Here are 100 books that M. D. fans have personally recommended if you like
M. D..
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This book is a feminist memoir about being in a groundbreaking organization that proclaimed to the world that lesbians exist, refusing to be erased.
They used street theatre to draw attention (the "fire eating" to which the book title refers). The participants faced a lot of litmus testing, such as being targeted as racially offensive for using the phrase "freedom ride" for non-race centric activity; and the author testifies to both misogyny and homophobia in the left in the US, Paris, and Cuba.
When Kelly Cogswell plunged into New York's East Village in 1992, she had just come out. An ex-Southern Baptist born in Kentucky, she was camping in an Avenue B loft, scribbling poems, and playing in an underground band, trying to figure out her next move. A couple of months later she was consumed by the Lesbian Avengers, instigating direct action campaigns, battling cops on Fifth Avenue, mobilizing 20,000 dykes for a march on Washington, D.C., and eating fire-literally-in front of the White House.
At once streetwise and wistful, Eating Fire is a witty and urgent coming-of-age memoir spanning two…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This book is a feminist memoir that focuses on the passionate experience of being politically connected with others, and juxtaposes that with the divisiveness and the unfortunate polarization of identity politics.
She also makes a strong case for a nuanced reading of political situations, showing how simplistic knee-jerk litmus testing becomes toxic within any movement, no matter how righteous the cause.
When Lise Weil came out in 1976, she came out into a land that was all on fire. Lesbian desire was the pulsing center of an entire way of life, a culture, a movement. The air throbbed with possibility. At the center of In Search of Pure Lust is Weil’s immersion in this culture, this movement: the grand experiment of lesbian feminism of the ’70s and ’80s. She and the women around her lived in a state of heightened erotic intensity that was, she believed, the source of their most vital knowledge. Desire was their guiding light. But after fifteen…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This story is the memoir of a very butch lesbian, which is an identity that juxtaposes very oddly and awkwardly against how our culture thinks of motherhood and pregnancy.
This tongue-in-cheek depiction makes for a clever skewering of the tension between one's internal identity and the perceptions of others, and the complexities of stepping outside the identity role that one has chosen to occupy.
First pregnancy can be a fraught, uncomfortable experience for any woman, but for resolutely butch lesbian Teek Thomasson, it is exceptionally challenging.
Teek identifies as a masculine woman in a world bent on associating pregnancy with a cult of uber-femininity. Teek wonders, “Can butches even get pregnant?”
Of course, as she and her pragmatic femme girlfriend Vee discover, they can. But what happens when they do? Written and illustrated by A.K. Summers, and based on her own pregnancy, Pregnant Butch strives to depict this increasingly common, but still underrepresented experience of queer pregnancy with humor and complexity—from the question of…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This tale is the autobiographical account of a married man who, when his wife gets an especially nice promotion opportunity, agrees with her that it makes more sense for him to stay at home with their young girl child.
He takes his role and its responsibilities seriously. His story is mostly the story of what is involved being the domestic partner on a day-to-day basis, but braided into that is the specifically gendered experience of doing all that as a male person in this society.
Lincoln Menner is finding out just how hard it is to be a woman. When his wife Jo was offered her dream job, Linc supported her wholeheartedly, leaving his thriving landscape business in Los Angeles and moving to Rochester, New York. This was a chance to escape the cloying needs and atrocious tastes of his celebrity clientele, start over in fresh surroundings, and spend a little quality time with their three-year-old daughter, Violet.
But Linc had no idea what it really meant to be a househusband: To stay home every day, folding laundry, cleaning soap scum, and teaching his little…
I got hooked on breastfeeding when, during my health visitor training, our class had a lecture from Drs. Penny and Andrew Stanway, who wrote the original Breast is Best. I breastfed my own children, became a breastfeeding counsellor and lactation consultant (IBCLC), and championed breastfeeding as a health visitor and midwife. I then worked for 14 years with the UNICEF UK Baby Friendly Initiative, teaching and supporting healthcare staff to improve standards of care for breastfeeding mothers and babies. Throughout, I gained a huge respect for babies’ abilities in relation to breastfeeding. This directly influenced my belief in their capacity to continue feeding themselves when they start solid food, which is my current focus.
Kimberly writes from personal experience and from the heart. She pulls no punches. Her book covers a lot of the obstacles you’d expect – societal attitudes to breastfeeding, the formula industry, and so on – but it’s her chapter on ‘the feminist fallacy’ that really spoke to me. I’ve always been baffled by the lack of support that feminist writers have shown for breastfeeding. They talk about it as a chore, as a restriction on women’s freedom, not as something amazing that a woman’s body can do. Kimberly challenges this thinking head on, fearlessly exposing the flawed thinking that has, in the name of equality, blindly followed an agenda set by men, with the result that motherhood is devalued and breastfeeding is framed as simply an issue of ‘choice’. Her conviction provides me with the hope that we can reverse this. Brilliant.
Breastfeeding. The mere mention of it has many mothers wracked with anxiety (how will I manage with work, other kids, what if I don't make enough milk?) or guilt about not doing it (will I be hurting my child ifl choose not to breastfeed? what will people think of me if I choose not to?). This hot-button issue is one we've talked about repeatedly in the media and in celebrity culture. Remember when Angelina Jolie posed for the cover of W nursing her new-born? Oh, the controversy! And when Barbara Walters complained about the woman breastfeeding next to her on…
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
It’s a cliché, but the writing of Andrea Dworkin changed my life (often through painful internal struggle, but always for the better).
This is not her most well-known book, but this collection of essays and speeches was, for me, the most influential. Her speech “I Want a Twenty-Four-Hour Truce During Which There Is No Rape,” delivered to a men’s group in 1983, helped me understand that radical feminism was not a threat to men but a gift.
A few years before she died (far too young, at age 58, in 2005), I had a chance to meet her, and in the few hours of a shared car trip, I felt the loving spirit that motivated her work.
The nonconformist and social commentator discusses her experiences as a woman and a battered wife, her life of demonstrating, organizing, and addressing other women and the government, and the current state of the women's movement
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I am a writer, actor, and comedian. I began on the Second City mainstage in Toronto. I was a writer and an actor on the Canadian television series, Call Me Fitz and I won the Gemini Award and the Canadian Screen Award for Best Lead Actress in a Comedy Series for my work opposite Jason Priestley on that show. Let Me Be Frank is my first book and it brings together so much of what I love to write and read: feminism, women, history, underdogs, and humor.
A National Book Award finalist, Tressie McMillan Cottom’s Thick is a brilliantly written compendium of essays that should be read by everyone. This awe-inspiring collection tackles beauty standards, media, capitalism, and white supremacy all with a fierce wit and through a Black feminist lens. You will count yourself lucky to read these essays by one of the most important thinkers of our time. Cottom is wildly sharp and funny. She is an academic and profound but this book is accessible and readable. If you are like me you will want to read this twice.
In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom - award-winning professor and acclaimed author of Lower Ed - is unapologetically 'thick': deemed 'thick where I should have been thin, more where I should have been less,' McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work.In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom - award-winning professor and acclaimed author of Lower Ed - is unapologetically 'thick': deemed 'thick where I should…
I am a feminist political philosopher (yes, this is a job!). My superpower—and my training—is being able to see “through” public life to the values and arguments that animate it. I have been writing about the ideas behind feminist movements, especially movements in the global South, for almost 15 years. I am also a mom of color who thinks a lot about women’s labor.
Speaking of women’s labor, Verges, a French feminist theorist from the island of Reunion, opens this manifesto with a question that I think really gets to the heart of global feminist politics: “Who cleans the world?” This simple question, she argues, explains the fundamental connection between feminism and the other key struggles of our time—the fact that capitalism creates “invisible work and disposable lives.”
Starting from the lives of women in the global South, who are literally found cleaning up the waste of the global North, she reveals that feminism cannot be a fight for the women of the global majority unless it fights racial and economic inequality on a planetary scale. Verges also offers a compelling analysis of #metoo: opposition to gender-based violence cannot begin and end with a focus on individual perpetrators, nor can we allow it to become part of an agenda that criminalizes Black and brown…
'A vibrant and compelling framework for feminism in our times' - Judith Butler
For too long feminism has been co-opted by the forces they seek to dismantle. In this powerful manifesto, Francoise Verges argues that feminists should no longer be accomplices of capitalism, racism, colonialism and imperialism: it is time to fight the system that created the boss, built the prisons and polices women's bodies.
A Decolonial Feminism grapples with the central issues in feminist debates today: from Eurocentrism and whiteness, to power, inclusion and exclusion. Delving into feminist and…
I love reading about life experiences, however raw or unflinching they get. Many of the books on this list inspired me to be just as honest in my own creative work. While writing Alligator Meat, which began as my English honors thesis and became my memoir, I kept coming back to these books for guidance.
This book not only inspired me to explore the world of memoirs but also pushed me to confront my own fear of honesty on the page.
It is easy to hide behind fiction, yet confronting the culture tied to your own trauma is another challenge entirely. This book left me shocked, tearful, joyous, and empowered, and I returned to it often during my writing process for its sheer bravery.
"My Body offers a lucid examination of the mirrors in which its author has seen herself, and her indoctrination into the cult of beauty as defined by powerful men. In its more transcendent passages . . . the author steps beyond the reach of any 'Pygmalion' and becomes a more dangerous kind of beautiful. She becomes a kind of god in her own right: an artist." ―Melissa Febos, The New York Times Book Review
A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I have loved animals since I was a child, and when I was in college, someone introduced me to the work of Cleveland Amory, who was a prominent arts critic for much of his life. But Amory also became one of this nation’s first full-time animal activists and, as I learned later, someone who abandoned a lucrative and high-profile writing career to focus on his work for animal rights and anti-cruelty causes. I wrote a biography of Amory and began to read about the passion, mindset, and single-minded determination of activists of all stripes and how many made great sacrifices to join movements that have changed our lives and mindsets.
This collection of essays by pioneering feminist Gloria Steinem introduces the reader to the roots of modern-day feminism and the specific challenges Steinem and others faced to obtain what we consider today to be simple rights.
This book combines history, biography, and sociology, and Steinem captivated me with her clear and concise writing style, wit, and dry sense of humor. In addition to recounting her own experiences (such as her assignment as a reporter to pose as a Playboy bunny), she tells the stories of such varied subjects as First Lady Pat Nixon, Marilyn Monroe, author Alice Walker, and others.
I read this book shortly after it was published in 1983, and I read it again in 2020; both times I was shocked at the every-day indignities women faced routinely, and I was repeatedly encouraged by the bravery of Steneim and others to take on the mostly-male “establishment.”