100 Books Like A Gift from Brittany

This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.

Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and canvas roof.… show more.

In 2000, angry at the state of the world, a fifty five year old acclaimed Swedish writer, sells her home and most of her belongings, leaves her homeland, and drives west with no destination in mind. She’s alone, but not lonely, searching for peace and freedom and a break with the past. She stops where the land ends, at the end of the world, Finistère, Brittany, where she buys a house, meets Madame C, and plants a garden. 

“It’s so wonderful here that one should write a book about it,” she tells Madame C, and spends the rest of the book refusing to write it, because to do so, she says, will diminish, simplify, and transform everything she loves about her new home. She’s like the banker who thinks money is filth and saves it; she’s the writer who distrusts words and writes—a memoir.

She writes about planting, tending, thinking,… show more.

Jean-Marie Déguignet is not your typical Breton peasant. He’s small and puny—and these people aren’t built that way. At nine, a bee caused him to fall and hit his head, leaving an ugly wound that oozed for years and left a deep indentation in his skull when it finally healed. The result was a lifetime interest in bees and a lonely life, as no one wanted to be near him.  

A curious and isolated lad, he becomes an auto-diktat, and like many auto-diktats has lots of disparaging things to say about those who are less educated and more successful and powerful than he—especially church and government officials, monarchists, and landlords: ignorant bastards he constantly fought (and lost) who controlled and ruined his life. He’s an anti-cleric in this most Catholic of lands. He’s a Republican in a time and place of monarchists. He understands the world as a scientist, through… show more.

Pierre-Jakez picks up where Jean-Marie Déguignet left off. This book is essentially a continuation of the story, a 20th century account of peasant family life in an area not far from where Déguignet lived a century earlier—except this book celebrates and revels and respects Breton culture, life, people, music, food, history, etc. It was published in 1975 and is part of the world-wide movement of identity politics, when ethnic groups, genders, religions, and nationalities are discovering their roots, history, beauty, and genius.

This book is a paean to Breton life and culture, and Pierre-Jakez becomes a cultural icon and hero for writing it. By the end of his life (1914-95), he is honored throughout Brittany. I saw and heard (but couldn’t understand) him at the huge, (thousands of people) annual Festival de Cornouaille in Quimper, where he was the guest of honor. 

This book is a mirror image of… show more.

I am actually only part-way into this book, but I love it so far. I have always loved Charles Dickens, and learning more about his family interests me. This book is about his 10th child, Edward. He was a difficult child and was sent to the Outback. He lived among the aborigines and mostly convicts. It is a life story about how he handled it and tried coming out on top. I recommend this book because it gives hope and encouragement to all people. Young and old.

Based on the true-life experiences of author Ruth Behar’s grandmother, the letters that Esther writes from Cuba to her beloved sister Malka back in Poland feel totally real and remind me of my mother’s connection to her cousins that were left behind when she escaped Czechoslovakia. I love how open and curious Esther is and how that helps her connect with her new Cuban neighbors despite their differences. Esther creates a strong community by sharing her Jewish traditions with people who know nothing about them. The neighbors are willing to come together at first, despite their apprehensions, because they like this sweet, smart, little girl but they soon learn that they all have more in common than they would have ever guessed. This book will strengthen your faith in humanity.

In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender. 

A focused examination of the relation between race and immigration in the United States, Natalia Molina looks at the effect of racialized immigration views and policies on Mexican migrants during the first half of the twentieth century. Her theory of racial scripts, she argues, is the product of race-based views of American identity. A must-read for scholars of immigration and race, especially for understanding how racialization of one group can occur and impact others across United States history.

This wonderfully written true story is told as a wild madcap, can’t put it down, tragic comedy, which is incredibly funny but carries with it an underbelly of loss and heartbreak. 

As he struggles to straddle the demands of his Iraqi-Iranian cultural mix as a refugee in Australia, Osamah makes some disastrous choices, that lead him down a complex maze to the truth of where his own heart lies.

Thanhha Lai's semi-autobiographical novel in verse form tells the story of a young girl's journey from war-torn Vietnam to the United States.

I was deeply touched by the poetic narrative and the vivid depiction of the refugee experience. The book beautifully captures the challenges of adapting to a new life while carrying the weight of past trauma, making it a compelling read for all ages.