Here are 100 books that Lucky Red fans have personally recommended if you like
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I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This sweeping novel moves from the Caribbean to the American West and follows Rosa Rendón, a free Black woman, as she flees her home in Trinidad when it changes from Spanish to British rule.
Uncertain about whether she will be allowed to remain free under the new government, she travels to the United States, where she falls in with the Crow people of Montana. Beautifully researched and masterfully told, this is a fabulous read for anyone interested in the history of Black men and women in the West.
Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion.
In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This book takes place in contemporary America, but it is a Western as much as any of the historical novels on this list. The novel focuses on a horrific crime that happens to a rancher woman named Ginny and her attempts to escape and survive the brutality of her environment.
McLean's prose is as dense and brilliant as William Faulkner's; her imagery is as cruel and unsparing as Cormac McCarthy's. She draws parallels to the violence visited upon humans and animals alike and the desire in many men to dominate the land and all that walk upon it. I'm calling it now: This author will one day win a Nobel.
A brutalized woman is left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors has to gear up and give chase - whether to beg forgiveness or shut her up for good, nobody knows.
With detours through time, space and myth - not to mention into the minds of a pack of philosophical mules - Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas as wide and strange as America…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.
I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.
Winner of the 2018 Michael L. Printz Award - An achingly beautiful novel about grief and the enduring power of friendship.
"Short, poetic and gorgeously written." -The New York Times Book Review
"A beautiful, devastating piece of art." -Bookpage
You go through life thinking there's so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
2
authors picked
Ash
as one of their favorite books, and they share
why you should read it.
This book is for kids age
14,
15,
16, and
17.
What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
This is a coming-of-age novel set in 1950s San Francisco. As teenagers my best friend and I shared a mutual hyperfixation with the Cold War. It beautifully explores that era, from the Space Race to the McCarthyism that targeted both queer Americans and Chinese Americans. My best friend now lives in San Francisco, and when I last went to visit her I treated myself to going on a little walking tour of some of the places mentioned in the novel, all around Chinatown and Russian Hill.
The desire Lily feels towards her butch friend is beautiful and stirring, and the excitement she feels at exploring the underground gay scene is absolutely infectious.
"That book. It was about two women, and they fell in love with each other." And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: "Have you ever heard of such a thing?"
Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.
America in 1954 is not a safe place for two girls to fall…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
With every book we read, we engage in a complex act of telepathy and empathy. We are entering another human’s thoughts, interpreting them with our own, and come out changed from this colossal encounter. These five books I mentioned, with their extraordinary kindness, insight, humor, wisdom, warmth, compassion, and wholeness—many of them fantasies, many of them focusing on communities—have informed the writer I am today: a World Fantasy Award Winner. But I wouldn’t be without all the books that helped make me. These books are some of the best that built me, and keep building in me: the kind of books I try to write myself.
Ah, The Ruthless Lady’s Guide to Wizardrydelighted me and made me laugh from the first page. It’s radically funny and inexorably inventive. Best of all, it follows a protagonist who doesn’t know how great she is—who thinks she’s kind of terrible, really—and it takes a newfound community of friends and fellow wizard ladies to reflect back to her a new opinion of herself. The language is Dickensian (only better!) in its wit and flexibility. It abounds in amazing female characters. And while there’s a fun romance, it’s the friendships that get me in my sticking place. I just wanted to hug this book when I finished. I wanted to have written it. I’m glad Waggoner did instead.
Sparks fly in this enchanting fantasy novel from the author of Unnatural Magic when a down-and-out fire witch and a young gentlewoman join forces against a deadly conspiracy.
Dellaria Wells, petty con artist, occasional thief, and partly educated fire witch, is behind on her rent in the city of Leiscourt—again. Then she sees the “wanted” sign, seeking Female Persons, of Martial or Magical ability, to guard a Lady of some Importance, prior to the celebration of her Marriage. Delly fast-talks her way into the job and joins a team of…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
As the author of several sapphic sports romances, I find sports world rife with passion, complexities, and inherent conflict. I’ve had the privilege of working with several professional athletes and Olympians, and I’m always drawn to their drive. Sports, especially high-level sports, function as a pressure cooker to reveal our real personalities for better or for worse. There’s something appealing about studying people who push their minds and bodies to the brink in pursuit of something bigger than themselves. I think in some small way that connects with who as I am a writer and my own drive to always improve.
This is a story about a personal trainer charged with helping a hockey star get back on the ice. While the focus is very much on the relationship rather than the hockey, I just adored the way Kris Bryant captures the ways an athlete puts so much of herself on the line both physically and emotionally. I love the way Kris writes this “all in” sort of character who charges after what she wants, both in and out of the arena. I think she captured the kind of personality we are all drawn to in people who have the drive to reach the pinnacle of their pursuits.
As the go-to therapist at Elite Therapy, Dr. Hayley Sims is the best in her field. It’s exactly why she’s just been assigned her most challenging patient yet, hockey player Elizabeth Stone. Not because Stone’s injury is complicated, but because she is intense to work with and needs someone to keep her in check. When Hayley’s personal life starts unraveling and she realizes she might be developing feelings for her patient, she’s torn between finishing her assignment and walking away to protect herself. Can Hayley get Stone back on the ice in one piece while keeping her heart from breaking?
