100 Books Like Mistress of the Empire

I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.  

I've been passionate about Fantasy ever since I found a used copy of the Dragonlance Chronicles in a second-hand book store in India. I was 10 years old and immediately fell in love with the idea of fantasy worlds with magic and dragons. Soon after I read Terry Brooks, Neil Gaiman, Piers Anthony, RA Salvatore, Edgar Burroughs, and a host of other writers from the 1980s. What I like about the books I've chosen is that these characters are memorable. They are stories that can be re-read because the plot doesn't feel like rehashed tropes. The uniqueness of the settings, the challenges they face, and the solutions they engineer are what make them worth reading.

I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.

Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.

Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises. 

I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.

A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.

I’ve been fascinated by China and Chinese culture since I was a kid. I had bilingual books with Chinese characters on one page and an English translation on the other. I’d spend hours looking for patterns to match characters to their English meaning. That process became easier once I started studying Chinese at university. I’ve since lived in Beijing and Shanghai and return to China regularly, either by plane or by book.

To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!

I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!

I am a Professor Emeritus of Comparative Literature at the University of California, Riverside. I was brought up in the family of a Chinese poetry scholar. Arriving in the States for my graduate studies at Harvard in 1982, I have engaged myself in academia here ever since. Acutely aware of, and deeply fascinated by, the cultural similarities and differences of China and the West, I have continued my learning experience, in my thirty years of college teaching, often from direct exchanges with my students. The books on my list of recommendations include both required texts chosen for my courses, and those I want to share with what Virginia Woolf called the Common Reader.