12 Books Like Mortmain Hall

The Murdaugh murder case captivated true crime junkies for months. Journalist Jason Ryan, who knows the quirks and characters in coastal South Carolina crime, has provided a fascinating journey into the dynasty that drew international headlines. He knows that "power" in the rural South isn't the same as "power" in gangland Chicago. Here, favor and friendship are valued currency -- something that lots of journalists covering the murder trial and financial shenanigans of Alec Murdaugh missed. If you want to know where the family came from and what coastal South Carolina is really like, this is the book to read.

This is the 3rd of 4 books (so far) featuring detective Harbinder Kaur. If you love a real puzzle of a mystery, multiple viewpoints with interesting characters, and good writing, start with the first in the series (Stranger Diaries, which won MWA's Edgar Award for Best Novel in 2020) and enjoy your way through this exceptional series. Then give her Ruth Galloway series a try. Her crime novels are on my short list of go-to delights.

I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.

The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

Here is a rare treat: a chance to see inside the homes and workplaces of seventeen great American authors and hear them questioned about their beginnings as writers and their work habits. It’s both a picture book and a series of dialogues. I have been fortunate enough to know and visit several of them personally - Sue Grafton, Evan Hunter, Sara Paretsky, and Donald Westlake - and it’s a joy to see and hear them again explaining their ways of writing a mystery. You soon realize how many different approaches are possible.   

Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.

Founded in 1930, the Detection Club celebrated its ninetieth birthday with gems of advice from ninety of its members from the Golden Age onwards. Where else could you hear from Agatha Christie on the secrets of plotting, Dorothy L. Sayers on partners in crime and Margery Allingham on dialogue? Or the great spy writers, Ambler, Deighton and le Carre? The list of contributors reads like a history of the genre, right into the twenty-first century with the likes of Lindsey Davis, Val McDermid, Ann Cleeves, and Peter James. The mostly British line-up nicely complements the MWA book. As a long-standing member (from the days when Christie was our president) I have been privileged to hear from many of the greats about their struggles and successes. How pleasing that so many are included here. 

I’ve read Bloody Murder more times than any other non-fiction book. The first edition made a huge impression on me. Symons introduced me to countless fascinating authors and books (many of them obscure) which I’d never heard of and which have given me endless reading pleasure. Symons’ opinions were, and remain, controversial, and his disdain for ‘humdrum’ writing from the ‘Golden Age’ between the wars has attracted much criticism, some of it sensible, some of it over-the-top. His belief that the ‘detective story’ had metamorphosed into the ‘crime novel’ was eloquently argued, but I think mistaken. Today’s readers have just as much of an appetite for an entertaining, well-crafted puzzle as ever. But never mind the flaws; this elegantly written book remains as influential as it is indispensable.

Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.   

This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’