100 Books Like A Hero Born

Written in the 1940s, this book takes readers to Hong Kong as the Japanese occupation replaced the British colony. It’s mostly a love story in which the intensity of war reflects the passion of emotions and the restraint on actions. 

But like all of Eileen Chang’s works, it’s also beautifully written. Though the fall of Hong Kong is at the heart of the novella, I’ve always found the city less important in the story than the domestic settings. When the Bai family talks, I’m in the room, sitting in a wingback chair, sipping green tea, and listening.

I read this English translation before I even read the book in Chinese, even though Chinese readers in Hong Kong where I grew up all read it as teenagers or young adults. The popular title of the novel is Dream of the Red Chamber, in both English and its original Chinese, but I immediately agreed with Hawkes that The Story of the Stone, one among its many titles, is much more expressive and fitting.

The eighteenth-century aristocratic family is a hugely complex world we are introduced to, but Hawkes’ faithful, resourceful, and unpretentious translation makes getting to know the multitude of characters easy and unforgettable.

Even though it is set in eighteenth-century China, for a twentieth/twenty-first-century English reader like myself, the family dynamics, tragedy, and romance here are palpable thanks to Hawke’s understanding and translation.

Brooks is a Canadian scholar of Chinese history who specializes in the Ming Dynasty. In this work, he offers an overview of the transition from the Mongol Yuan to the Chinese Ming Dynasty, which is the setting for my own writing, and so is a period I consider to be of unrivaled appeal! Brooks studies, among other things, how extreme weather caused political upheaval and why emperors needed to worry when the locals started reporting dragon sightings. He also offers perspective on the autocratic rule of the Ming founder, “the brilliant and ruthless Zhu Yuanzhang,” and how his example impacted the rest of the dynasty.

On July 28, 1372, a group of high officials presented the founding emperor of the Ming Dynasty with two melons on a lacquer tray. The melons grew from the same stalk – an anomaly that was judged a lucky omen. Schneewind uses this seemingly minor matter to study the daily workings of court life and the complex relationships between rulers and subjects. I had the great luck to travel with the author to Nanjing, the first Ming capital, and visit some of the locales she analyzed for this book, including the tomb complex where the founder and his empress are buried.  Schneewind’s short and readable study of two melons offers a sense of the high stakes and grand scale of imperial life, and I admire how she was able to connect so much to such a small gift of ripe fruit.

I am recommending this collection of eight essays from the immense Historical Records primarily for Chapter 7, “The Story of the Rebel Xiang Yu.” This is a rebel who didn’t win – Xiang Yu was defeated by the man who went on to found the Han Dynasty in 202 BCE, which makes this perhaps China’s most famous tale of personal failure. The Grand Historian Sima Qian veered from his format to write this biography because he had so much to say about Xiang Yu. As I work on my own novels about the founding of the Ming, I keep Xiang Yu in mind as a reminder of how generals can achieve glorious victories and then lose everything over a few casual mistakes, and of how storytellers decide how a hero gets remembered.

The first of Qiu Xiaolong’s Inspector Chen series is just a great story. One reason I read is to explore places, and one place I’m always happy to return to is Shanghai.

This book contains events and characters that can only be found in China, and yet the story itself is pure genre, a police procedural centered on a detective who really wishes he were a poet. 

Without the setting, it’s a great read. With the setting, it’s a chance to explore China.

Stories can be sticky. They attach memories to places. I first visited San Francisco’s Chinatown in the early nineties. There were no mobile phones then or digital maps, so I wandered the streets and browsed the stores, admiring the green-tiled roofs and bright red lanterns, imagining I was back in Beijing. Growing hungry, I entered the first restaurant I saw. I sat, ordered, and pulled a paperback out of my coat pocket as I waited for my homestyle tofu to arrive. Diners ate. Waiters cleared plates. People picked up their takeaways. And I read. 

A few minutes later, the waiter returned. “You,” he said, “have a phone call.” He pointed at the desk beside the door. The restaurant’s phone handset was off the cradle and lay on the counter. “That’s impossible,” I thought. No one knew where I was. I didn’t know where I was. But there was the phone,… show more.

Of China’s four classic novels—The Romance of Three Kingdoms, The Water Margin, The Dream of the Red Chamber, and The Journey to the West—it’s the tale of the monkey king and his friends that stands out most for me.

I might struggle to name the rebels in The Water Margin, and I found Bao Yu’s moping in The Dream of the Red Chamber cloying when I read it as a student. But despite being a monkey, Sun Wukong’s behavior makes him both the simplest and the most human character in any of the books.

But behind that simplicity lies a narrative complexity. Patterns repeat throughout the 100 chapters at regular intervals, reflecting storytelling traditions but also suggesting Buddhist themes of reincarnation and perseverance that lie at the heart of the tale. No wonder it’s a book I keep coming back to.

This is a singular anthology of pre-modern Chinese travel writing from the first century A.D. to the 19th century, copiously illustrated with paintings, portraits, maps, and drawings. It offers a unique resource for Western travelers to China and for students of Chinese art, culture, history, and literature.

Moment in Peking is an elegy to a lost world and a past way of life.

The main character, Yao Mulan, falls victim to human traffickers in 1900 as her family flees from Beijing. Although she is soon rescued, this experience turns her life in new and unexpected directions. We follow Yao Mulan through war, famine, and revolution, the fall of the Qing dynasty, the tumultuous Republican era, the rise of warlords, and the Japanese invasion in 1936, facing every challenge with indomitable courage.

This is a great evocation of early twentieth century Chinese history, from the perspective of someone who lived through terrible events.