience with National Geographic magazine. My focus has been on nature and environmental themes. I have travelled the world but became passionate about the Fernbank Forest near my home in Atlanta when I received a commission to photograph the restoration of the forest.
I found this guidebook the best for identifying species and explaining their characteristics within a forest. Knowing the species improved my forest photgraphy greatly.
A beautiful, masterful and much needed work that willhenceforth be our guide to North American trees.Brought to you by David Sibley of Sibleys Birder Guides.
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
My memories of childhood are of white winters and deep snowfalls. Like anyone in a perfect snowstorm, I have often looked at the flakes on the shoulders and sleeves of my coat and wished I could preserve that perfect crystal. I also wondered if the saying was true—that no two snowflakes are alike—and how anyone could possibly know.
I had no idea as a child that a Vermont farmer, Wilson Bentley, studied and photographed snowflakes for years, leading to discoveries about these six-sided, fleeting jewels. In Snowflake Bentley (another Caldecott recipient), Jacqueline Martin introduces us to a time “In the days when farmers worked with ox and sled,” and a boy “who loved snow more than anything else in the world.” A fascinating, educational, and true story to explore.
From the time he was a small boy, Wilson Bentley saw snowflakes as small miracles. And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature.…
I’ve spent a lifetime in search of the coziest ski village, the most spectacular mountaintop view, and the ultimate powder descent, and for the past 35 years, I’ve been writing about and photographing my experiences for ski and travel magazines. I am one of the world’s most published ski journalists, with more than 600 feature articles with photos having appeared in 20 countries. I’ve skied about 4700 days in my life, and have managed to ski in 650 ski resorts, in 75 countries, and on all seven continents. I have also written an unusual multi-media novel with photos and music called Coming of Age.
Ray Atkeson was one of the premiere ski photographers of the early days of skiing, although he continued to produce photos from the 1920s all the way into the 1990s. His photos were primarily in black and white and can easily be compared to the brilliant nature photography of Ansel Adams. My mother, herself a ski pioneer, who became the first female to certify as an instructor in California, modeled for Atkeson in the 1940s. This book is a compilation of some of the finest ski photos ever put together.
Bundle up for a visual adventure of vintage skiing featuring images by one of the most famous ski photographers of that era: Ray Atkeson. With more than 75 skiing photographs in stunning black and white, the snowy slopes of yesteryear will call to black diamond and bunny hill skiers alike.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I have enjoyed the beauty of nature since I was a child, and I quickly understood that human life depends on the availability of air, water, and food, all of which are the gifts of nature. Growing up in a period of unbridled and uncontrolled industrialization in West Germany during the 60s and 70s made me understand that we cannot treat nature the way we did, with never-ending pollution of rivers, coastal areas, and air. I decided to try and become a professional environmental manager and study the science-based availability of solutions and apply them so we can learn again how to live in harmony with nature.
During my time in India, I met some amazing women scientists. The Brahmaputra is one of the world's largest branching rivers, with multi-branched channels that branch and merge to form a distinctive branching pattern. It is home to temporary islands, and the flow of the water exhibits rapid periodic fluctuations between seasons.
Just as the water of the Brahmaputra has to navigate many obstacles from the river's source to the sea, women scientists in India face many obstacles in their work and personal lives. This book documents and illustrates the beauty of science and the importance of involving more women in science worldwide to achieve the Sustainable Development Goals and reduce the multitude of contemporary socio-environmental problems, using India as an example.
Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.
This is a fun book of photography projects for children (although they would also be good for any adult aspiring photographer). I like the way it has varied practical projects which get you thinking about the process of making photographs based around a theme or idea.
It poses interesting questions to think about when taking a photograph, and as Susan Meilsellas says “whether or not a photograph can change the world, photography can change you. Just open your eyes!”
Compiled by Magnum photojournalist Susan Meiselas, Eyes Open is a sourcebook of photography ideas for kids-to engage with the world through the camera.
Twenty-three enticing projects help inspire a process of discovery and new ways of telling stories and animating ideas. Eyes Open features photographs by young people from around the globe, as well as work by professional artists that demonstrates how a simple idea can be expanded. Playful and meaningful, this book is for young would-be photographers and those interested in expressing themselves creatively.
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
I’ve always loved the portraits the photographer Félix Nadar made of nineteenth-century Parisian celebrities such as Victor Hugo and Charles Baudelaire.
I went to this book—Nadar’s memoir—to learn more about the making of those pictures. There is a little bit of that, but what really gripped me was the weird and wonderful shaggy dog stories Nadar tells about his adventures in ‘aerostatic photography’—taking pictures from balloons.
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.
Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As an artist, photographer, author, and workshop leader, my goal is to help others become more skilled with photographic techniques and more creative with their photographic and artistic practice. I like to tell workshop participants that to take better photographs, one should stand in front of more interesting things. But to become a really better photographer one needs to become a more interesting person. The books in the list have helped me grow as a person and photographer, and I hope they also enhance your technique and your passion as a photographer.
This book is key to learning how to make the most of the camera-and-lens combination that is the photographer’s toolset and “paintbrush.”
Bryan Petersen explains the key concepts of photographic exposure in a way that is simple and unforgettable. This book also opens the portals to an experimental and open-ended approach to taking the most advantage of the creative potential that can be achieved when one works with exposure.
