Here are 100 books that Building the Japanese House Today fans have personally recommended if you like
Building the Japanese House Today.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book, first published in 1995, is a detailed how-to guide that answers a lot of questions about how carpentry is practiced in contemporary Japan. The drawings and plans are fabulously informative. It does not focus on tool use per se, but beautifully conveys the structural logic and reasoning that lie behind the joints and connections themselves. I keep it handy as a reference.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book is a classic and is a beautifully informative excerpt from the author’s longer and more extensive The Japanese House: A Tradition for Contemporary Architecture which is long out of print. The drawings and plans are wonderful, and illuminate the Japanese House layout, modularity, proportions, and many structural and ornamental details. I particularly love the white-on-black visual treatment used for many of the plans.
A remarkable classic work on traditional Japanese architecture and its general integrative quality, the order of space and form, the flexibility of partitions and room functions and other important or unique qualities. The author describes in detail, and with numerous architectural plans and drawings, the influence of the anatomy of the Japanese human body on traditional units of measurement and on house construction. This work is not simply a description of the features of the Japanese house, but "an invitation to probe the possibilities of utilizing this architectural achievement of the Japanese ...in modern living and building," according to the…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is the definitive book in English on Japanese woodworking handtools. Anyone who is or contemplates using Japanese handtools — and I strongly suggest that you take a second look at them if you haven’t already as there are a number of them that are superior in their performance to their western counterparts —needs to be familiar with this book.
The classic work on the tools and spirit of the Japanese master craftsman.
In Japan, a woodworker spends years learning to use his tools with great speed and skill. Only after he has proved his mastery can he proudly call himself a shokunin, a master craftsman.
Japanese Woodworking Tools brings the traditions and training of the shokunin to the Western world. Calling on his own apprenticeship as a tategu-shi (sliding-door maker), and on 40 years of woodworking experience, Toshio Odate here offers a complete guide to Japanese tools: thin saws that cut on the pull stroke, laminated chisels with hollowed…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
Sam Baldwin spent two years living in Ono, Fukui, a rural area of Japan. For Fukui's Sake is a true account of his adventures. He has written about travel for The Guardian, The Times and The Independent and has contributed to numerous magazines and guidebooks. After returning to his native UK, he relocated to Slovenia where he writes about the adventures of restoring a 300-year-old mountain cabin.
Minka is the true story of an American AP correspondent who, reluctantly at first, fell into buying a 250 year-old traditional Japanese farmhouse for a pittance (it was in an area soon to be flooded by dam construction) had it disassembled, transported, and re-built in the rural outskirts of Tokyo.
It's an insight into two aspects of Japan; firstly the rural, artisan side as Roderick befriends a family from Gifu and uses many of the rural folk from the prefecture for their carpentry skills, and secondly it provides us with an interesting view on some of the high society that Roderick mixes with, being a well-connected ex-pat (Hilary Clinton once visits his house!).
Roderick writes with a good deal of humor, and his love and knowledge of Japan makes him a welcome guide as he takes us through the quirks and curios of Japan during the ‘60s and ‘70s. The…
In 1959 journalist John Roderick joined the Tokyo bureau of the Associated Press. There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the family unbeknownst to Johnset out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof and held together entirely by wooden pegs and joinery. It was about to be washed away by flooding and was being offered for only fourteen dollars. Roderick graciously bought the house, but was privately dismayed at the prospect of living…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Two of the biggest names in twentieth-century architecture. Thoroughly researched, Neumeyer’s book explores the thought processes of the first, the generally taciturn German architect Mies van der Rohe. It includes a discussion of his fascination with traditional African architecture and its clear relationship between form and the constructional potential of specific materials (timber, grass, stone, rope, mud…) which of course translates into Mies’s own work with modern materials (welded steel and plate glass). But there is a lot more to this book than that; too much to cover here.
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
Beautifully illustrated and persuasively argued, this survey of a variety of architectural forms in the eighteenth century, from merchant houses to enslaved yards to great houses shows how studying the built environment of early Jamaica gives insight into a society both rich and highly conflicted.
Through Creole houses and merchant stores to sugar fields and boiling houses, Jamaica played a leading role in the formation of both the early modern Atlantic world and the British Empire. Architecture and Empire in Jamaica offers the first scholarly analysis of Jamaican architecture in the long 18th century, spanning roughly from the Port Royal earthquake of 1692 to Emancipation in 1838. In this richly illustrated study, which includes hundreds of the author's own photographs and drawings, Louis P. Nelson examines surviving buildings and archival records to write a social history of architecture.
As a city researcher and urban planner I must constantly scan the urban world for trends and plans and projects. It really started when I was writing my PhD thesis on density and green spaces in cities. The thesis title became Compact Sprawl. I like counterpoints. Today I run to companies. Spacescape that is an urban planning consultancy and Placetoplan that is a webapp for citizen participation in planning. My home is covered with books about cities, architecture, transportation, parks, and natural landscapes. I am also a landscape architect, by the way. And I live in downtown Stockholm with two children and no car.
Although the concept sounds theoretical, this book is about very simple techniques on how to cheap and fast change urban spaces, streets, and plazas so that they are for people (not cars). The book provides a toolkit for conceiving, planning, and carrying out projects, including how to adapt them based on local needs and challenges. Tactical Urbanism can inspire and empower citizens, urban designers, land use planners, architects, and policymakers to become key actors in the transformation of their communities.
Short-term, community-based projects - from pop-up parks to open streets initiatives - have become a powerful and adaptable new tool of urban activists, planners, and policy-makers seeking to drive lasting improvements in their cities and beyond. These quick, often low-cost, and creative projects are the essence of the Tactical Urbanism movement. Whether creating vibrant plazas seemingly overnight or re-imagining parking spaces as local gathering places, they offer a way to gain public and government support for investing in permanent projects, inspiring residents and civic leaders to experience and shape urban spaces in a new way. Tactical Urbanism, written by Mike…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
If it’s good, this book should obviously be on my list - and it is good.
Simon Unwin explains how architectural themes (a mix including elements, geometries, types, and sensory experience) work together to create a particular place. It has thoughtful text illustrated with his own drawings.
Unwin’sTwenty-Five Buildings Every Architect Should Understand demonstrates his approach to analysis in more detailed examples.
Now in its fifth edition, Analysing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those studying architecture, it offers a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain the underlying strategies in architectural design and show how drawing may be used as a medium for analysis.
In this new edition, Analysing Architecture has been revised and expanded. Notably, the chapter on 'How Analysis Can Help Design' has…
