100 Books Like Maror

Asking me to pick my favorite Amos Oz book is like asking me to pick my favorite child: they are all uniquely wonderful. Still, this book best captures the gossipy joys and frustrations of life on a frontier kibbutz.

At age 15, Oz left his home in Jerusalem to become a member of a socialist commune in the countryside and later described his life there as the “ultimate university of human nature.” I love how his wry early novel transforms one imaginary kibbutz into a microcosmic mirror in which we can all see our own petty vanities. 

I get professional envy every time I read one of Daniel Gavron’s vivid collections of literary journalism. He is such an attentive observer and compassionate interviewer, and the conversations he preserves on every page bring a diverse range of Israelis to life in all their hopes and fears.

Published at the turn of the millennium, this book is a classic of kibbutz history in which Gavron, a former kibbutznik, travels to communities in various stages of decline or revival. His book inspired my own return to Israel to discover more about the uncertain future of Israel’s utopian movement. I can’t thank him enough for that.

Miri, our protagonist explores her strengths and weaknesses. She has lost her dearest friends, and journeys to Israel, in part to follow the trail of her lost love.

The story has several intriguing side plots. We learn the origin of werecats. We follow Miri's family members as they get caught up in the Nazi persecution of Jews in World War II. We see inside a conservative community in Israel. And, the world of Umbrae is shown to be a wondrous and scary place. I enjoyed seeing the characters, good and evil. Finny, the cat, is fun, devoted, and willing to travel around the world and into Umbrae to help her friends. 

This is another strong entry into the story arc of the P.A.W.S. series.

One of the treasures in my large collection of kibbutz books is a signed edition of this dreamy memoir by Yael Neeman. In-person and in print, she is wise, funny, observant, and prone to memorable metaphors.

I savoured every word (in Sondra Silverston’s wonderful English translation) of her poignant and often ironic reflections about growing up in the most controversial experiment of the kibbutz movement: the collective “children’s house,” in which kibbutz kids slept apart from their parents to be raised by nannies in mini-communes of their own.

Full confession: I only picked up this novel in my attempt to read every book with “kibbutz” in the title. Lucky me!

I became a fan of Michael Ohayon, the moody outsider who stars in Batya Gur’s series of Hebrew whodunnits, all set in various closed societies and institutions. Ohayon is like an Israeli Inspector Rebus, and no amount of duplicity by the members at an indebted kibbutz can keep him from cracking the case.

The novel doesn’t paint a pretty picture of communal life, but I recognized many of the fatal flaws of the real kibbutz movement magnified to deadly dimensions in this slow burn of a murder mystery.

I admire every detail in this beautifully written family saga that reaches from Lithuania to Jerusalem.

When Amos Oz’s family escapes the antisemitism of Europe in the 1940s and resettles in Palestine, they seem to construct their new home of books rather than mortar. And beyond the towering bookcases, the volumes in twelve languages, lies a city of ancient stone torn by history and religion and competing claims.

Oz’s profound and personal understanding of the Holocaust leads him to conclude that Israel will be stronger by ending the occupation and forging paths that help to unite Jews and Palestinians.

I love the truth, the fact that empathy and compassion have the potential to heal the deepest wounds.

Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?

The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."

There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp. 

Not only is Rutu Modan one of my favorite illustrators she is also an extremely talented story writer and Exit Wounds is no exception. This was also one of the first graphic novels I had ever read and was so captivating. Her unique art style and writing are truly amazing. I love her color pallet and how it really keeps you engaged from panel to panel. Without giving away spoilers this book is based on real-life events and really gives you a greater sense of life in other countries can be like for better and for worse. 

I love all of Rutu Modan’s books but this one really hit home for me.

I love thrillers with in-depth character development and realistic situations involving clandestine operations, and this book hits both of those marks.

This is the first book in a three-book series featuring the Mossad, the Israeli foreign intelligence service. I’ve always been fascinated by books that give me a behind-the-scenes look at how an intel agency operates and the tech gadgets that make the business of spying possible, and these authors describe both extremely well while giving me insights into how a Messianic Jew lives out his faith. 

Yoram Peri’s expertise on the historical entanglements of the military and political sectors in Israel is unrivaled.  Based on personal interviews with all major players Peri goes behind the scenes to show the real meaning of the standard Israeli formula that the “Arab problem” should be seen “through the gunsight.” He describes how different generals, even those open to an accommodation with the Palestinians and opposed to settlers, were either stymied or transformed into saboteurs of the Oslo peace process. This pattern he attributes to the hegemonic psychology, standard operating procedures, processes of socialization, and political demands, associated with the way the Israel Defense Forces are organized and integrated into Israeli politics. Particularly vivid is his portrayal of upper-echelon Israeli military frustration at its forced withdrawal from Lebanon and how that resulted in the IDF’s extraordinarily violent and destructive treatment of the Gaza Strip.