Here are 100 books that Lucky Red fans have personally recommended if you like
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I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This sweeping novel moves from the Caribbean to the American West and follows Rosa Rendón, a free Black woman, as she flees her home in Trinidad when it changes from Spanish to British rule.
Uncertain about whether she will be allowed to remain free under the new government, she travels to the United States, where she falls in with the Crow people of Montana. Beautifully researched and masterfully told, this is a fabulous read for anyone interested in the history of Black men and women in the West.
Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion.
In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This book takes place in contemporary America, but it is a Western as much as any of the historical novels on this list. The novel focuses on a horrific crime that happens to a rancher woman named Ginny and her attempts to escape and survive the brutality of her environment.
McLean's prose is as dense and brilliant as William Faulkner's; her imagery is as cruel and unsparing as Cormac McCarthy's. She draws parallels to the violence visited upon humans and animals alike and the desire in many men to dominate the land and all that walk upon it. I'm calling it now: This author will one day win a Nobel.
A brutalized woman is left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors has to gear up and give chase - whether to beg forgiveness or shut her up for good, nobody knows.
With detours through time, space and myth - not to mention into the minds of a pack of philosophical mules - Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas as wide and strange as America…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.
I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.
Winner of the 2018 Michael L. Printz Award - An achingly beautiful novel about grief and the enduring power of friendship.
"Short, poetic and gorgeously written." -The New York Times Book Review
"A beautiful, devastating piece of art." -Bookpage
You go through life thinking there's so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
2
authors picked
Ash
as one of their favorite books, and they share
why you should read it.
This book is for kids age
14,
15,
16, and
17.
What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
While The Hills of Estrella Roja is my YA debut, I’ve been a big fan of YA graphic novels for years. I think YA is such fertile ground for great storytelling, because of how intense things can feel at that age, you’re on the cusp of adulthood, figuring out what type of person you are/want to be and where you fit in the world. Then throw in queerness, which adds a whole other layer to the experience. As a queer cartoonist creating work for young people (and everyone, really!) during this distressing era of book bans, creating and supporting authentic and diverse queer stories feels more important than ever.
Elle’s had a crush on her elusive classmate Madeline for ages, and when she runs into her at the party she and her bestie crash, she’s ecstatic to finally get the chance to chat Madeline up. Unfortunately, she drinks too much and ends up back at her apartment the next morning with a bad hangover and a bag full of stolen expensive trinkets.
Somehow this accidental theft ends up bringing her and Madeline, who has quite a few secrets of her own, closer together. Reverse heist hijinks, going to too many parties, smooching, and self-discovery ensue.
Lucie Bryon’s art is expressive and lively, and the characters feel like real teens—big crushes, bad decisions, and all.
1
author picked
Thieves
as one of their favorite books, and they share
why you should read it.
This book is for kids age
16, and
17.
What is this book about?
What happened last night? Ella can't seem to remember a single thing from the party the night before at a mysterious stranger's mansion, and she sure as heck doesn't know why she's woken up in her bed surrounded by a magpie's nest of objects that aren't her own. And she can't stop thinking about her huge crush on Madeleine, who she definitely can't tell about her sudden penchant for kleptomania. But does Maddy have secrets of her own? Can they piece together that night between them and fix the mess of their chaotic personal lives in time to form a…
As the author of several sapphic sports romances, I find sports world rife with passion, complexities, and inherent conflict. I’ve had the privilege of working with several professional athletes and Olympians, and I’m always drawn to their drive. Sports, especially high-level sports, function as a pressure cooker to reveal our real personalities for better or for worse. There’s something appealing about studying people who push their minds and bodies to the brink in pursuit of something bigger than themselves. I think in some small way that connects with who as I am a writer and my own drive to always improve.
This is a story about a personal trainer charged with helping a hockey star get back on the ice. While the focus is very much on the relationship rather than the hockey, I just adored the way Kris Bryant captures the ways an athlete puts so much of herself on the line both physically and emotionally. I love the way Kris writes this “all in” sort of character who charges after what she wants, both in and out of the arena. I think she captured the kind of personality we are all drawn to in people who have the drive to reach the pinnacle of their pursuits.
As the go-to therapist at Elite Therapy, Dr. Hayley Sims is the best in her field. It’s exactly why she’s just been assigned her most challenging patient yet, hockey player Elizabeth Stone. Not because Stone’s injury is complicated, but because she is intense to work with and needs someone to keep her in check. When Hayley’s personal life starts unraveling and she realizes she might be developing feelings for her patient, she’s torn between finishing her assignment and walking away to protect herself. Can Hayley get Stone back on the ice in one piece while keeping her heart from breaking?
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I recommend this book every chance I get when people ask me for a novel that knocked my socks off.
It’s based on real events that happened in Norway, and it reads like Hargrave actually lived in that era because of the rich details. I learned so much, not only about Norway but also about what it was like to live in a harsh climate in a very remote area at a time when there was very little communication between communities.
I couldn’t get the characters, namely Maren, Ursa, and Absalom, out of my head for weeks.
Historically, the mass media have marginalized women's sports by devoting more coverage to men's sports and trying to appeal to a male audience. This volume analyzes the mass media's portrayal of women's sports. The Olympic Games are highlighted because they provide one of the few sports arenas where women's participation is heavily covered, promoted, and celebrated. The author suggests the media are recognizing the significance of female spectatorship and are attempting to respond to this growing audience by adopting some of the rhetorical and textual characteristics of soap opera and melodrama.
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
If you’re not familiar with Pat Parker yet, you’re in for a treat.
This collection gathers the published and unpublished writing of a badass literary powerhouse who has yet to get her full due. Written from the 1960s-1980s, Parker’s poems, stories, essays, and plays give a foundation of black queer and feminist thinking.
With striking language and irresistible humor, Parker and her irreverent characters shed light on the complexities of gender identity, state violence, nonmonogamy, pleasure, and belonging. Parker’s work is both ahead of its time and right on time, reminding us that history—and our power to shape it—are less distant than we think.
Poetry. Drama. California Interest. African & African American Studies. Women's Studies. "Parker stayed woke to black suffering, violence against black bodies—especially those of black women—to the suffering engendered by multiple, egregious oppressions. With THE COMPLETE WORKS OF PAT PARKER, we are allowed an opportunity to historicize Pat Parker's significance to black women's literary traditions, lesbian erotics, to black queer struggles and black feminism, and to global social justice movements. She was in her time. Now, with this important text, she will be in all time to come." —Alexis De Veaux
"As the Black Lives Matter movement calls attention to the…