Books like Mangos and Mistletoe — picked by fans

I learned about the existence of Don’t Stop Believing through Gwen Hayes’ writing craft book Romancing the Beat. She used it as her example outline. It was the first thing I read to pick out story beats, and I meant to focus on writing craft while reading, but I fell in love with the characters. Both leads are precious! It gets me in the holiday mood but I reread this one all year round. Snowed in at Christmastime when they both secretly like the other already? Gimme gimme gimme (this book after midnight). It’s just so festive and cute.

This one is technically New Year’s holidays, not Christmas specifically, but it swept me away with the meet cute and resulting fake dating. The main couple is adorable, and so is the side couple whose wedding they’re attending. Beau? Charms my pants off. The kisses (and more) steam up my glasses. I also appreciate the nonbinary representation; Alex is hilarious. It’s funny and cute and ugh, I just love it so much.

I opened this book and immediately felt comfortable with the narrative style: dual POV, third person, with a hint of humor right on the first page. It’s a cute little Christmassy novella. One character is a lesfic author and the other is a huge fan of hers (but doesn’t know it’s her) – I enjoyed the “mystery” of Ivy trying to piece together Kit’s pen name. Kit’s young niece was also very cute. Overall, this story just felt like a safe space. I was able to curl up and know that everything was going to be okay.

Okay, first of all, one lead starts off hating the other. Sign me up, right? I like how they’re both lesfic writers but the first two chapters immediately juxtapose where they are in their processes – one is a nobody who can’t write fast enough and the other is a big name with writer’s block. They get roomed together at a writing retreat and then snowed in, so double the forced proximity. We love to see it. For me, this book is a lovely balance of Christmassiness (let me have this word, okay?) and writerliness. It helps me remember why I enjoy writing my queer romances – for the love of storytelling, not for money or fame. (But note: I don’t condone most of the writing opinions put forth in this story.)

This is a book I saw cropping up every so often, but I was worried it would be too history-heavy (which can be a massive plus, but I was looking for something more heavy on the romance side!)

But when an artist friend of mine painted a very beautiful man, I had to know where he was from—and this was that book! It’s set in 1333, England is at war with Scotland, and already we have a beautiful tension set up.

Harry is a young untested knight eager for glory who is roped into a mission in Scotland where a massacre occurs, all to retrieve a young man, wild and angry, who is then put into Harry’s care. There’s so much mystery around this young man and his and Harry’s relationship has to overcome first their heritages, then the expectations of their societies.

It’s beautiful, hot, and one I’ll remember… show more.

This book is such a smart novel. It draws its inspiration from Frankenstein, and although it is very different from the original (with its likable lesbian protagonist), it loses none of the original novel’s gothic themes and atmosphere.

The story moves quickly yet manages to convey rich language and explore complex themes. 

I started this book on a plane, continued to read in my seat after the plane landed, and was seriously annoyed at the flight attendant when forced to deplane. This is one of those books with a simple twist on the fantasy genre I wish I’d thought of—a race of beings who subsist on eating books.

Dean’s world building is superb, the protagonist is a badass, and the portrayal of the fractured relationships among characters—especially with her son—complicated and relatable. I finished it (in a chair at the airport) in one sitting, and it was worth it. 

Electric, dystopic, magical, queer, Tentacle is the most exciting, genre-bending book I’ve gotten my little hands on in quite some time. Expansive in theme yet swiftly paced, it moves between three different connected time spans including futuristic Santo Domingo. Felt like a fever dream with seriously high stakes, I can’t believe how much world building happens in under 200 pages. Rita Indiana is also a brilliant musician based in the Dominican Republic, I was introduced to her revelatory music after reading her fiction. Her music now haunts all my playlists. 

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

It’s a queer re-telling of The Gift of the Magi, both adorable and melodramatic—and I loved it! Yin and Ari celebrate their own space they’ve carved out with help from supportive friends and family and their own hard work, which fits Herrera’s Dreamers/refugee theme and is handled with trust, compassion, and love—but isn’t sugar-coated, either.

They’ve both got instincts and baggage around things falling apart or not working out and a hesitancy to think they can do enough for each other. This brilliantly written psychology leads to a series of good (yet terrible) choices. Watching them try to do something truly special for each other—even though they’re breaking their own rules for the gift exchange—had this wonderful bittersweet edge to it that ultimately ended on a note of joy I really loved, even if it got a little bumpy along the way.