Here are 100 books that Minka fans have personally recommended if you like
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I’m a Tokyo-based writer who first came to Japan during university to live with a host family and study the language. After a stint in Shanghai, Japan brought me back in 2012 and I’ve lived here ever since. I’ve cycled across remote Okinawan islands, wandered Kyoto’s cobblestone lanes, and trekked to mountaintop temples in heavy snow. But some of my best memories have happened over homemade plum wine at a friend’s dinner table. I’ve written two books published by Moon Travel Guides and countless articles on Asia, with some being chosen for “best of” lists by The Washington Post, The Atlantic, Foreign Policy, andReal Clear World.
This travelogue brilliantly narrates Alan Booth’s southward trek across Japan, end to end, from Cape Soya in Hokkaido to Cape Sata in Kyushu. The book’s subtitle, A 2,000 Mile Walk Through Japan, speaks volumes. The journey, which some would call masochistic, is practically measured in blisters. We see Booth, fluent in Japanese, trudge through rain and shine along backcountry roads, from greasy spoons to lonesome karaoke bars, collapsing into countless futons along the way. His journey comes to life with colorful characters, boozy local festivals, and pithy realizations about his adopted homeland, at turns entertaining, illuminating, and hilarious. For me, this book captures the joy of discovering the salty, unexpected side of Japan. It also cements Booth’s status as one of the (unsung) travel writing greats.
'A memorable, oddly beautiful book' Wall Street Journal
'A marvellous glimpse of the Japan that rarely peeks through the country's public image' Washington Post
One sunny spring morning in the 1970s, an unlikely Englishman set out on a pilgrimage that would take him across the entire length of Japan. Travelling only along small back roads, Alan Booth travelled on foot from Soya, the country's northernmost tip, to Sata in the extreme south, traversing three islands and some 2,000 miles of rural Japan. His mission: 'to come to grips with the business of living here,' after having spent most of his…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
This is an autobiographical tale by an American journalist on the crime beat in Tokyo.
It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.
The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.
His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.
A riveting true-life tale of newspaper noir and Japanese organised crime from an American investigative journalist. Soon to be a Max Original Series on HBO Max
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EITHER ERASE THE STORY, OR WE'LL ERASE YOU. AND MAYBE YOUR FAMILY. BUT WE'LL DO THEM FIRST, SO YOU LEARN YOUR LESSON BEFORE YOU DIE.
From the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police press club: a unique, first-hand, revelatory look at Japanese culture from the underbelly up.
At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a…
Sam Baldwin spent two years living in Ono, Fukui, a rural area of Japan. For Fukui's Sake is a true account of his adventures. He has written about travel for The Guardian, The Times and The Independent and has contributed to numerous magazines and guidebooks. After returning to his native UK, he relocated to Slovenia where he writes about the adventures of restoring a 300-year-old mountain cabin.
I recommend this three-part series of graphic novels for their beautiful artwork and painstaking attention to detail. Illustrator Martinson has a superb knack for observing the smallest aspects of the Japanese environment, with every frame bursting with the minutiae of everyday Japan.
The story follows ‘Dan’ a downbeat American, working as an English teacher in Japan who is experiencing severe isolation in his host country. Dan’s attitude to his new life is at the very extreme end of the culture shock spectrum, whereas in my experience, most foreigners embrace life more than he does, and therefore enjoy a more balanced experience. However for the artwork alone, I recommend the three part Tōnoharu series which are truly beautiful works, and make a worthy addition to any Japanophile's library.
Daniel Wells begins a new life as an assistant junior high school teacher in the rural Japanese village of Tonoharu. Isolated from those around him by cultural and language barriers, he leads a monastic existence, peppered only by his inept pursuit of the company of a fellow American who lives a couple towns over. But contrary to appearances, Dan isn't the only foreigner to call Tonoharu home. Across town, a group of wealthy European eccentrics are boarding in a one-time Buddhist temple, for reasons that remain obscure to their gossiping neighbors.
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
This is a diverse collection of stories told by ex-pats living in “inaka," the Japanese word for the countryside. An array of ex-pat authors describe their experiences: Some came to Japan as English teachers, journalists, or spouses, one cycled through Japan, another walked in the footsteps of haiku poet Basho, and another became a Buddhist priest.
The collection starts in Okinawa and moves up the archipelago to Hokkaido. For me, it’s the most diverse collection of voices on the topic of countryside living.
Inaka: Portraits of Life in Rural Japan is an affectionate but unsentimental immersion into the Japanese countryside ("inaka"). In eighteen chapters we undertake an epic journey the length of Japan, from subtropical Okinawa, through the Japanese heartland, all the way to the wilds of Hokkaido. We visit gorgeous islands, walk an ancient Buddhist pilgrimage route, share a snow-lover's delight in the depths of record snowfall, solve the mystery of an abandoned Shinto shrine, and travel in the footsteps of a seventeenth-century haiku master. But above everything, Inaka answers the question of what it's like to be a foreigner living in…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book is a classic and is a beautifully informative excerpt from the author’s longer and more extensive The Japanese House: A Tradition for Contemporary Architecture which is long out of print. The drawings and plans are wonderful, and illuminate the Japanese House layout, modularity, proportions, and many structural and ornamental details. I particularly love the white-on-black visual treatment used for many of the plans.
A remarkable classic work on traditional Japanese architecture and its general integrative quality, the order of space and form, the flexibility of partitions and room functions and other important or unique qualities. The author describes in detail, and with numerous architectural plans and drawings, the influence of the anatomy of the Japanese human body on traditional units of measurement and on house construction. This work is not simply a description of the features of the Japanese house, but "an invitation to probe the possibilities of utilizing this architectural achievement of the Japanese ...in modern living and building," according to the…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
Len Brackett trained with superb carpenters in Japan and returned to the US West Coast to create exquisite Japanese-stye houses and other buildings. His work is in extremely high demand. This book shows how high-quality Japanese-style design and construction can be adapted to our current lifestyles without sacrificing either aesthetically or functionally. Brackett’s descriptions of his design and construction process, as well as of the wood material he uses, are enticing and provide a lot of technical and philosophical insight.
Built like a piece of fine furniture, the traditional Japanese house is universally admired for its clean lines, intricate joinery, and unparalleled woodworking. Focusing primarily on a new guesthouse in California, this elegant volume shows how a classic Japanese house can be built to offer the warmth and comfort that modern homemakers require.Len Brackett, rigorously trained as a temple carpenter in Kyoto, has spent decades adapting the ancient Japanese design aesthetic to Western needs. Here he demonstrates step-by-step how both the traditional live-on-the-floor house, as well as models that accommodate furniture, can be constructed to provide such modern essentials as…
Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
As a longtime resident of Tokyo, I find Iyer’s reflections on aging and impermanence in everyday Japanese life deeply affecting.
Over my years here, I’ve come to understand how the Japanese awareness of passing splendor—for example, autumn leaves—allows for acceptance of the beauty and sadness of human existence. Iyer illuminates this cultural sensibility with freshness and simplicity, observing how his family and neighbors engage with later life.
I love his thought-provoking insights into how we can embrace change in our autumn years, experiencing them not as a time of decline but as an opportunity for greater contentment and wisdom.
In this “exquisite personal blend of philosophy and engagement, inner quiet and worldly life" (Los Angeles Times), an acclaimed author returns to his longtime home in Japan after his father-in-law’s sudden death and picks up the steadying patterns of his everyday rites, reminding us to take nothing for granted.
In a country whose calendar is marked with occasions honoring the dead, Pico Iyer comes to reflect on changelessness in ways that anyone can relate to: parents age, children scatter, and Iyer and his wife turn to whatever can sustain them as everything falls away. As the maple leaves begin to…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.
Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.
Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Japan is full of figures from its own history that loves to villainize, and few of them stand out, like Taira no Kiyomori. This prose retelling of the original epic covers the rise and fall of the Taira Clan is full of politics, scheming, ruthlessness, and more than a few bloody battles. Kiyomori is someone I can understand the motivations of, even as I condemn him for his tactics and monstrous actions. The Heike Story is the bloodstained and muddy underbelly that emerges as the samurai warrior class rises to prominence and the power of the old aristocracy wanes.
Kyoto in the twelfth century was a magnificent city, but crime, disorder, and lust were rampant. The people were abused by the nobility, while the armed Buddhist monks terrorized court and commoner alike. In despair, the Emperor called upon the Heike and Genji clans to quell civil disturbances. Although the clans succeeded, they quarreled over the spoils of war and plunged the country into a century of warfare.This novel describes the rise to power of Kiyomori of the Heike clan during this turbulent time. From a youth sunk in poverty, Kiyomori eventually rose to become the Emperor's Chief Councillor. Although…
