80 Books Like The Secret Lives of Dresses

I adored the alternative history post-apocalyptic/post-WWII, dark setting that had a subtle steampunk edge. The coming-of-age romance aspect was delightful and just the right amount of steam for young adults (though this adult wanted more). I fell in love with Rene and Amandine and the compelling, loveable, vivid unique supporting characters as well in Threadbare. DeMers knowledge of fabric, sewing, and fashion was evident in the writing. Threadbare, had great suspense and tension building with several wonderful twists, one I saw coming, the other surprised me in a delightful way. Overall, Threadbare had wonderful, creative, original characters and names like Tall-me, Glorious Halloway, Thatch, and Nieuwestad, plus the fun use of slang like cooking with gas, ducky shin-crackers, and more.

The characters really stand out. Trey is easy to love and you root for him right away with plenty of dance scenes that put swing dance center stage. Backen makes use of era music, citing big bands with a good amount of vintage fashion description, shoes, too! Although I guessed at most of the plot points, I love having my suspicions confirmed. Still, there were some nice twists along the way. I loved the soda shop setting and the barn, both exuding their own romance. Last but not least, I loved that the MC wasn’t the stereotypical hunk (short guys are the best to dance with–trust me).

Set in post-WWII with wartime flashbacks to an earlier time, Blundell uses music, dance, and fashion to capture the mood and atmosphere of the era. Her descriptions of the fashions had me drooling and wanting to run to the nearest vintage shop to buy a new dress. Blundell’s use of language, imagery, and metaphor worked well and often flirted with brilliance. She captured the dichotomy of having one foot in childhood and the other in adulthood with compelling plot twists, intertwining the complex mother and the daughter relationship from the perspective of a young woman. The romance aspect was realistic and dangerous with the character of Peter exactly what every parent fears for their budding daughter and what so many naive girls think they want.

I was fascinated with the depiction of the 1930s Malaysian dance halls steeped in music, fashion, and dance. As a writer who dabbles in the paranormal, the cultural spirits and supernatural elements were intriguing. The split narrative appealed to me since my Jitterbug Dress series is a dual narrative set in the 1940s and 1990s. The author also set the narrative apart by telling the story in different tenses and POVs (Ren and William’s story is in third person past, while Ji Lin’s story is first person, present). Choo did a great job of juxtaposing the beast or wild animal inside each person, where the line of who we are inside and what we present to society is drawn all while creating tension and suspense, keeping me guessing on how all these narratives intertwine. 

From the first chapter, I was bewitched by the effortless overlay of the fantastical with the everyday.

This delightful sugary read showcases a heroine who craves sweets, connection, and acceptance—I can relate to all of that!

When she succeeds, I feel I do too. I love how this book creates a feeling of hope in a new day within me. 

Sarah Addison Allen novels enchant readers with lovely prose, multi-layered, engaging characters, and a tone balancing gentle humor against melancholy. In The Peach Keeper, Paxton and Willa are forced to face and overcome their pasts, revealing frailties and strengths as they reluctantly link to solve a decades-old, magic-tinged mystery involving their grandmothers. I loved the unusual mystical quirks in the story, like two dozen snooty women unwillingly shouting out their secrets at a society club meeting. Allen further captures us with heart-rending romance as she builds the allure of the small town, Walls of Water, NC. I’ve been equally compelled by her books The Sugar Queen and Other Birds, a recent release. 

I love this book for many reasons—its rural Southern setting, its lawyer/judge protagonist Deborah Knott, its twisty mystery. But I was particularly intrigued when author Margaret Maron told me that the spark for the book was a real unsolved murder near her North Carolina home. I wrote about the real case when it was finally solved in Triangle True Crime, but Margaret’s version of what might have happened is so much more interesting.

I taught this book years ago while an assistant professor at the University of North Carolina at Greensboro. Written like a novel, although a serious work of history, it is not your usual book on Reconstruction. In compelling prose, Evans details the struggles of the Lowry Band of Lumbee Indians who clashed with Confederate officials in southeastern North Carolina during the Civil War. Henry Berry Lowry managed to escape after killing a rebel official. He took to the swamps, eluding capture with the help of local African Americans and Native Americans. It is a little-known story among people outside of that region and shows the complicated nature of putting the country back together again after a Civil War. I had never heard of this tribe until encountering the book and found the story unlike anything else in Reconstruction literature.

By investigating what white liberal Greensboro meant with the word “civility” against what black activists meant by “civil rights,” Chafe dives deep into the limits of white liberalism, undermining the claim that civil rights could be achieved by following a slow, southern, and civil, approach.

When I teach students about the Civil Rights Movement, many of them had previously learned that the freedom struggle ended after Martin Luther King, Jr. was assassinated in 1968. I disabuse them of this notion by highlighting all the political work that was inspired—rather than stymied—by King’s passing. In this book, Fergus provides a provocative idea: What if the radicals of the late 1960s and 1970s were able to influence liberals and conservatives alike? By showing the ways that Black Power actually resonated with the leaders of pre-Reagan America, Fergus recovers the various approaches to capitalism, political participation, and compromise that can’t be easily categorized as Left or Right.