Books like My Sweet Audrina

I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.

I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.

Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.

I liked the subtlety of the storytelling here and the way the whole tragic plot develops. Events develop as much out of boredom and lack of engagement rather than from evil intent.

The false messiah here doesn’t offer a great path and is not particularly charismatic. He just offers something slightly more interesting than all the others around. The outcome depends on accident more than any evil intention. Emma Cline finds an engaging way to explore a piece of history without exploitation.

Thanks to my religious conservative upbringing, I grew up naive and innocent. I learned a lot about life really quick when I entered college. I partied and made mistakes and definitely have my fair share of shame and regret.

However, reading this book even as an adult was still eye-opening. Life of the Party follows Mia, a fashion student living in Milan who lives the most chaotic life imaginable. She parties hard. She drinks endlessly. She wears outfits I'd never dare try on.

Mia couldn't be anything like rigid careful me, but I still resonated with her choices. I empathized with her trauma. I reveled in every small victory she has. Mia helped me realize just how much of the female experience is universal.

I picked up this book on a whim and was lured by the premise, which essentially lays out the story of a woman who marries a successful man at the turn of the century.

It's your standard "wealthy family has everything but they're all miserable" book but with Edwardian vibes. The narrative follows every member of the family, the saga of which I found so riveting. There was a bit of romance and angst and loneliness, specifically around the book's protagonist, Ursula.

This book resonated with me in a way that similar books haven't, which goes to show just what period drama can do, showing you that humans still struggle with the same stuff, no matter the time or place, but with a dash of romantic gothic aesthetic to make it fun.

Painfully and beautifully relatable.

All My Puny Sorrows had a profound effect on me as I was wrestling with the loss of someone I loved fiercely and who wished to die. And while this story examines the intricacies of a tragic family dynamic, it’s also very funny—a contrasting combination I adore. 

Laughing in the face of heartbreak is my favorite strategy for healing, and this book delivers both.

I love coming-of-age stories in the 50s and 60s, so I was thrilled to find this one. I know from my own passage into the teen years what these two sisters were experiencing. Their mother was like many others, taking care of her home, husband, and family. Women were on the cusp of new freedoms, and she fell under the spell of a divorced artsy feminist who moved next door to them. Then the secrets started.

I recall the whispers and dropped conversations as a young teen around my mother. Often we didn’t know the adult decisions that were being made. I wanted to hate the girls’ mother, and I couldn’t wait to find out how the story would end.

I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.

The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.

Hathin needs to cover up that her sister isn’t an oracle. Actually, she’s pretty useless. But now leaders are coming to investigate her sister. Can Hathin fake it? 

Frances Hardinge writes so many good books, but this is my favorite of hers by far. She sets up what you think will be the plot… and then zip! Something totally unexpected happens. So you figure you know where the story’s going… and nope! Now it goes a different direction entirely! And each zig builds tension until the finale of the story, wrapping everything together. If you enjoy female protagonists in a rich fantasy setting, check this out!

This is a novella that starts off the Drake Sisters series. Each book in the series follows a different sister, giving each their romantic HEA (happily ever after). The sisters are known in their small coastal town for their supernatural powers.

They all have vastly different careers and different supernatural abilities. Each story is a page-turner, and the series' final book is the best of the bunch! I’ve read and reread it countless times.

I turn to this series when I’m in a reading slump, and it always turns it around for me. The romantic suspense with supernatural elements makes it a win for me.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be.