Books like Behind the Mystery — picked by fans

I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.

The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.

Founded in 1930, the Detection Club celebrated its ninetieth birthday with gems of advice from ninety of its members from the Golden Age onwards. Where else could you hear from Agatha Christie on the secrets of plotting, Dorothy L. Sayers on partners in crime and Margery Allingham on dialogue? Or the great spy writers, Ambler, Deighton and le Carre? The list of contributors reads like a history of the genre, right into the twenty-first century with the likes of Lindsey Davis, Val McDermid, Ann Cleeves, and Peter James. The mostly British line-up nicely complements the MWA book. As a long-standing member (from the days when Christie was our president) I have been privileged to hear from many of the greats about their struggles and successes. How pleasing that so many are included here. 

Long before Edward Snowden there was Phillip Agee. A former CIA officer, Agee turned whistleblower, publishing this unauthorized account of his life undercover and exposing many of the “Company’s” operations in the process. Agee worked for the CIA in Ecuador, Uruguay, and Mexico. He claimed the turning point came in Uruguay where he listened to the beating of a political prisoner (whose name he had provided to the police) while the police chief turned up the volume of a soccer game on the radio. His matter-of-fact diary included a controversial appendix of agent and officer names and cryptonyms. Incensed at the endangerment of its assets, the CIA sued and pursued Agee, who fled the country and spent the rest of his life denouncing the tactics of his former employer.

This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.

It was Vince Flynn’s Mitch Rapp series that, for me, was the most fun to read. As I described the action and adventure of Madsen’s Searching for Eden, so would I describe the same for Transfer of Power and subsequent Rapp stories. This #1 New York Times bestselling series was #1 for a reason—uncompromised action and edge-of-your-seat writing throughout. It was Flynn’s style of writing that gave me the best ideas about how to write my own thrillers. If you love spy novels, do not pass this one up.

The best book on the founding period of the CIA, the 1940s to the 1960s. Thomas is the only non-Agency employee to have been granted access to still-classified CIA historical studies, making this work an invaluable compendium of previously secret information. It’s also a wonderfully rich evocation of the rarified social world of the early CIA – East Coast, WASP, Ivy League – and a moving biographical portrait of a generation of intelligence officers whose early careers began in youthful idealism but all too often descended into disillusionment, disgrace, and even suicide. The gold standard of CIA history books.

So, you’re a fan of history, science-fiction, and alternative history all in one? Love to read things that open your mind to new possibilities? Then Ageless is for you. Paul Inman weaves a tale of a hero’s origin story trapped in events they cannot escape from, all in settings and times students of history will recognize but with just enough changes to make this an alt-history story.

The non-linear presentation of the story enhances through its jarring shifts the experiences of all the characters. I don’t think you could tell this story in a linear fashion owing to how the author reveals the mysteries and delivers on the resolution in a romp through time and space you will not regret picking up.

I fell in love with the main character, Loveday (no pun intended), in the first few pages. She’s strong and tough, like all spies should be, and sarcastic—which is so fun to read.

I love her motivation as a spy, but she does have one flaw: she's in love with another member of the team and has been keeping him off missions to keep him safe. This makes me like her even more because she wants to protect him. Overall, the action, explosions, love story between Loveday and Vale, and the spy world had me reading until the very end.

I can’t wait to jump into the next book in the series.