Here are 76 books that Mothers of the South fans have personally recommended if you like
Mothers of the South.
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I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.
Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.
It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.
I think it taught me further about the value of writing very visually, the power of our individual…
The unforgettable memoir of a woman at the front lines of the civil rights movement—a harrowing account of black life in the rural South and a powerful affirmation of one person’s ability to affect change.
“Anne Moody’s autobiography is an eloquent, moving testimonial to her courage.”—Chicago Tribune
Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had “known the fear…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Separate Pasts is McLaurin’s account of his 1950s boyhood in the tiny hamlet of Wade, North Carolina, years when the Jim Crow system still reigned. He describes the complex, interconnected lives of the town’s white and black families, and his own confusion as he tried to make sense of the contradictions he observed in his world. A painfully honest account of a white boy’s reckoning with the legacies of segregation and oppression, McLaurin reveals how his own relationships with black neighbors undermined the racist beliefs he was taught.
The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.
As a full-time English professor at Blinn College, I always try to choose stories for the literature classes I teach which will resonate with students. Likewise, as an author myself, I aim for that same approach with fiction writing: I want people to remember and reflect on what they read. Memorable settings can help achieve that, so it’s my pleasure to share some of these inAmerica's South that span both the classic side of the spectrum as well as the contemporary side.
Southern sass and situational humor anchor Susan Sands’ novels.
Her first series set in fictional Ministry, Alabama, and her second in fictional Cypress Bayou, Louisiana, allow readers to meet a large cast of characters, some of which are sure to become favorites. Any book in her series can be an entry point as a stand-alone, but starting with Again, Alabama is an entertaining first step.
Cammie Laroux is back in Alabama—again. Dragged back to her small town to help her mother recover from surgery while rescuing the family event planning business should be a cinch. Even for a disgraced television chef, right? Wrong. Among the many secrets Cammie’s family’s been hiding is the fact that their historic home is falling down. Oh, and the man hired to restore the house, Grey Harrison, is the same high school and college love of her life who thrashed her heart and dreams ten years ago. Yeah, that guy. Grey, a widower with a young daughter, has never stopped…
Racial violence has been on my mind for decades, ever since I encountered the Freedmen’s Bureau Record of Murders and Outrages as a grad student. I didn’t know what prompted the government to gather such data. Later, as a professor directing a Civil War-era research center at Penn State, I sponsored a teacher-training initiative, “Breaking the Silence,” a UNESCO project on the Atlantic Slave Trade. I became starkly aware that most white Americans, myself included, had a poor sense of the brutality enmeshed in our history. This is not meant as a condemnation: without a fuller recognition of this racial past, we will have problems reconciling such issues in our own polarized times.
I taught this book years ago while an assistant professor at the University of North Carolina at Greensboro. Written like a novel, although a serious work of history, it is not your usual book on Reconstruction. In compelling prose, Evans details the struggles of the Lowry Band of Lumbee Indians who clashed with Confederate officials in southeastern North Carolina during the Civil War. Henry Berry Lowry managed to escape after killing a rebel official. He took to the swamps, eluding capture with the help of local African Americans and Native Americans. It is a little-known story among people outside of that region and shows the complicated nature of putting the country back together again after a Civil War. I had never heard of this tribe until encountering the book and found the story unlike anything else in Reconstruction literature.
The dramatic and exciting story of Indian guerilla warfare against the Confederates during the Civil War. During the Civil War many young Lumbee Indians of North Carolina hid in the swamps to avoid conscription into Confederate labor battalions and carried on a running guerilla war. To Die Game is the story of Henry Berry Lowry, a Lumbee who was arrested for killing a Confederate official. While awaiting trial, he escaped and took to the swamps with a band of supporters. The Lowry band became as notorious as their contemporaries Jesse and Frank James, as they terrorized bush-whacked leaders of possses…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
Being a New Englander, I don’t care much about Southern literature but Wolfe transcends it and also influenced Jack Kerouac, who would be my sixth choice. It was recommended to me by Joe Fineman, son of novelist Irving Fineman, after I flunked out of Caltech (Joe didn’t), saying “This is your book.” I have no idea who my influences are but I wouldn’t be surprised if someone told me that they thought Thomas Wolfe was one of them. He probably is.
You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. (Wikipedia)
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Once the first page has been turned, Judge Whedbee’s book (much like Roberts’ and Wellman’s) cannot be put down. His lively tales of shipwrecks, pirates, murders, and ghostly occurrences, are a must-read when visiting a North Carolina beach. In his book you will learn about ships like the Crissie Wrightthat sank near Beaufort, North Carolina, and a ghost ship that sails the waters of Ocracoke. After my first read of the book, I visited the common grave of the Crissie Wright victims inside Beaufort’s Old Burying Ground and it was there that Whedbee’s words—and my imagination—truly brought the story to life. I can’t imagine going to a North Carolina beach and not being aware of these intriguing tales.
Every September, on the first night of the new moon, there are those who vow they see a flaming ship sail three times past the coast of Ocracoke. No matter the direction or velocity of the wind, this fiery vessel moves swiftly toward the northeast, they say, always accompanied by an eerie wailing sound. The story of this ship is but one of the colorful legends intrinsic to the charm of North Carolina's historic coastland. From the northern tip of the Outer Banks to the lower end of the sweeping shoreline, there are stories to be found . . .…
As I write in Fight Songs, my name has nothing to do with it: It refers to a geography an ocean away, and predates any notion of the American South (or of America, for that matter). I have spent most of my life in the South, though, loving football, basketball, and other sports that didn’t always love me back. I became curious about why they’ve come to play such an outsized role in our culture. Why did my home state come to a standstill for a basketball tournament? Why does my wife’s home state shut down for a football game? Writing Fight Songs was one way of exploring those questions. Reading these books was another.
What does this book have to do with sports? Nothing.
What does it have to do with identity and community, and how the one pushes and pulls, rips and welds the other into form? With how histories can turn into hauntings and our fondest hopes into demons? Everything.
Randall Kenan died while I was finishing my book and I still haven’t really gotten over it. I’m always going to miss the words he never got to write, even as I cherish those he did.
Horace Cross, the 16-year-old descendent of slaves and deacons of the church, spends a horror-filled spring night wrestling with the demons and angels of his brief life. Brilliant, popular, and the bright promise of his elders, Horace struggles with the guilt of discovering who he is, a young man attracted to other men and yearning to escape the narrow confines of Tim's Creek. His cousin, the Reverend James Greene, tries to help Horace but finds he is no more prepared than the older generation to save Horace's soul or his life. And as he views the aftermath of Horace's horrible…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve written about, taught, and litigated wrongful conviction cases for decades. As Director and Co-Founder of the California Innocence Project, I was able to walk 40 innocent people out of prison. I’m proud to have been part of a small group of lawyers who started innocence organizations in the 1990s. That small group has now turned into a global movement. Free the innocents!
This book documents the wrongful conviction of Ronald Cotton while simultaneously relating the story of Jennifer Thompson, a victim of the brutal rape Cotton was convicted of.
I love this book because it’s co-authored by Cotton and Thompson and shows both sides of the damage of wrongful convictions: the wrongfully convicted person who goes to prison for a crime he did not commit and the victim who is denied closure. Cotton’s suffering is obvious and brutal, as he writes about the pain he went through being arrested, wrongfully identified, tried, convicted, and sentenced to life in prison plus 54 years.
Thompson’s suffering continues many years after the rape as she contends with the faulty identification procedures that caused the misidentification of Cotton.
The New York Times best selling true story of an unlikely friendship forged between a woman and the man she incorrectly identified as her rapist and sent to prison for 11 years.
Jennifer Thompson was raped at knifepoint by a man who broke into her apartment while she slept. She was able to escape, and eventually positively identified Ronald Cotton as her attacker. Ronald insisted that she was mistaken-- but Jennifer's positive identification was the compelling evidence that put him behind bars.
After eleven years, Ronald was allowed to take a DNA test that proved his innocence. He was released,…
