Books like Behind the Mystery — picked by fans

I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.

The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.

Founded in 1930, the Detection Club celebrated its ninetieth birthday with gems of advice from ninety of its members from the Golden Age onwards. Where else could you hear from Agatha Christie on the secrets of plotting, Dorothy L. Sayers on partners in crime and Margery Allingham on dialogue? Or the great spy writers, Ambler, Deighton and le Carre? The list of contributors reads like a history of the genre, right into the twenty-first century with the likes of Lindsey Davis, Val McDermid, Ann Cleeves, and Peter James. The mostly British line-up nicely complements the MWA book. As a long-standing member (from the days when Christie was our president) I have been privileged to hear from many of the greats about their struggles and successes. How pleasing that so many are included here. 

This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.

Exploding wine bottles, guns constructed out of pipes, bullets made of teeth, aspirin explosives: If these sound like props from a B spy movie, it's because, again, truth > fiction. In the early-1970s, the Central Intelligence Agency spent a great deal of effort developing myriad weapons for sabotage. The results were this seventy-two-page illustrated manual, published in 1977 and distributed to American operatives likely to find themselves in situations requiring such improvisation. The manual is also invaluable for writers.

Assassin Calypso was my favourite side character throughout the series, and in Black Heart, we finally get to meet her properly.

As part of her metamorphosis, she has to learn to trust others, which is perhaps her biggest challenge of all. There’s as much romance as suspense in this book, and former CIA agent Ian Black makes a worthy hero as he teams up with Calypso to right past wrongs. 

Taking the story from the endgame of the Cold War to the dawn of the War on Terror is this extraordinary book on the rise of Islamist terrorism and the CIA’s efforts to defeat it prior to 9/11. Coll’s research, based on interviews with a vast range of senior officials, is dazzling, yet it never overwhelms a narrative that combines human interest and geopolitical sweep seamlessly. No less impressive is his accomplishment in documenting not just the U.S. and Afghan perspectives but the Saudi and Pakistani as well, all in the same painstaking detail. If this whets the appetite for more of the same, Coll’s Directorate S resumes his account of the intelligence wars in Afghanistan, providing necessary background to understanding the failure of the U.S. occupation there.

I love all aspects of the Spy Game, from the places, to books, to film, to the food, and (of course) the drinks, so where best to go to find that kind of info than in a great book like A Spy Walked Into A Bar…? 

I love the premise, the stories, and the how to make a drink. Put it all together, and you have not only a mixology but a captivating history of an “interesting” side of espionage.

Written by two senior CIA officers who know the business and what it takes to survive, which includes a cocktail once in a while. With this book, you can go into a bar and spot the spies or their targets… maybe.

Spy Tradecraft coupled with Spy Barcraft at its best. I’ll have a Talisker 18, double, straight up, in a cold glass, please!

In the fight against the War on Terror, many Americans have long forgotten the war that never stopped raging against an enemy that is better funded than many of our governmental organizations, is not bound by any laws or treaties, has a virtually unlimited supply of money, weapons, and soldiers, and is located just south of our borders. 

Patriot Games is an oldie but goody, a fictional novel that sheds light on the realistic way in which our War on Drugs encompasses Special Operations troops working hand in hand with intelligence agencies and law enforcement. I have friends who have fought directly in these drug wars, and who have told me the enemy had all of their names and personal information before they even landed south of the border for their deployments. The War on Drugs is savage and is still raging very close to home, yet we rarely hear… show more.