Here are 100 books that We Are Okay fans have personally recommended if you like
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I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I was wrung out after finishing this book and immediately looked around for someone else who’d read it. I needed a shoulder to cry on. If Endless Love is about lives undone by teenagers driven insane by love and lust, then this book is its counterpoint: two teenage outsiders whose love and understanding help them survive.
There’s awfulness in Eleanor’s life, but there’s also exchanging comics and listening to Joy Division with Park on a shared walkman on the school bus. I loved these characters completely and rooted for them with everything I had.
'Reminded me not just what it's like to be young and in love, but what it's like to be young and in love with a book' John Green, author of The Fault in our Stars
Eleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried.
Then she takes the seat on the bus next to Park. Quiet, careful and - in Eleanor's eyes - impossibly cool, Park's worked out that flying under the radar is the best way to…
Finalist for the 2023 California Book Award, and the 2023 Northern California Book Award.
Eighteen-year-old Del is in a healthier place than she was a year and a half ago. She’s sober, getting treatment for her depression and anxiety, and volunteering at a suicide prevention hotline. Her own suicide attempt…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
What kept me glued to this story was the touching portrayal of David. He’s on the autism spectrum. How people view him versus how he views the world captured my heart.
What To Say Next is told from dual perspectives. The other main character Kit is just as interesting even though, stereotypically, she’d be considered your average, popular, high school student. Buxbaum removes this stereotypical surface and reveals a strong, engaging character with a goal.
The characters pulled me into this story. Their genuineness is written with such honesty that you root for them in every good and bad moment, adoring even their less desirable personality traits because that’s what makes them relatable.
"What to Say Next reminds readers that hope can be found in unexpected places." –Bustle
From the New York Times bestselling author of Tell Me Three Things comes a story about two struggling teenagers who find an unexpected connection just when they need it most. Nicola Yoon, the bestselling author of Everything, Everything, calls it "charming, funny, and deeply affecting."
Sometimes a new perspective is all that is needed to make sense of the world.
KIT: I don’t know why I decide not to sit with Annie and Violet at lunch. It feels like no one here gets what…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
This story surprised me. I didn’t expect what this book had to offer. You get a lot of the story and the main character Ingrid’s voice through letters that she writes to her mom.
What I like most is that it appears to be a typical young adult contemporary story, but you know it’s not, and when you get to the end you know why.
After making a deal with her mother, Ingrid finds herself on a hardcore, three-week wilderness trek with a group of "at risk youth". There must have been some mistake. But as the laborious days go by, memories come flooding back, and Ingrid begins to wonder if she belongs with these troubled teens more than she would like to admit.
Finalist for the 2023 California Book Award, and the 2023 Northern California Book Award.
Eighteen-year-old Del is in a healthier place than she was a year and a half ago. She’s sober, getting treatment for her depression and anxiety, and volunteering at a suicide prevention hotline. Her own suicide attempt…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
Humor. Sometimes I need some humor. I read a lot of heavy stories about young adults trudging through an unfair world that beats them down for 300 pages or intricate fantasy worlds with oppressed creatures and evil beings. So reading an uplifting, fun story between more daunting stories can be just what I need.
#famous is a breath of fresh air. And I admit I swooned over the love interest, Kyle. He is just so likeable.
Debut author Jilly Gagnon bursts onto the scene with a story equal parts bite and romance, perfect for fans of Jenny Han and Jennifer E. Smith, about falling for someone in front of everyone. In this modern day love story: Girl likes boy. Girl snaps photo and posts it online. Boy becomes insta-famous. And what starts out as an innocent photo turns into a whirlwind adventure that forces them both to question whether fame-and love-are worth the price...and changes both of their lives forever. Told from alternating points of view, #famous captures the sometimes-crazy thrill ride of social media and…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
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This book is for kids age
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What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
In 1877, Bridget arrives penniless in Dodge City, Kansas, and, needing work, takes a job at the Buffalo Queen, a brothel run by women. Bridget finds friendship and community among the other sporting women until their relative peace is shattered by the arrival of legendary female gunslinger Spartan Lee.
Cravens delivers a one-two punch of queer love and swashbuckling action that culminates in an explosive finale. Cinematic, brilliantly paced, and sexy as hell, this is a story that will and should turn the Western on its head.
'A Western like you've never seen before: a story of reinvention, sex work, found family, and queer self-discovery' Harper's Bazaaar, Best Queer Books of 2023
In the summer of 1877, Bridget is orphaned when her unreliable father succumbs to a snakebite as they're crossing the Kansas prairie. Arriving in Dodge City as a penniless orphan, she's quickly recruited for work at the Buffalo Queen brothel and befriends her bookish mentor Constance, securing her home and employment as the favourite of Sheriff's Deputy Jim Bonnie. As winter creeps in from the plains, female gunfighter Spartan Lee rides into town, and Bridget…
I’ve been reading sapphic or lesbian romances ever since I got my hands on Touchwood and Curious Wine decades ago. When not writing contemporary sapphic romances, I’m always reading them. Happily ever afters haven’t always been the case for two women in love, least of all in fiction. I write sapphic romances to provide for other women like me what I hoped to find in bookstores when I was younger. It wasn’t easy to find a romantic story between two women, let alone have choices. Representation matters, and writing–and reading–books about two women in love is important to me and women like me, especially as states ban such books.
It might tempt someone to choose a book in Noyes’ Ask, Tell series, but Alone is my recommendation.
A romance with such a lonesome title might not appear swoon-worthy on the surface, but dig a little deeper, and witness the burgeoning romance between Celeste and Olivia develop in such beautiful fashion in their isolated cocoon–until all goes wrong.
Still, the loving way they interact, learn about each other, and then yearn for each other had my heart skipping beats until the end. Noyes has a way of writing characters with whom it’s easy to fall in love.
Half a million dollars will be Celeste Thorne’s reward for spending four years of her life in total isolation. No faces. No voices. No way to leave.
Since Celeste has never really worried about being alone, the generous paycheck she’ll receive for her participation in the solitary psychological experiment seems like easy money. br> When she finds an injured hiker in the woods bordering her living compound, her strictly governed world is thrown into disarray. But even as she struggles with the morality of breaking the rules of the experiment, Celeste can’t deny her growing attraction to the kind and…
When I talk with many non-romance readers, they’re often surprised to hear that a feminist reads and writes romance. It’s frustrating that so many people still buy into the conventional wisdom that all romance books are inherently anti-feminist, filled with alpha-hole heroes and wilting flower heroines. I challenged that conventional wisdom on my Romance Novels for Feminists review blog and continue to do so now that I’ve turned to writing romance. I’m so passionate about telling everyone I know about romances that feature clear feminist themes. If you share the conventional wisdom about romance, I hope you’ll give one of the books below a try. They’re not your grandmother’s bodice rippers anymore…
Sapphic historical romances are few and far between, especially ones as intelligently written and historically grounded as Olivia Waite’s. My favorite moves beyond the typical Regency ballroom setting with its slow-burn romance between two 40-something women. Penelope’s a rural beekeeper, and Agatha a London printer, one whose worrisomely politically radical son might be putting her business in danger.
I admire both the lovely writing and the intelligently grounded historical setting (the story takes place against the backdrop of the Queen Caroline affair and the post-Napoleonic repression of the English press). Above all, I appreciate Waite’s deftly crafted and utterly appealing characters, two unconventional business owners who both enjoy their work almost as much as they do one another.
When Agatha Griffin finds a colony of bees in her warehouse, it's the not-so-perfect ending to a not-so-perfect week. Busy trying to keep her printing business afloat amidst rising taxes and the suppression of radical printers like her son, the last thing the widow wants is to be the victim of a thousand bees. But when a beautiful beekeeper arrives to take care of the pests, Agatha may be in danger of being stung by something far more dangerous...
Penelope Flood exists between two worlds in her small seaside town, the society of rich landowners and the tradesfolk. Soon, tensions…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.
I try to limit the amount of physical books I purchase because my apartment is already overflowing with them. But there are some books so good, I needa copy of my own—The Weight of the Starsis one of those. Told in short, micro-fiction style chapters is the story of Ryann, a girl who dreams of traveling to space but doesn’t see a way out her trailer park on the “wrong” side of town. But then she meets Alexandria, a mysterious loner who is angry at the world because her own mother is an astronaut who volunteered for a one-way trip to the edge of the solar system. Lush and heartbreaking, this queer, big-hearted book cemented Ancrum as one of my must-read authors.
Ryann Bird dreams of travelling across the stars. But she settles for acting out and skipping school.
Until she meets Alexandria, a furious loner. After a horrific accident leaves Alexandria with a broken arm, the girls are brought together despite themselves - and Ryann learns Alexandria's secret: Her mother is an astronaut on a one-way trip past the edge of the solar system.
Every night, Alexandria waits for radio signals from her mother. And now Ryann lifts Alexandria onto the roof day after day, until the silence between them grows into friendship . . . . and eventually something more.
