100 Books Like The Scottish Boy

Time moves differently when you can never grow up. We love to revisit S.A Chant’s brilliant exploration of Queer Time again and again.

Peter Darling has fast become one of our favorite books of all time–it’s a lush, transformative addition to the Peter Pan canon. The rivals-to-lovers element is rich and romantic, and the plot twist breaks boundaries, subverts expectations, and plays with gender in such a careful and nuanced way while also depicting a fresh and unique take on Neverland.

It’s a masterpiece of a book and one that continues to amaze us every time we reread it.

From the first page, this story felt intimate and infinite all at once.

It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.

Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.

It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.

I am a great fan of the sensational xianxia drama The Untamed, which is why I love this novel from which the drama is adapted.

One thing that I really like about the novel is the character Wen Qing. My heart is captured by her quiet ways of going about her practice of medicine, her deep but understated affection for her brother Wen Ning, and her unwavering loyalty to her good friend Wei Wuxian after facing adversities together with him. She actually saves him twice, the second time with her own life.

What also strikes me as outstanding is the way the novel constantly asks the thought-provoking questions: what is good and what is evil, and why are unorthodox ways deemed as evil?   

I found this book through TikTok after a surge of booktokers started to recommend it.

I was instantly intrigued by the premise: presumed dead at Waterloo, a soldier decides to live as herself—trans woman Viola loses her wealth, her title, and her childhood friend Gracewood. But years later, fate draws them together again, and they must contend with their desires and their past together.

This book! I cried, I laughed, I had so many emotions reading this tale. Against all odds, they find each other, they communicate through the unique challenge of attraction after years and Viola’s new womanhood.

There are some incredibly hot scenes which feel all the more tantalizing for the novel’s historical setting. I’ve lent this book to several friends just hoping they experience the same joy I did. 

Set in Cambridge in the 14th century, Matthew Bartholomew is a doctor trying to instill knowledge into his students while surviving the rigours of life in an under-funded college, and the censure of fellow physicians who still believe in astrological charts, and who dismiss Matthew’s new-fangled notions of cleanliness. Although keen to focus on his students and his studies, Matthew invariably becomes involved in the town vs gown troubles, along with murders and mysteries when his help is invoked by the Proctor, Brother Michael. Great reads about life in a university town along with medieval medical practice.

Again, we are in the fourteenth century, in Oxford, but following the first terrible onslaught of the Black Death. The title made this a must-read for me because my own sleuth, Seb Foxley, is involved with the making and selling of books, just like Ann Swinfen’s hero, Nicholas Elyot. I wasn’t disappointed.

The characters came alive for me and I too was sad when a good student was found drowned in the river. But the bookseller is suspicious and uncovers a villainous plot, putting him, his family and friends in danger.

A beautifully-woven medieval mystery; I had to read it in one go – forget the washing up. Fortunately, this is book 1 of the Oxford Medieval Mysteries so there’s more fun to come.

Edward III’s founding of the Order of the Garter was what inspired me to write my book, but I knew little about him.

This true medieval king’s fifty-year-long reign was marked by controversy from the start, but he was also a romantic, a warrior (he instigated the 100 Year War against the French), steered England through the horrific amount of death from the plague in 1348, and was the patriarch to The Black Prince and John of Gaunt, and The War of the Roses came after his reign.

I recommend this fascinating account of his life. 

This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.

It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.

Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?

Set in Medieval York I loved the detail of life in this book. The passion of Lucie Wilton, the apothecary’s wife is apparent and very real. Her anguish at his death and her guilt over her love for Owen Archer, her assistant incite pity and hunger in the reader. It taught me to try and include small details in my own writing and to make my characters come alive as Candace Robb does. I was truly hungry for the next book...and the next...and the next!

Owen Archer became a real fictional hero of mine.

Thomas Costain’s series introduced me to a fascinating world of castles and cathedrals, of tournaments where mounted knights broke lances on behalf of their ladies, where courtly love and chivalry ruled the day. (In theory. Seldom in practice.) How strange, my preteen self thought. How enchanting! I was particularly fascinated by The Three Edwards, which recounts the reign of one of England’s worst kings sandwiched between two of its greatest. With the eye of a natural storyteller, Costain intersperses tales of wars, rebellions, and political machinations with myths such as Arthur and Guinevere’s tombs being “discovered” in Glastonbury and the possible origins of Robin Hood. While there are newer series mining the same period, Costain’s research remains relatively solid, and his prose retains its powerful simplicity.