Here are 100 books that Two Girls Fat and Thin fans have personally recommended if you like
Two Girls Fat and Thin.
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I started reading thrillers when I was twelve—Grisham, Patterson, anything I could get my hands on. I learned quickly that in those stories, men were the ones doing the saving. They had the adventures; women were either the obstacle or the one being rescued. That’s why I love where the genre is now. I get to read stories where women take control—sometimes saving the day, sometimes going further than they probably should. It’s changed how I read, and honestly, it’s shaped how I think about storytelling. These are the kinds of books that made me want more—and made me want to be part of that shift.
I have a sister—a twin, actually—and I would do anything for her.
But if she murdered someone… would I cover it up? I couldn’t stop asking myself that while reading this, even as I found myself laughing at how effortlessly funny it is. Ayoola’s total indifference is what hooked me—she doesn’t question herself, doesn’t spiral, she just acts, and there’s something unsettlingly magnetic about that.
And Korede, fully aware and still complicit, pushed me to think about how far love can stretch before it turns into something else entirely. It’s bright, biting, and way more layered than it first appears, and I couldn’t get enough of that tension between devotion and control.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
A lyrical meditation on the mysterious bonds that connect us across species, across time and across the veil.
Slow Blink is a memoir about more than the weight of loving something you cannot keep. It recounts Louise’s relationship with a stray black cat whose bond with her transcended the ordinary,…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Originally published as Under Your Wings in Australia, The Majesties could just easily be titled My Sister, the Mass-Murderer. It has one of my favourite openings of all time: beginning in a hospital, where Chinese-Indonesian fashion designer Gwendolyn lies comatose, the sole survivor of her sister Estella’s mass-poisoning of their 300-strong family dynasty. Though it has been compared to Crazy Rich Asians with its globe-trotting plot (taking place in Jakarta, Paris, and Melbourne, among other settings), The Majesties is a more sombre read, exploring corruption and racial tension in the upper echelons of Indonesian society.
Gwendolyn and Estella are as close as sisters can be. But now Gwendolyn is lying in a coma, the sole survivor after Estella poisons their entire family.
As Gwendolyn struggles to regain consciousness, she desperately retraces her memories, trying to uncover the moment that led to such a brutal act.
Journeying from the luxurious world of Indonesia's rich and powerful, to the spectacular shows of Paris Fashion Week, and the melting pot of Melbourne's student scene, The Majesties is a haunting novel about the dark secrets that can build a family…
A lyrical meditation on the mysterious bonds that connect us across species, across time and across the veil.
Slow Blink is a memoir about more than the weight of loving something you cannot keep. It recounts Louise’s relationship with a stray black cat whose bond with her transcended the ordinary,…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Writing about the internet is notoriously difficult but Sudjic swings it, sublimely. Although ostensibly set between London and New York, Sympathy almost transcends setting with its focus on millennial Alice Hare’s online haunting of writer Mizuku Himura. After becoming infatuated with Mizuku over Instagram, Alice maneuvers an IRL friendship, which spirals into sexual obsession and possessiveness. It’s a brilliant character study and meditation on alienation, online personas, and the algorithmization of attraction.
THE DEBUT OF 2017THAT EVERYONE IS TALKING ABOUT FROM ONE OF THE MOST EXCITING YOUNG BRITISH NOVELISTS
'A gripping odyssey into one woman's online-addled inner life' -- Independent
'Reads likeThe Talented Mr Ripley for the 21st century' --Vice UK
At twenty-three, AliceHare arrives in New York looking for a place to call home. Instead she finds Mizuko Himura, an intriguing Japanese writer, who she begins to follow online,fixated from afar and increasingly convinced this stranger's life holds a mirror to her own. But as Alice closes in on her 'internet twin', fictional and real lives begin to blur, leaving a…
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
Another classic, written in 1984 by the author of Against Our Will: Men, Women, and Rape, Brownmiller covers a lot: body, hair, clothes, voice, skin, movement, emotion, ambition. She says in her prologue, "I offer this book ... in the hope that the feminine ideal will no longer be used to perpetuate inequality between the sexes, and that exaggeration will not be required to rest secure in biological gender."
"Illuminating and informative....Essential reading." THE NEW YORK TIMES BOOK REVIEW Writing with great passion, warmth, and wit on a subject that's never been explored in these terms before, Susan Brownmiller draws on the many manifestations of femininity through the ages, and demonstrates in beautiful and telling detail the many powerful nuances of that one word. "A positive joy to read!" Nora Ephron CHICAGO TRIBUNE BOOK WORLD
I love the Marines. After spending 12 years trying to join the Corps, with numerous rejections, I graduated from Parris Island at 31. As much as I love the Marines, I love reading and writing more. Reading and writing foster deep thought and wisdom in ways that coding, calculating, and puzzle-solving can’t. Having worked as a newspaper reporter, a military analyst, and a Marine, I couldn’t help but loathe the foolish ideas that made the wars on terror so frustrating. I have faith in the Marine Corps (“Semper Fidelis”), and I believe reading thoughtful books can make Marines wiser.
I love the part in this book when Germano is preparing to go to the Marine Corps Birthday Ball, and many guys are stunned to learn she will wear her uniform, not a dress. These male Marines believe a woman should attend the November gala dressed not like the Marine she is but as a civilian.
I’ve witnessed this attitude elsewhere. I was a freshman at Washington & Lee University when the school, which has been around since 1749, finally admitted women. The old guard wasn’t happy to see them, but doubling the brain pool made the school smarter. Women are about 10 percent of the Marine Corps these days, so I kept thinking about Washington & Lee as I read Germano’s book.
One woman's professional battle against systemic gender bias in the Marines and the lessons it holds for all of us.
The Marine Corps continues to be the only service where men and women train separately in boot camp or basic training. This segregation negatively affects interaction with male marines later on, and, lower expectations of female recruits are actively maintained and encouraged. But Lieutenant Colonel Kate Germano arrived at the Fourth Recruit Training Battalion at Parris Island--which exclusively trains female recruits--convinced that if she expected more of the women just coming into Corps, she could raise historically low standards for…
My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
Patriarchy has silenced women for generations, and in my first book, I uncover how women have been taught to “play nice” and be “care-givers” rather than “care-receivers.” Uncovering women’s emotional reality, I expose the culture of female service and how no one is looking after mothers, not even mothers themselves. This book provides exercises to help women claim their voice, needs, and rights in all of their relationships.
"The Silent Female Scream" teaches "how to believe that as a woman you have the right to be heard, valued and respected, and to know that anything less is just not okay." Through case studies and discussion, the author exposes that women's sense of self-worth and entitlement to speak their needs, especially in relationships, is an area that feminism has ignored to its peril. By looking at the legacy of emotional silence that many women have inherited from long before grandmother's day, she warns that emotional silence damages the mother-daughter relationship, women's relationships with themselves and each other, and their…
I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharatafrom the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."
The title of this book comes from the African proverb - "until the lions have their own historians, the history of the hunt will always glorify the hunter". In this poetic reimagining, Nair writes, for the first time, the history of the women in the Mahabharata, the longest poem ever written and one of the two major Sanskrit epics of ancient India.
I’m a therapist and Jungian analyst who has been writing and speaking about the transgender phenomenon since 2016. Across the Anglosphere, teen girls have begun identifying as transgender in significant numbers since around 2011. Many are quickly accessing medical interventions. When I became aware of these trends, I got curious about them. I’m especially fascinated by the way that social and psychological factors can shape our understanding of mental health and mental illness, and I’ve been exploring these topics as they relate to trans adolescents. I’ve worked with trans-identifying young people and their parents, as well as detransitioners.
Philosopher Kathleen Stock cuts through the confusion and obfuscation about trans to define what we mean by transgender. What is the phenomenology of trans, and how is it different from the shifting language we use to describe different states?
I found Stock’s analysis both clear and compassionate. It’s an essential tool going forward that should make it easier to have discussions in this contested area because it posits definitions we might just all be able to agree on.
'A clear, concise, easy-to-read account of the issues between sex, gender and feminism . . . an important book' Evening Standard
'A call for cool heads at a time of great heat and a vital reminder that revolutions don't always end well' Sunday Times
Material Girls is a timely and trenchant critique of the influential theory that we all have an inner feeling known as a gender identity, and that this feeling is more socially significant than our biological sex.
Professor Kathleen Stock surveys the philosophical ideas that led to this point, and closely interrogates each one, from De Beauvoir's…
I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I loved this book because it’s the best illustration of the stepmother-stepdaughter relationship that I’ve ever read. Flo and Rose’s conflicts over work, sex, and a woman’s place in the world made me remember exactly what it was like to be a teenager struggling to relate to older women in my life.
Like many of Alice Munro’s celebrated short stories, it’s about a young woman growing up in rural Ontario who strains against the prejudices of her small town, especially about girls’ education and ambition. “Who do you think you are?” is the question that comes up again and again in this novel-in-stories. Used as an insult, it challenges Rose to make a different life for herself without forgetting the women who came before her.
In this series of interweaving stories, Munro recreates the evolving bond between two women in the course of almost forty years. One is Flo, practical, suspicious of other people's airs, at times dismayingly vulgar. the other is Rose, Flo's stepdaughter, a clumsy, shy girl who somehow leaves the small town she grew up in to achieve her own equivocal success in the larger world.
