Here are 100 books that Mr Breakfast fans have personally recommended if you like
Mr Breakfast.
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I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.
Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.
Marvelously funny, bittersweet, and beautifully evocative, the original publication of A Short History of a Small Place announced the arrival of one of our great Southern voices. Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here…
One summer night in a small prairie city, 18-year-old Gabriel Reece accidentally outs himself to his redneck brother Colin, flees on his motorcycle, and gets struck by lightning on his way out of town.
He’s strangely fine, walking away from his melted pile of bike without a scratch. There’s no…
Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love quirky characters like Nick Fox, a witty and sexy-as-sin thief and con artist. I lap up the sparks that fly when Kate O’Hare, an attractive, dedicated FBI agent, gets paired up with Fox, the criminal she’s determined to catch.
The stage is set for a dash of romance, which is, of course, taboo, and I’m always wondering how long Kate will hold out. I’ve read this book twice and will probably read it again, just for the fun.
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
This picture book is one of the only contemporary books for children that shows drinking for pleasure.
After a mouse gets eaten up by a wolf, he meets a duck that lives in “the belly of the beast.” The two become fast friends and live happily in the wolf’s stomach. Together they make soup, dance to records, and enjoy the finer things in life. When the wolf complains of a stomachache, the duck calls up a cure for him—advising that he eat a hunk of good chess, a flagon of wine, and some beeswax candles.
After the wolf does so, mouse and duck don top hats, tuxedo jackets, bow ties and sit down to feast, raising their glasses of wine to the health of the wolf. Ultimately, duck and mouse save the wolf’s life and in return he grants them their wish to return to their home in his stomach.
They may have been swallowed, but they have no intention of being eaten... A new comedy from the unparalleled team of Mac Barnett and Jon Klassen.
"A subversive delight ... an unexpected, hilarious collaboration" Guardian
Early one morning a mouse met a wolf and was quickly gobbled up...
When a woeful mouse is swallowed up by a wolf, he quickly learns he is not alone: a duck has already set up digs and, boy, has that duck got it figured out! Turns out it's pretty nice inside the belly of the beast - there's delicious food, elegant table settings and,…
One summer night in a small prairie city, 18-year-old Gabriel Reece accidentally outs himself to his redneck brother Colin, flees on his motorcycle, and gets struck by lightning on his way out of town.
He’s strangely fine, walking away from his melted pile of bike without a scratch. There’s no…
Anyone who knows me knows that Christmas is my absolute favorite time of year! I devour all things Christmas, from decor to movies to music to cookies, so curling up with a magical holiday book is my idea of a very merry holiday!
A Christmas Story is my all time favorite Christmas movie so as a gift to myself I bought a copy of the short stories book that it was based on. Jean Shepard was a great writer and radio personality, and it comes through every page of this book. Such a great companion piece to the film.
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear…
As someone who was both a funny kid and a lover of superheroes, it was
always exciting to find a book where those two things crossed paths.
In the young readers' books I’ve written for Marvel and DC Comics, I
always try to inject humor where I can. Humor can be healing. If I
couldn’t laugh, especially about things that have caused me pain, I
don’t know that I would be around today. I love books about funny,
sensitive kids with big hearts. The world is a cold place sometimes,
but whenever I see a young person making positive change and having
fun along the way, it reminds me that anything is possible.
Leon is a big dreamer. He’s a good kid with a zest for life who truly wants to help people. The only problem is he doesn’t have superpowers. But! He does have a cool homemade costume and a keen mind.
I can relate as someone who used to tie towels around their neck and jump off the back of the couch. Don’t try that at home, by the way. Leon’s passion is infectious. His positivity is inspiring. Does it annoy the jerks and bullies? It sure does. But Leon isn’t one to act without considering all the angles. I love that about him.
Jamar Nicholas has crafted a super charming story that explores what it means to be a hero, a villain, and whatever lies in between.
Leon is an ordinary kid who becomes extraordinary when he fights a supervillain to save his school!
"Leon is a superhero, whose powers are kindness and common sense. It's a really good book about a really good kid!" -- Jerry Craft, author and illustrator of New Kid
"A heartfelt and hilarious hero’s journey. LEON is super!" -- Lincoln Peirce, author and illustrator of Big Nate
In the city where Leon lives, superheroes -- and supervillains -- are commonplace. So how does an ordinary kid like Leon, who has no superpowers himself, become the superhero he wants to be? When all…
As a practicing clinical psychologist, teacher of psychotherapy theory and technique, and author (Barbarians at the PTA, Madmen on the Couch, Money Talks) who writes about the psychopathology of daily life for various online and print publications, I am a participant in/observer of mom culture. I love a juicy mother-child story.
This is mom culture at its best: Wolitzer traces the members of a clique who drop their kids at pre-k and enjoy over the ensuing years the gravitational pull of parenting, school volunteering, and part-time work.
She explores familiar dilemmas about aging, career versus family, and female friendship, while offering a sometimes heartbreaking, but always realistic, look at the choices moms face as they watch their kids grow.
The New York Times bestselling novel by the author of The Interestings and The Female Persuasion that woke up critics, book clubs, and women everywhere.
For a group of four New York friends the past decade has been defined largely by marriage and motherhood, but it wasn’t always that way. Growing up, they had been told that their generation would be different. And for a while this was true. They went to good colleges and began high-powered careers. But after marriage and babies, for a variety of reasons, they decided to stay home, temporarily, to raise their children. Now, ten…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
The voice of the main character Will Tweedy pulled me right in. I was drawn into the world of rural Georgia in the turn of the century as if it was yesterday. I could see, smell, taste, and feel everything Olive Ann Burns described. The main character brought me along on his journey in a Huck Finn sort of way that made me feel like his best buddy.
The one thing you can depend on in Cold Sassy, Georgia, is that word gets around—fast. When Grandpa E. Rucker Blakeslee announces one July morning in 1906 that he's aiming to marry the young and freckledy milliner, Miss Love Simpson—a bare three weeks after Granny Blakeslee has gone to her reward—the news is served up all over town with that afternoon's dinner. And young Will Tweedy suddenly finds himself eyewitness to a major scandal. Boggled by the sheer audacity of it all, and not a little jealous of his grandpa's new wife, Will nevertheless approves of this May-December match and…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
I’m a fan of authors who are brave enough to write with reckless abandon, and Tom Robbins, the author of this book, is one of the few. I laughed my way through this novel as it careened from the stock-market crash that starts the novel right through its conclusion.
A 300-pound psychic? A born-again monkey? African rituals? Tarot-card bombshells? A man who has learned how to say “vagina” in more than forty languages? This is a rocket ride and more about great and imaginative writing than a hard plot. Just my kind of stuff.
When the stock market crashes on the Thursday before Easter, you—an ambitious, although ineffectual and not entirely ethical young broker—are convinced that you’re facing the Weekend from Hell. Before the market reopens on Monday, you’re going to have to scramble and scheme to cover your butt, but there’s no way you can anticipate the baffling disappearance of a 300-pound psychic, the fall from grace of a born-again monkey, or the intrusion in your life of a tattooed stranger intent on blowing your mind and most of your fuses. Over these fateful three days, you will be forced to confront everything…
Time travel has always been my favorite genre of storytelling. Devouring every time travel book, movie, TV series, or comic strip I’ve come across in my life got me thinking a lot about cause and effect, chicken and egg, before and after. I eventually came to realize the literary world of prequels and sequels with multiple book series didn’t always have to be read in the order of release, especially if, as a reader, you had a late start that was still “new to you.”
Sequel/prequel/sidequel/timequel: reading a series out of order is a whole new type of adventure.
I’d never heard the term “epistolary novel” prior to reading Michael Kun’s The Locklear Letters, but was immediately smitten with the concept of telling a story solely through a series of letters and/or emails sent by the narrator.
This sequel follows the same template and the same protagonist a decade down the line. I liken it to finding a boxful of letters and using them to piece together a hilarious comedy of errors. Maybe you’ll keep digging and find an older box later, or maybe the archivist kept orderly annals, allowing you to move forward through the years.
Sequencing doesn’t matter, but the written words will leave you in stitches.
Sid Straw, the author of the correspondence that forms Everybody Says Hello, isn t Everyman, but he is someone everyone knows. He tries just a little too hard, says just a little too much, and that extra effort and those extra words are often his undoing. If only Sid could get out of his own way, his life would be wonderful. While Sid Straw may frustrate you at times, you ll end up rooting for him the same way you root for your own equally imperfect friends.
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This novel follows a famous Hollywood director called Boris Adrian but known as "King B" who is shooting a big-budget arthouse porn film.
The auteur was allegedly based on Kubrick, with whom Southern collaborated on Dr. Strangelove, and the book is dedicated to "the great Stanley K" whom Southern alleges wanted to make such a film. As Southern also had screenwriting credits for Easy Rider and Casino Royale, it offers a first-hand account, albeit fictionalized, of someone who worked with the director but also with others in Hollywood.
“Terry Southern writes a mean, coolly deliberate, and murderous prose.” ―Norman Mailer
King B., an Oscar-winning director, is now determined to shoot the dirtiest and most expensive X-rated movie ever made. Displaced to Liechtenstein (which, in order to boost tourism, has negotiated the exclusive rights to show the film for ten years) and fueled by suspiciously rejuvenating vitamin B-12 injections, the set of The Faces of Love is fraught with monstrous egos and enormous libidos ― the kind of situation that could only come from the imagination of the irrepressible Terry Southern.
