Here are 100 books that Middle Passage fans have personally recommended if you like
Middle Passage.
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Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
We often feel alone when we experience change and transitions, but Saunders’s book reminds me that we’re all on the journey of life together.
President Lincoln can’t let go of his young son, Willie, when the boy dies of typhoid fever. Willie, too, is holding on: lingering in the after-death world, he’s convinced his parents are going to come get him. He’s surrounded by people who are also in bardo (the state between death and rebirth), trapped in denial and attachment. When they accept the reality of their situation, the characters are liberated from their suffering.
This book has deepened my understanding of how—both individually and collectively—we struggle against loss, but it’s possible to let go and move forward.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.
I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.
When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I am a historical fiction writer living in a landlocked village in the Chilterns, UK. I became obsessed with long sea voyages while researching my debut novel, On Wilder Seas, which is inspired by the true story of Maria, the only woman aboard the Golden Hind during Francis Drake’s circumnavigation voyage in 1577-1580. I immersed myself in the literature of the sea, in early modern sailors’ accounts of their terrifying voyages, in their wills and diaries, in maps and sea-logs. A ship is the perfect setting for a novel: the confined space, the impossibility of escape, the ever-present danger – and the hostile, unforgiving sea is the ultimate antagonist.
The ‘sea-fiction’ literary canon is very male-focused. But in the real world, women put to sea too, and were sometimes at the forefront of exploration. Maria, the heroine of my novel, was the first non-native woman to set foot on the northwest coast of America, when she arrived with Francis Drake during his circumnavigation voyage in the summer of 1579. Five hundred years earlier, on the other side of the continent, another female pioneer, Gudrid Thorbjarnardóttir, explored and settled the Newfoundland coast.
Gudrid, the ‘Far Travelled’ of Icelandic sagas, is brought to life in this beautifully written and vividly imagined novel. Rich in historical detail and steeped in the mythology and worldview of the Vikings, it’s a thoroughly convincing portrait of an extraordinary woman at the edge of the known world.
A haunting, compelling historical novel, The Sea Road is a daring re-telling of the 11th-century Viking exploration of the North Atlantic from the viewpoint of one extraordinary woman. Gudrid lives at the remote edge of the known world, in a starkly beautiful landscape where the sea is the only connection to the shores beyond. It is a world where the old Norse gods are still invoked, even as Christianity gains favour, where the spirits of the dead roam the vast northern ice-fields, tormenting the living, and Viking explorers plunder foreign shores.
Taking the accidental discovery of North America as its…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
I am a historical fiction writer living in a landlocked village in the Chilterns, UK. I became obsessed with long sea voyages while researching my debut novel, On Wilder Seas, which is inspired by the true story of Maria, the only woman aboard the Golden Hind during Francis Drake’s circumnavigation voyage in 1577-1580. I immersed myself in the literature of the sea, in early modern sailors’ accounts of their terrifying voyages, in their wills and diaries, in maps and sea-logs. A ship is the perfect setting for a novel: the confined space, the impossibility of escape, the ever-present danger – and the hostile, unforgiving sea is the ultimate antagonist.
In 325 BC, Pytheas of Massalia travelled to northern Britain and beyond, becoming the first writer to chronicle the midnight sun and describe the distant land of Thule (possibly Iceland). His account, On the Ocean, was lost to history and is now known only through references by other writers. But we do have The Walrus Mutterer, a brilliant fictionalization of those travels, to make up for it.
Rian is a young woman from the Scottish region of Assynt who is being trained as a healer when she is enslaved and forced to join Pytheas’s dangerous voyage of discovery. In poetic, lean prose, Haggith details Rian’s trials at sea, her endurance and strength, and the search for the eponymous walrus-hunter, which takes them into the far north.
The writing about the weather and landscape of this lost world is exquisite. The beliefs and practices of this distant way of…
Northern Britain, Iron Age. Rian, a carefree young woman and promising apprentice healer, is enslaved by a spiteful trader and forced aboard a vessel to embark on a perilous sea voyage. They are in search of the fabled hunter known as the Walrus Mutterer, to recover something once stolen. The limits of Rian's endurance are tested not only by the cruelty of her captor, but their mysterious fellow passenger Pytheas The Greek - and the merciless sea that constantly endangers both their mission and their lives. A visceral evocation of ancient folklore and ritual, The Walrus Mutterer introduces an unforgettable…
I am a historical fiction writer living in a landlocked village in the Chilterns, UK. I became obsessed with long sea voyages while researching my debut novel, On Wilder Seas, which is inspired by the true story of Maria, the only woman aboard the Golden Hind during Francis Drake’s circumnavigation voyage in 1577-1580. I immersed myself in the literature of the sea, in early modern sailors’ accounts of their terrifying voyages, in their wills and diaries, in maps and sea-logs. A ship is the perfect setting for a novel: the confined space, the impossibility of escape, the ever-present danger – and the hostile, unforgiving sea is the ultimate antagonist.
Not a novel, but it reads like one, as Nicolson tells the story of how the greatest sea voyage tale of all time – The Odyssey, and its sister epic The Iliad – came to be, with a cast of characters including the Greek heroes, gods and goddesses crossing the land and seascapes of Ancient Greece.
Nicolson argues that these poems emerged not in the 8th century BC, when they were first written down, but a thousand years earlier in the oral tradition. In them, he sees the origin myths of the people who became the Greeks – the fusion of the native people of the Eastern Mediterranean and invaders from the northern steppes.
But it is Nicolson’s personal investment in his subject that is so beguiling. A sailor himself, he brings his deep knowledge of the sea, of sailing, navigation, the capriciousness of wind, the knife-edge between…
"Complex, personal, and profound ... a brash and brave piece of writing ... filled with the swords and spears that inflict the carnage of the Iliad." -The Wall Street Journal
Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the Iliad and the Odyssey and their metaphors of life and trouble. Homer's poems-transmitted orally across the generations, shaped and reshaped in a living, self-renewing tradition-occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. I’ve won awards, and my books have been translated into many languages. I’m also an avid reader: have been for almost all of my life. I know a good series when it hooks me in!
I had my doubts about reading this because, well… Tudor history.
I love Mantel’s work but…another trot through Henry VIII’s marriages and murders? I wasn’t sure it was for me. But within moments of opening the book, I was away with Mantel and Thomas Cromwell.
Even the title, Wolf Hall, demonstrates her gift. It was the name of the Seymour family’s seat, and the book never takes us there—but it was Jane Seymour who replaced Anne Boleyn and gave monstrous Henry his heir. The title hangs over the action, echoing, Man is wolf to man.
Mantel’s Cromwell is complex, often kind as well as ruthless, but Mantel herself said that she presents only one possible view of him. Read it and make up your own mind!
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.
He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
I’m a sociologist who has just written a book about the ways that we engage with death and dying online, and before that I wrote a book about media coverage of disasters. Macabre subjects have always fascinated me, I guess, not because they are macabre but because they reveal a great deal about the ways we live and our sense of the value of life itself.
This is the most moving “academic” book I’ve ever read, and really that’s because it blends academic subjects like cultural studies with more personal, memoir-type writing about being a Black woman in the 21st century.
In the Wake is concerned with more than just death, of course, but death looms large throughout the book, as it has in all of Black life throughout American history. Indeed, the first sentence is “I wasn’t there when my sister died,” and over the course of the book we bear witness to many other deaths that have affected the author as well.
Over time, readers come to understand the various meanings of “wake” operating as overlapping metaphors through which the author understands her own experience. There is “wake” as coming into consciousness/waking up to a world full of injustice, there is “the wake” like the path behind a ship, in this case a slave…
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"-the path behind a ship, keeping watch with the dead, coming to consciousness-Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I'm a marine biologist with a Ph.D. in Biology, a conservationist, and an author. As the co-founder of Ocean Conservation Society, I have conducted one of the world’s longest studies on dolphins off California. I have co-authored Beautiful Minds: The Parallel Lives of Great Apes and Dolphins and authored Dolphin Confidential: Confessions of a Field Biologist and Stranded: Finding Nature in Uncertain Times. My latest illustrated children’s book is The Secret Life of a Sea Turtle. I've written for national and international media, including National Geographic, and currently contribute essays on environmental issues and nature for various publications.
I write children’s books because I believe young minds hold the key to saving our troubled oceans. To achieve this, though, we must educate kids and encourage them to take action. This nonfiction book excels at that, inspiring and teaching children to become the next generation of environmental activists.
It is an important book because it explores the five oceans as one interconnected ecosystem, highlighting their critical role in sustaining a livable planet. It goes a step further by explaining actionable steps we can take to help. This message resonates not only with children ages 8 to 12 but with adults, too (and I love that!) The eye-catching illustrations (which, of course, include my dearies, dolphins, and whales) enhance the appeal and engagement for both young readers and educators.
The global ocean is in trouble. This beautiful and important book explores the issues — and what we can do to help.
Though we think of Earth’s five oceans as separate and distinct, they are actually a linked system of circulating water that is one single ocean — the global ocean. This comprehensive and accessible overview explores the global ocean’s enormous influence on the planet, as well as humans’ often-detrimental influence on the ocean. But it also highlights some of the many ways people are working to restore and heal the global ocean — from everyday actions to large institutional…