Here are 100 books that My Nest Isn't Empty, It Just Has More Closet Space fans have personally recommended if you like
My Nest Isn't Empty, It Just Has More Closet Space.
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While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
No book list on any aspect of southern France would be complete without one of Peter Mayle’s many books on his travels and adventures in Provence.
His initial best seller is a grand introduction to the many small villages, customs, foods, and peoples who maintain the traditional aspects of the unique lifestyle to be found there, which in some places reflects hundreds of years with little change.
I have found in my travels that because this area of France was spared the ravages of the two World Wars, any trip to the region puts the visitor in touch with this remarkable past in a way few other European locales can. I often found myself wrapped up in the incredible history that surrounded me everywhere I went in the region, leading to my own attempt at expressing some of it.
I’ve learned that Peter Mayle, through his books, is like having…
A personal description of Provencal life as seen through the eyes of the author and his wife when they move into an old farmhouse at the foot of the Luberon mountains between Avignon and Aix. The bestselling work of non-fiction in paperback of 1991 in the UK.
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I loved this book because it shows that the setting/particulars of the “journey” don’t actually matter.
It’s all about the author’s voice, perspective, and, in this case, their sense of humor. If these aspects are unique and engaging, it doesn’t matter where they went, or if you have any interest in seeing/doing those things for yourself.
I’ve always felt like I can resonate more with people that are willing to admit their fallibility, and even draw attention to/make light of it. To just how ignorant or clumsy or hapless or cowardly they are. I think that always makes for a better, more human story, a better connection with the reader.
On top of all this, I have a soft spot for the Appalachian Trail, since it crosses through Pennsylvania, only a few miles from where I grew up.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
Most romance readers know that this story is about a run-down villa in Tuscany and a heartbroken heroine (Frances Mayes) struggling to build a life after her divorce. But read the book for the beautiful descriptions of the countryside, the delicious food and wine, and the gorgeous accounts of village life—the markets, the frescos, the fading sunlight!
This memoir is not just a restoration journey; it’s a book about finding yourself.
Discover the New York Times bestseller that inspired the film. The perfect read for anyone seeking an escape to the Italian countryside.
When Frances Mayes - poet, gourmet cook and travel writer - buys an abandoned villa in Tuscany, she has no idea of the scale of the project she is embarking on.
In this enchanting memoir she takes the reader on a journey to restore a crumbling villa and build a new life in the Italian countryside, navigating hilarious cultural misunderstandings, legal frustrations and the challenges of renovating a house that seems determined to remain a ruin.
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
I’m a traveler. For me, there’s nothing like that moment when your plane lands on foreign soil. I feel free when I’m somewhere I’ve never been, where I don’t speak the language, understand the menu, or know a single person. It is the ultimate sense of release. I’ve done a great deal of solo traveling, which I thoroughly enjoy, and fortunately for me, my family understands (or at least accepts). From the Congo to Xian to Paris, I’ve never seen enough.
Okay, cards on the table, I cannot be trusted when recommending this book. I have learned more from Anthony Bourdain than from any other traveler, chef, citizen of the world. His open-minded approach to the world is contagious and inspiring. He lets his readers into the untraveled unknown corners of the planet and I’m grateful he shared his journey. I can recommend all of his books, his TV shows, and his essays. The world is sadder without him.
'Terrific ... His love for his subjects - both the food and the cook - sings' Telegraph
'Christ, could Bourdain weave words ... the guy wrote like a poet' Guardian
A celebration of the life and legacy of one of the most important food writers of all time - the inimitable Anthony Bourdain
Anthony Bourdain saw more of the world than nearly anyone. His travels took him from his hometown of New York to a tribal longhouse in Borneo, from cosmopolitan Buenos Aires, Paris, and Shanghai to the stunning desert solitude of Oman's Empty Quarter - and many places beyond.…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Hundreds (possibly thousands) of biographies of Austen have been written, but Tomalin’s work has long been a favourite of mine.
Her sympathetic portrait of Jane digs deep into her early family life, schooldays, literary influences, and early authorship. Jane’s relationship with her mother; her family’s encouragement of her writings; the fear of poverty after her father’s death; the disastrous (rejected) marriage proposal, and her literary legacy are all detailed with warmth and energy.
The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
Writers are not generally supposed to publicly acknowledge books that track too closely to their own, but of the spate of autobiographical books by women about property ownership that came around at the same time as my book, Levy’s stood out for its intellectual honesty and consideration of the meaning of home. Haunting.
Fearless and essential - the highly anticipated final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'
Following the international critical and commercial success of The Cost of Living, this final volume of Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it. It resumes and expands Levy's pioneering examination of a female life lived in the storm of the present tense, asking essential questions about womanhood, modernity, creative identity and personal freedom. From one of the great thinkers and writers of our time, Real Estate is a memoir and a manifesto…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Almost any of Mary Gaitskill’s books would have suited this theme (and her short story collection Bad Behavior is the obvious choice), but Two Girls, Fat and Thin is a recent discovery and new favourite of mine. Dorothy Never is the titular fat girl, and a former acolyte of an Ayn Rand-like guru, Anna Granite. Thin girl Justine Shade is a journalist who tracks her down while writing a takedown of Granite. From this setup, the novel backtracks to tell the girls’ life stories, in parallel, building up to Justine’s journalistic betrayal of Dorothy, and its surprising aftermath.
This captivating novel shimmers with dark intensity and wicked wit. In a stunning synthesis of eroticism, rage, pathos, and humor, Gaitskill's "fine storyteller's pace and brilliant metaphors" (The New York Times Book Review) create a haunting and unforgettable journey into the dark side of contemporary life and the deepest recesses of the soul.
Why am I an expert on recommending books about sociopaths and liars? I unknowingly shared a life with one for five years. Shattered, I grappled with the aftermath of deception. How could I have been duped for so long? Through therapy and reading, I discovered many smart, compassionate people fall hard for the charismatic charm and convincing stories sociopaths tell to get whatever it is they want from whomever they want it. Without a conscious and incapable of feeling, they often latch onto someone with high morals and emotional intelligence in the hopes of learning how to mirror those attributes only to destroy the ones who love them the most.
Sure, you could say con artist Meg Williams, or any of the aliases this woman goes by, is a vigilante, determined to right the wrongs done to her by society through the many lies she tells. Or you could see her as a sociopathic opportunist.
Kara Roberts is out to catch Williams and bring her to justice for being instrumental in both destroying Roberts’ career and her personal life. But once Roberts gets close to Williams, she falters…and falls under her spell. See a pattern yet? Yep, that’s right. The sociopath always charms the victim.
While the book skews toward a Machiavellian “the ends justify the means” philosophy, the characters are duplicitous and amoral at best, sociopathic and self-serving at worst.
"Julie Clark has done it again...taking you straight into the collision course of two dynamic, complicated women." -Laura Dave, #1 New York Times bestselling author
From the instant New York Times bestselling author of The Last Flight!
She's back.
Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be-a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to…
I’ve always been a thinker, asking big questions and playing around with crazy ideas. That’s why I’ve been fascinated by the Bible since I was fourteen, reading it cover-to-cover multiple times and studying it academically for—approaching four decades now. It’s a classic for a reason! At first, I read it because I became a Christian, and it’s part of the package, but within a short time, I was hooked. I was especially interested in the tough parts, the bits I didn’t like or couldn’t make sense of. They were invitations to explore, think, and learn. It never ceases to surprise me with new ideas and inspirational insights.
In which I discover that St Paul’s was not a misogynist! It is easy to see why we might think otherwise. His first letter to the Corinthians has had a profound and often negative impact on the place of women in Christianity. And just when I thought there was nothing left to say about it, along comes Lucy Peppiatt, and blows my mind!
I loved the complete left-of-field interpretation she offers and the fact that she turns traditional interpretations on their head. She plausibly argues that Paul was not for forcing women to veil and be silent in church. According to Peppiatt, Paul argued against the domineering men who insisted on such things. Wowza! And, by Jove, she could well be right! Invigorating stuff! (The author’s academic version is her Worship and Women at Corinth)
Whether people realize it or not, the ideas in 1 Corinthians 11:2-16 have had a huge impact on the role of Christian women in the church through the centuries. These fifteen verses have shaped worship practices, church structures, church leadership, marriages, and even relationships between men and women in general. They have contributed to practices that have consistently placed women in a subordinate role to men, and have been used to justify the idea that a woman should not occupy a leadership or teaching position without being under the authority or "covering" of a man. It is strange, therefore, that…
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topics—New York and women’s history.
This book is a deeply researched account of one of the most famous women-only hotels, the go-to place for ambitious, aspiring career women from writers like Joan Didion and Sylvia Plath to actresses like Ali MacGraw and Jaclyn Smith. It is my favorite kind of history, a journey through the twentieth century told through the lives of fascinating women.
A “captivating portrait” (The Wall Street Journal), both “poignant and intriguing” (The New Republic): from award-winning author Paulina Bren comes the remarkable history of New York’s most famous residential hotel and the women who stayed there, including Grace Kelly, Sylvia Plath, and Joan Didion.
Welcome to New York’s legendary hotel for women, the Barbizon.
Liberated after WWI from home and hearth, women flocked to New York City during the Roaring Twenties. But even as women’s residential hotels became the fashion, the Barbizon stood out; it was designed for young women with artistic aspirations, and included soaring art studios and soundproofed…
