Here are 100 books that Memoirs of a Breton Peasant fans have personally recommended if you like
Memoirs of a Breton Peasant.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.
Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and…
Through a family chronicle - some three generations of a middle-class family living on the French Atlantic coast - Rouaud evokes the lingering heartache of a whole nation: the period is the interval between the two wars, but the slaughter of World War I dominates. Winner of the Prix Goncourt.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir.
The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.
The enchanting memoir of an artist?s liberating sojourn in France during the sixties?and the friendship that transformed her life
While in her late twenties, Marjorie Price leaves the comfort of her Chicago suburb to strike out on her own in Paris and hone her artistic talents. Dazzled by everything French, she falls in love with a volatile French painter and they purchase an old farmhouse in the Breton countryside. When Marjorie?s seemingly idyllic marriage begins to unravel, she forms a friendship with an elderly peasant woman, Jeanne, who is illiterate, has three cows to her name, and has never left…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
In 2000, angry at the state of the world, a fifty five year old acclaimed Swedish writer, sells her home and most of her belongings, leaves her homeland, and drives west with no destination in mind. She’s alone, but not lonely, searching for peace and freedom and a break with the past. She stops where the land ends, at the end of the world, Finistère, Brittany, where she buys a house, meets Madame C, and plants a garden.
“It’s so wonderful here that one should write a book about it,” she tells Madame C, and spends the rest of the book refusing to write it, because to do so, she says, will diminish, simplify, and transform everything she loves about her new home. She’s like the banker who thinks money is filth and saves it; she’s the writer who distrusts words and writes—a memoir.
'In the same way as there's a partner for every person, there's a place. All you have to do is find the one that's yours among the billions that belong to someone else, you have to be awake, you have to choose.'
With this conviction in mind, acclaimed Swedish writer Bodil Malmsten abandons her native country at the age of fifty-five and settles in Brittany.
At the heart of this memoir is the conviction that the happiness to be found in Finistere will not allow itself to be, cannot be, expressed in writing. Embroidered around this seeming paradox are poignant,…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
Pierre-Jakez picks up where Jean-Marie Déguignet left off. This book is essentially a continuation of the story, a 20th century account of peasant family life in an area not far from where Déguignet lived a century earlier—except this book celebrates and revels and respects Breton culture, life, people, music, food, history, etc. It was published in 1975 and is part of the world-wide movement of identity politics, when ethnic groups, genders, religions, and nationalities are discovering their roots, history, beauty, and genius.
This book is a paean to Breton life and culture, and Pierre-Jakez becomes a cultural icon and hero for writing it. By the end of his life (1914-95), he is honored throughout Brittany. I saw and heard (but couldn’t understand) him at the huge, (thousands of people) annual Festival de Cornouaille in Quimper, where he was the guest of honor.
"A marvelous chronicle of Breton lives and life, seen largely through the eyes of a child grown old, remembering how it used to be, in the years between the two world wars. The memoirs are magnificent. . . . The affectionate and touching portraits are not just of one family. . . . but of a whole people. . . . Like that faintly sweet, strong apple liqueur, this book should be savored slowly-set aside and picked up again, chapters read and re-read."-Neil Pickett, The New Republic "A rich and moving memoir. . . . We can see why this…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
This book takes on class, gender, and addiction, plus a host of other contemporary issues facing rural America and the nation—and Smarsh still manages to craft a compelling, human memoir.
This book might be the antidote to all the easy, anodyne, partisan conclusions the talking heads offer about rural America. As someone who grew up in rural America but now lives in a small city on the West Coast, I felt challenged reading this memoir.
Smarsh is the best kind of rabble-rouser; she’s telling it straight no matter who is listening.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly*
An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.*
Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side.…
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
While Farmer is a physician and anthropologist rather than a historian and these collected essays are not historical in a strict sense, Farmer's account of structural violence is clear, readable, and evocative. An understanding of structural violence is a prerequisite for understanding the phenomenon of violence in any context, present or past.
For nearly thirty years, anthropologist and physician Paul Farmer has traveled to some of the most impoverished places on earth to bring comfort and the best possible medical care to the poorest of the poor. Driven by his stated intent to 'make human rights substantial', Farmer has treated patients - and worked to address the root causes of their disease - in Haiti, Boston, Peru, Rwanda, and elsewhere in the developing world. In 1987, with several colleagues, he founded Partners In Health to provide a preferential option for the poor in health care. Throughout his career, Farmer has written eloquently…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
I met Matthew Desmond before he became one of the youngest Professors with his own center at Princeton University. He was visiting London, had just published his first book, and was still finishing the research for this book.
Desmond did an enormous amount of field research; he spent months living in a trailer park, on top of thousands of hours in archives and courtrooms where eviction cases are decided. The result is the best book I have ever read about poverty.
What happens when ‘normal people’ get evicted? Desmond’s story is rich and personal, and that is what we need: we need to understand the lives of poor people better in order to finally decide that we must change the systems that put them there.
*WINNER OF THE 2017 PULITZER PRIZE FOR NON-FICTION* 'Beautifully written, thought-provoking, and unforgettable ... If you want a good understanding of how the issues that cause poverty are intertwined, you should read this book' Bill Gates, Best Books of 2017
Arleen spends nearly all her money on rent but is kicked out with her kids in Milwaukee's coldest winter for years. Doreen's home is so filthy her family call it 'the rat hole'. Lamar, a wheelchair-bound ex-soldier, tries to work his way out of debt for his boys. Scott, a nurse turned addict, lives in a gutted-out trailer. This is…
I am a Professor at the University of California, Los Angeles, where I teach in the Department of African American Studies and the UCLA Institute for Society and Genetics. I also direct the UCLA Lab for BioCritical Studies and am the principal investigator of the Coroner Report Project within the UCLA Lab for BioCritical Studies. My research team is documenting how the death investigation system is failing to tell us the truth about Americans who lose their lives in jail and during arrest. I've written about this problem in several reports, journal articles, and now my latest book, The Coroner's Silence.
When I was reading the autopsies of people who died during arrest or in jail, it became clear that too many of the victims were simply poor people who lacked resources.
This book explains why the poor are the targets of our criminal justice system and why so many Americans are struggling for economic and legal freedom at the same time.
In one of the richest countries on Earth it has effectively become a crime to be poor. For example, in Ferguson, Missouri, the U.S. Department of Justice didn't just expose racially biased policing; it also exposed exorbitant fines and fees for minor crimes that mainly hit the city's poor, African American population, resulting in jail by the thousands. As Peter Edelman explains in Not a Crime to Be Poor, in fact Ferguson is everywhere: the debtors' prisons of the twenty-first century.
I’ve been a rights advocate since I was a middle schooler planning how to help save the whales. In college, I volunteered in anti-apartheid campaigns, then became a journalist covering the rise of the Shining Path guerrillas in Peru. I wanted my research and words to make change. I spent 12 years covering Peru and Colombia for Human Rights Watch. Now, I try to inspire other young people to learn about and advocate for human rights as a professor and the co-director of the Duke Human Rights Center at the Franklin Humanities Institute. I also write fiction for kids that explores human rights themes and just completed The Bond Trilogy, an epic fantasy.
One of the most important new issues faced by rights advocates is climate change. Macarthur genius award-winner Catherine Coleman Flowers is on the front line of that fight, based on her own childhood as the daughter of an activist Black family in Lowndes County, Alabama. This memoir captures Flowers’ essence: someone who just can’t let an injustice slide by. And she will talk to anyone who might be able to help, including with cleaning up the raw sewage that continues to poison the homes of many poor Alabamians. Flowers clearly describes the link between local rights issues and the global campaign to deal with climate change.
The MacArthur grant-winning environmental justice activist's riveting memoir of a life fighting for a cleaner future for America's most vulnerable
A Smithsonian Magazine Top Ten Best Science Book of 2020
Catherine Coleman Flowers, a 2020 MacArthur "genius," grew up in Lowndes County, Alabama, a place that's been called "Bloody Lowndes" because of its violent, racist history. Once the epicenter of the voting rights struggle, today it's Ground Zero for a new movement that is also Flowers's life's work-a fight to ensure human dignity through a right most Americans take for granted: basic sanitation. Too many people, especially the…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I’ve been writing books on environmental journalism and teaching Environmental Humanities and Environmental Justice at the University of Delaware for 25 years. Each of these books has made a particularly powerful impression on me and my students in recent years. They are powerful calls for a genuine reckoning with racial and environmental injustice throughout American history
An illustrated book of long-form nonfiction that examines poor Black, Indigenous, White, and Migrant communities in the United States, and how they have all been broken by extractive capitalism and racist public policy. Hedges’ writing is intentionally polemical, designed to shatter any illusions about the welfare of our fellow citizens living in communities ruined by racism and industrial-scale environmental degradation. Sacco’s long-form graphic illustrations are equally haunting. I’ve taught this book continually for many years.
Named a Best Book of the Year by Amazon.com and the Washington Post Three years ago, Pulitzer Prize-winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the…