Books like Behind the Mystery — picked by fans

I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.

The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.

Founded in 1930, the Detection Club celebrated its ninetieth birthday with gems of advice from ninety of its members from the Golden Age onwards. Where else could you hear from Agatha Christie on the secrets of plotting, Dorothy L. Sayers on partners in crime and Margery Allingham on dialogue? Or the great spy writers, Ambler, Deighton and le Carre? The list of contributors reads like a history of the genre, right into the twenty-first century with the likes of Lindsey Davis, Val McDermid, Ann Cleeves, and Peter James. The mostly British line-up nicely complements the MWA book. As a long-standing member (from the days when Christie was our president) I have been privileged to hear from many of the greats about their struggles and successes. How pleasing that so many are included here. 

I love thrillers that tell the story of a group of operatives who must work together under the leadership of a strong central figure in order to accomplish a difficult mission, and from the opening chapter, I knew this novel would be exactly that.

This is the first book in the Warrior Spy Thriller Series. While I thoroughly enjoyed getting to know the hero of the story, Delta Force operator, Reagan Rainey, who is temporarily assigned to a CIA entity, I was also fascinated by the other members of his special ops team, not only because of their unique personalities, but also by the way Rainey was able to share his faith with them without sounding preachy and to remind me of how grateful I am to live in America.

This is an interesting collection of essays on the history of the CIA.

A spy agency thrives on deceit and uncertainty, making plans and taking actions when the adversary also thrives on those same elements.

Arranged in chronological order, the essays cover nearly 20 different incidents, describing the challenges, uncertainties, goals, and decisions made by both high-level political decision-makers and practitioners in the field.

Topics covered include early stages in the development of the CIA (founded in 1947), including covert action against the Soviet Union in the 1950s, the Bay of Pigs (1961), the Iran-Contra affair (mid-1980s), up to more recent events with bin Laden, fake news, and more.

The best book on the founding period of the CIA, the 1940s to the 1960s. Thomas is the only non-Agency employee to have been granted access to still-classified CIA historical studies, making this work an invaluable compendium of previously secret information. It’s also a wonderfully rich evocation of the rarified social world of the early CIA – East Coast, WASP, Ivy League – and a moving biographical portrait of a generation of intelligence officers whose early careers began in youthful idealism but all too often descended into disillusionment, disgrace, and even suicide. The gold standard of CIA history books.

This book changed my perception about what a romance book could be. I have never been so swept away by a single narrative and never been so haunted. It inspired me and broke me. The story is long and complex. It’s about a young CIA operative who joins the Agency just before 9/11 and how that one event shaped his life for years to come. It’s a fascinating fictionalised insight into LGBTQ rights in the military during this period, the horrors of the war, the consequences, the personal narratives, and the terrible implications of the wilder political landscape on those who have to fight. It’s full of love, romance, heartbreak, action, violence, torment, and ultimately, salvation. It’s the kind of book which teaches you to see the world through different lenses. One of the most extraordinary gay romance political thrillers I’ve read.

In the fight against the War on Terror, many Americans have long forgotten the war that never stopped raging against an enemy that is better funded than many of our governmental organizations, is not bound by any laws or treaties, has a virtually unlimited supply of money, weapons, and soldiers, and is located just south of our borders. 

Patriot Games is an oldie but goody, a fictional novel that sheds light on the realistic way in which our War on Drugs encompasses Special Operations troops working hand in hand with intelligence agencies and law enforcement. I have friends who have fought directly in these drug wars, and who have told me the enemy had all of their names and personal information before they even landed south of the border for their deployments. The War on Drugs is savage and is still raging very close to home, yet we rarely hear… show more.

Exploding wine bottles, guns constructed out of pipes, bullets made of teeth, aspirin explosives: If these sound like props from a B spy movie, it's because, again, truth > fiction. In the early-1970s, the Central Intelligence Agency spent a great deal of effort developing myriad weapons for sabotage. The results were this seventy-two-page illustrated manual, published in 1977 and distributed to American operatives likely to find themselves in situations requiring such improvisation. The manual is also invaluable for writers.