100 Books Like A Gift from Brittany

This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.

Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and canvas roof.… show more.

In 2000, angry at the state of the world, a fifty five year old acclaimed Swedish writer, sells her home and most of her belongings, leaves her homeland, and drives west with no destination in mind. She’s alone, but not lonely, searching for peace and freedom and a break with the past. She stops where the land ends, at the end of the world, Finistère, Brittany, where she buys a house, meets Madame C, and plants a garden. 

“It’s so wonderful here that one should write a book about it,” she tells Madame C, and spends the rest of the book refusing to write it, because to do so, she says, will diminish, simplify, and transform everything she loves about her new home. She’s like the banker who thinks money is filth and saves it; she’s the writer who distrusts words and writes—a memoir.

She writes about planting, tending, thinking,… show more.

Jean-Marie Déguignet is not your typical Breton peasant. He’s small and puny—and these people aren’t built that way. At nine, a bee caused him to fall and hit his head, leaving an ugly wound that oozed for years and left a deep indentation in his skull when it finally healed. The result was a lifetime interest in bees and a lonely life, as no one wanted to be near him.  

A curious and isolated lad, he becomes an auto-diktat, and like many auto-diktats has lots of disparaging things to say about those who are less educated and more successful and powerful than he—especially church and government officials, monarchists, and landlords: ignorant bastards he constantly fought (and lost) who controlled and ruined his life. He’s an anti-cleric in this most Catholic of lands. He’s a Republican in a time and place of monarchists. He understands the world as a scientist, through… show more.

Pierre-Jakez picks up where Jean-Marie Déguignet left off. This book is essentially a continuation of the story, a 20th century account of peasant family life in an area not far from where Déguignet lived a century earlier—except this book celebrates and revels and respects Breton culture, life, people, music, food, history, etc. It was published in 1975 and is part of the world-wide movement of identity politics, when ethnic groups, genders, religions, and nationalities are discovering their roots, history, beauty, and genius.

This book is a paean to Breton life and culture, and Pierre-Jakez becomes a cultural icon and hero for writing it. By the end of his life (1914-95), he is honored throughout Brittany. I saw and heard (but couldn’t understand) him at the huge, (thousands of people) annual Festival de Cornouaille in Quimper, where he was the guest of honor. 

This book is a mirror image of… show more.

I am actually only part-way into this book, but I love it so far. I have always loved Charles Dickens, and learning more about his family interests me. This book is about his 10th child, Edward. He was a difficult child and was sent to the Outback. He lived among the aborigines and mostly convicts. It is a life story about how he handled it and tried coming out on top. I recommend this book because it gives hope and encouragement to all people. Young and old.

Thanhha Lai's semi-autobiographical novel in verse form tells the story of a young girl's journey from war-torn Vietnam to the United States.

I was deeply touched by the poetic narrative and the vivid depiction of the refugee experience. The book beautifully captures the challenges of adapting to a new life while carrying the weight of past trauma, making it a compelling read for all ages.

In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender. 

Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.

This book is a true labor of love, an oral history about a community of Eastern European Jewish chicken ranchers that lived in Petaluma, California for decades. The voices ring with the cadence and language of my own childhood although the era is older and the political leanings of those interviewed are different than those in my own neighborhood. What distinguishes this book from many is that the community has no wish to assimilate.

How many, and which individuals should be allowed to immigrate to the U.S. is a long-standing policy dilemma that people feel strongly about yet appears to have no easy solution.

Economist Borjas shows us how economists think about the issues involved. Where are we in the history of immigration to the United States? Which American industries and individuals benefit from allowing more immigrants in, and which are harmed by such a policy?

What policies would be better for the U.S. economy and the U.S. population as a whole? How are regions, states, and cities differentially affected? What trade-offs are involved in the available policy choices in this area?