93 Books Like Highland Retreats

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

A British writer and editor who developed a love of Greece from childhood holidays and Ancient Greek classes at school, and a passion for hidden and little-known places, I felt myself called back and moved ten years ago to the Dodecanese, a remote and rugged group of islands at the southeast edge of Europe. Wandering on foot around islands whose populations emigrated in their thousands over the last hundred years leaving refuges of wild and quiet, I began to be fascinated by things left behind on the landscape and differences from one island to the next. I explored in this way for five years and wrote the stories in my third book set in Greece, Wild Abandon: A Journey to the Deserted Places of the Dodecanese.

I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. In Beneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!

Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. She’ll never tire of dreaming up handsome and mysterious strangers she’d love to be snowed in with.

I have a little secret. I was late to the romance table. Though I grew up with a romance reading mother, my initial interests lay in the fantastical worlds of Paulo Coelho, Anne Rice, and David Gemmel. Romance seemed forbidden, and I didn’t touch the genre until my late twenties, when a nasty breakup sent my disillusioned heart looking for more. And what a revelation! Romance taught me to expect more from myself and my relationships. At the close of one creative career, it lit an unstoppable passion to become a contemporary romance author. And here I am, a decade on, writing romance and sharing my book recommendations with you!

Growing up in the Honest Toun of Musselburgh near Edinburgh, I was surrounded by bloody battlefields, haunted castles, ruined abbeys and palaces. In particular, Scotland during the turbulent 16th century Reformation and the tragic reign of Mary, Queen of Scots fired my imagination. I was curious to know more about the lives, loves, and destinies of these fascinating historical characters. I wanted to delve deeper, go beyond dates and events–what happened when–to explore why and how people acted. I’m passionate about writing historical fiction as it involves researching the tiniest details about everyday life–clothes, food, methods of travel, language, beliefs–to bring people from the past to life for the reader.

I was born in rural Bannockburn in Scotland, two fields from the site of the famous Battle (a rare victory over England) of 1314. From the start, the Past has always been very present to me. I have written 22 books: novels, non-fiction memoir, and poetry. In differing ways they all explore aspects of Scotland and being Scottish – our landscape, geology, history, culture, and psyche. I was brought up in East Fife, near St Andrews, and live in Edinburgh and Orkney; my mother was English, as is my wife, novelist Lesley Glaister. Which is by way of saying I am interested in writing the joys, aches, and complexities of being human, in the universal and the local, in our present and the Past that shapes it.