Here are 77 books that Mothers of the South fans have personally recommended if you like
Mothers of the South.
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I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.
Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.
It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.
I think it taught me further about the value of writing very visually, the power of our individual…
The unforgettable memoir of a woman at the front lines of the civil rights movement—a harrowing account of black life in the rural South and a powerful affirmation of one person’s ability to affect change.
“Anne Moody’s autobiography is an eloquent, moving testimonial to her courage.”—Chicago Tribune
Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had “known the fear…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.
The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.
As a full-time English professor at Blinn College, I always try to choose stories for the literature classes I teach which will resonate with students. Likewise, as an author myself, I aim for that same approach with fiction writing: I want people to remember and reflect on what they read. Memorable settings can help achieve that, so it’s my pleasure to share some of these inAmerica's South that span both the classic side of the spectrum as well as the contemporary side.
Southern sass and situational humor anchor Susan Sands’ novels.
Her first series set in fictional Ministry, Alabama, and her second in fictional Cypress Bayou, Louisiana, allow readers to meet a large cast of characters, some of which are sure to become favorites. Any book in her series can be an entry point as a stand-alone, but starting with Again, Alabama is an entertaining first step.
Cammie Laroux is back in Alabama—again. Dragged back to her small town to help her mother recover from surgery while rescuing the family event planning business should be a cinch. Even for a disgraced television chef, right? Wrong. Among the many secrets Cammie’s family’s been hiding is the fact that their historic home is falling down. Oh, and the man hired to restore the house, Grey Harrison, is the same high school and college love of her life who thrashed her heart and dreams ten years ago. Yeah, that guy. Grey, a widower with a young daughter, has never stopped…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I write cross-genre fiction with a pen in one hand and a vintage cocktail in the other, filling the romantic void, writing novels when my husband deployed. When in port, we taught swing dancing and have been avid collectors of vintage sewing patterns, retro clothing, and antiques. All of which make appearances in my stories. I’ve always been fascinated with the paranormal and have had some unexplained experiences, some of those made their way into my stories as well. I live in a 1908 home in Texas that may or may not be haunted. I have book reviews, vintage lifestyle tips, recipes, interviews, giveaways, and games on my site!
The vintage fashion descriptions are killer diller with little mini-stories about each dress featured that evoke nostalgia and often melancholy. The mini-stories were sweet, delightful vignettes that reminded me of the way I think of my vintage clothing. They were beautifully written and I loved them all but most noticeably, I loved the story about the wartime mother splashing in puddles with her children. Dora’s character was likable and believable and I rooted for her. The supporting characters were perfectly quirky and delightfully despicable. Plus there is a nice romantic element with a fun love-triangle with wonderful supporting characters.
'Every dress has a story. Let me tell you mine...'
Dora is in love with a man who barely notices her, has a job she doesn't care about, and dresses entirely for comfort, not style. All a far cry from her vivid, eccentric childhood, growing up with her beloved grandmother Mimi.
However, when disaster strikes, Dora knows she has no choice but to return to her childhood home and take over running Mimi's vintage clothing shop. And there she makes a surprising discovery - Mimi's been writing stories to accompany every dress she sells. Romantic, heartbreaking tales about each one's…
I may be only 27, but I’ve spent years researching the Cold War. Mostly because it’s very personal to me…my grandfather was a scientist at a top-secret hydrogen bomb plant in the 1960s. I began researching to understand his work and how it affected my family. I didn’t expect to become so consumed by the sixties. The more I learned about the nuclear arms race and the protests that were led, largely, by women, the more I felt convinced that there was a storyhere. I’m passionate about the often untold stories of resistance—resilience—endurance. Especially women’s stories. I hope you enjoy these books as much as I do!
When I started a book club in 2019, this was one of the first books we read! In West Mills is set in rural North Carolina and follows Azalea “Knot” who refuses to let her town dictate how she’s going to live. She has a mind of her own. She has spunk. But her life of wild choices is leading to some difficult consequences: ostracization from her family, living as an outcast in her own community. What I loved about this book was how lived-in it felt—all of the characters are flawed, and their dialogue and domestic scenes are so fully realized and believable. I highly recommend this book for fans of historical fiction and family dramas!
"A bighearted novel about family, migration, and the unbearable difficulties of love. Here's a cast of characters you won't soon forget." -Ayana Mathis, author of The Twelve Tribes of Hattie
"Winslow's impressive debut novel introduces readers to both a flawed, fascinating character in fiction and a wonderful new voice in literature." -Real Simple, Best Books of 2019
A New York Times Book Review Editors' Choice Winner of the Center for Fiction First Novel Prize
Named a Most Anticipated Novel by TIME MAGAZINE * USA TODAY * ENTERTAINMENT WEEKLY * NYLON * SOUTHERN LIVING * THE LOS ANGELES TIMES * ESSENCE…
I’ve been a fan of military history since I was an army officer in the 1970s. Military history is fascinating, dynamic, exciting—it deals with people on the edge of real-world circumstances making life-or-death decisions. Of all military history, the Revolutionary War in the South is my favorite. It has been blessed with the richest trove of intriguing stories. Southerners love a great tale, and the southern war has provided volumes of them. The Southern Campaign teemed with such larger-than-life characters as Banastre Tarleton, the British officer everyone loved to hate, as well as Francis Marion, the beloved Swamp Fox of legend. Anyone who enjoys a great story will love the lore of the southern war.
In a world populated by official reports and officers’ memoirs, Babits and Howard dug into an untapped resource, the pension applications from the thousands of ordinary soldiers who had fought the battles.
In a flash, gone were the dry ponderings of commanders, lucky and unlucky, looking to resurrect or burnish their reputations. The soldiers fought the do-or-die moments on the front lines and told their stories just as they remembered them.
This book carries all the dash, the heroism, and the slug-in-the-gut terror of the men in the trenches. The authors are true wordsmiths of the old school.
I have read it a dozen times and still marvel at their storytelling.
This is the first book-length study of one of the Revolutionary War's most important battles. On March 15, 1781, the armies of Nathanael Greene and Lord Charles Cornwallis fought one of the bloodiest and most intense engagements of the American Revolution at the Guilford Courthouse in piedmont North Carolina. Although victorious, Cornwallis declared the conquest of the Carolinas impossible. He made the fateful decision to march into Virginia, eventually leading his army to the Yorktown surrender and clearing the way for American independence.In the first book-length examination of the Guilford Courthouse engagement, Lawrence Babits and Joshua Howard - drawing from…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Richard Walser, in his book North Carolina Legends, covers forty-eight of the state’s legends in this easy-to-read and enjoyable book. From the mountains to the coast, Walser describes how Joe Baldwin lost his head while trying to save two trains from crashing into one another at Maco Station and why a particular spot in Chatham County is thought to be the devil’s tramping ground. Walser’s short tales are the perfect read at a sleepover or during a night around the campfire. They are without a doubt tales that will be enjoyed time and time again.
North Carolina is a place where history has been enriched by legends and folklore. The 48 colorful Tar Heel tales in this volume include such well-known stories as "Virginia Dare and the White Doe" and "Old Dan Tucker" and such lesser known yarns as "The Portrait of Theodosia Burr" and "Bladenboro's Vamire Beast." Striking drawings by Bill Ballard, one for each tale, bring North Carolina's mythical past to life.
