100 Books Like Daughter of the Empire

This was one of the first books to open my mind to the possibility of a country that would put social responsibility and ecological sustainability at the forefront of its goals.

Ernest Callenbach’s story is told through the journalist reports and personal writings of William Weston, who visits Ecotopia to report on this unique country, originally the Pacific Northwest and Northern California.

I love how Weston’s skepticism turns toward understanding. He eventually embraces what Ecotopia stands for and decides to live there himself to be a conduit of connection to the world outside of Ecotopia.

I was so moved by how a fictional story could so illuminate our own fears, our own hopes, and the possibilities of our future, that my own writing turned toward eco-fantasy after reading this book. 

There is a "realness" and melancholic quality to this story that immediately drew me in because every element, even the more fantastical ones, felt immensely believable.

Set in the richly detailed and lived-in world of Osten Ard, this first volume in the Memory, Sorrow, and Thorn series by Williams took its time to get the main plot moving, but I want to stress just how much I found that to be a good thing. It truly afforded me an opportunity to get to know the setting and characters intimately, so that by the time the plot kicked into high gear, I was well and truly committed to caring about what happens.

Despite its hefty length, this was one of the fastest page-turners I’ve ever laid my eyes on.

Who hasn’t dreamt of being able to converse with a wolf? We get our chance in this intriguing story of Fitz Farseer, my all-time favorite character.

There’s much to enjoy in this series—royal assassins, secret mentors, and family betrayal—but what I love most is the outlawed magic that creates a deep bond between Fitz and a fearless wolf named Nighteyes, allowing them to communicate.

Nighteyes, another favorite character, reminds me of my childhood golden retriever, only with sharper fangs and claws. He reveals exactly how much we’re missing out on when we can’t converse with animals like him—sharing their sharper perceptions, grasping the wolfishly obvious, or having our human foolishness pointed out in their bluntly canine way.

This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.

Another pioneer writer and the writer who started the cyberpunk genre. I loved this book because it is different, and if you are a true sci-fi nut, this one is for you. 

I think Adams must have been on another planet when he wrote this. It is sci-fi comedy, and unlike many others who try and fail with comedy in this genre, this is a giant of a series. It is funny and serious with unforgettable characters. I love it. 

Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!

The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.

I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.

Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.

A simple explanation of this book is Althalas is a thief and lives his life looking for the next heist he can pull off, until the Goddess Dweia hires him to save the world from the desolations of her evil brother Daeva and his henchman Ghend. The telling of this tale is anything but simple. The authors have drawn on past civilisations that can be easily recognised to the reader, such as the Roman and Viking, adding their own lore and history to it. It is richly described and draws the reader to become invested in Althalas’s troubles and successes, along with all of his personable and flawed companions. It is an enjoyable read, and I dare you not to fall in love with Emmy.

This is a short story featuring Conan, and one of, if not, my favourite (it has tough competition from Red Nails and Wolves Beyond the Border). Simple, straight-up, sword and sorcery action. Howard’s Conan was the first real fantasy I fell in love with (before discovering Lord of the Rings). Epic character, but straightforward stories. The opposite of the sprawling epic. One of my books is a collection of sword and sorcery stories, and the first story is heavily influenced by The Tower of the Elephant. The otherworldly aspect, magic, (but not all-encompassing magic), a quest, and ultimately a choice between good and evil. I can’t not recommend a Conan story when talking about fantasy.

I felt awe-struck stepping into Gaea’s hollow world—where zeppelin-sized blimps glide through a sky inside the giant, planet-like being, and forests and rivers hang overhead. Gaea feels both grand and intimate: cathedral-scale biology paired with tavern-table camaraderie. 

And then there are the titanides. Their society feels hand-tooled—full of music and unpretentious sensuality. No posturing, no greed, just beings who live in balance. The centaur-like titanides dwell beneath a colossal tree hung with lanterns… and it all feels alien and warm and cozy and wonderful.