Here are 100 books that Lucky Broken Girl fans have personally recommended if you like
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In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
This picture book has grabbed me over the years, being a fan of both Hanukkah and dosas. My childhood home and my home now has always been filled with traditional Indian and Jewish foods. I loved the holiday food fusion here and how festive the family is as they blend their traditions together. The story isn’t so much about how and why they blend their cultures the way they do—they just do. It centers around a boy and his very active little sister who ends up saving the holiday with her extra energy. The illustrations by Sarkar are so sweet they just make you want to jump in the book and be part of their dosa-filled Hanukkah celebration.
In this sweet and humorous picture book, a multi-cultural family (Mum's Indian; Dad's Jewish) celebrate Hanukkah while incorporating traditional Indian food. Instead of latkes, this family celebrates Hanukkah with tasty Indian dosas. To her brother's chagrin, little Sadie won't stop climbing on everything both at home and at the Indian grocery store, even while preparing the dosas. As the family puts the finishing touches on their holiday preparations, they accidentally get locked out of the house. Sadie and her climbing skills just may be exactly what is needed to save the day.
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
There are so few young adult novels that demonstrate positive relationships between Muslim kids and Jewish kids. This one succeeds masterfully.
The main characters in the story come from very different backgrounds and seem to share little in common. Their friendship grows slowly, and eventually they learn to trust one another. This story shows both the risks and rewards of such a friendship. With taking risks, there can be no reward.
A timely, accessible, and beautifully written story exploring themes of food, friendship, family and what it means to belong, featuring sixth graders Sara, a Pakistani American, and Elizabeth, a white, Jewish girl taking a South Asian cooking class taught by Sara’s mom.
Sixth graders Sara and Elizabeth could not be more different. Sara is at a new school that is completely unlike the small Islamic school she used to attend. Elizabeth has her own problems: her British mum has been struggling with depression.
The girls meet in an after-school South Asian cooking class, which Elizabeth takes because her mom has…
In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
Just the title alone makes me excited because if I had a Bat Mitzvah (I didn’t), this is what I might have wanted to call it! It’s a heartfelt and funny middle-grade novel about a girl named Tara Feinstein with a white Jewish father and an Indian American mother who is preparing for her upcoming Bat Mitzvah. I like the way the themes of intersectionality are layered with classic middle-school concerns--friends, crushes, parental pressure, and how she figures out who she is in the midst of so many things changing all at once. The questions Tara is asking, how to be part of both sides of her family and still stay true to who she is, deeply resonated with me, but I think many middle-schoolers regardless of their background would connect in different ways. Part of the value of the book is that it is so widely relatable and yet…
During the fall leading up to her bat mitzvah, Tara (Hindi for "star") Feinstein has a lot more than her Torah portion on her mind. Between Hebrew school and study sessions with the rabbi, there doesn't seem to be enough time to hang out with her best friend Ben-o-who might also be her boyfriend-and her other best friend, Rebecca, who's getting a little too cozy with the snotty Sheila Rosenberg. Not to mention working on her robotics project with the class clown, Ryan Berger, or figuring out what to do with a priceless heirloom sari that she accidentally ruined. Amid…
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS LONGLISTED FOR THE PEN/OPEN BOOK AWARD 'Hilarious and heart-rending' Celeste Ng 'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time How brown is too brown? Can Indians be racist? What does real love between really different people look like? Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
I want to live in a future where all life can thrive. Toward that end, I spend my days teaching and writing about how we can solve the problems we face in our communities and world and build such a future. No surprise then that I read extensively about solutions to problems, looking for those that are visionary while being practical and which truly strive to do the most good and least harm for everyone. As a systems thinker, I’m always looking for books that recognize how interconnected our political, economic, production, food, legal, energy, and other systems are and that offer ideas that will have the fewest unintended negative consequences.
This book is more than twenty years old, but wow, is it relevant today! At a time when immigration has become such a polarizing issue, this book is a journey into the stories of immigrants in Queens, NY.
I laughed, I cried, I celebrated, I mourned, and I learned so very much. This book invited me into the lives of people whose stories transformed me, making me a better, more open, more aware person.
A kaleidoscopic view of new immigrants and refugees living in Queens, New Yorkthe most ethnically diverse locality in the United States. For three years, Warren Lehrer and Judith Sloan traveled the world by trekking the streets of their home borough. This book (and its companion audio CD) documents the people they encountered along the way. First person narratives are illuminated by strikingly direct photographic portraits of the subjects alongside the objects of their worlds. Lehrer's postmodern, Talmudic design juxtaposes the multiple perspectives of these new Americans, now thrown together as neighbors, classmates, coworkers, enemies, and friends. They reflect on the…
My passion for stories began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college I studied comparative literature focusing on novels of the 19th and 20th century in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
This book got my attention in college when I was considering a career as a novelist. It immersed me in a dense world of complicated people trying to make a life in New York City in the early twentieth century.
I was fascinated by the details of their personalities and the complexities of their relationships. I saw in their story the story of my immigrant grandparents and the stories of the millions that have followed. It’s the story of the people of the United States, no matter which country you come from.
David Schearl arrives in New York in his mother's arms to begin his new life as an immigrant in the 'Golden Land'. David is hated by his father - an angry, violent man unable to find his niche in the New World - but is fiercely loved and protected by his Yiddish-speaking mother. An innovative, multi-lingual novel, Call It Sleep subtly interweaves the overwhelming love between a mother and son with the terrors and anxieties David experiences, as he seeks to find his own identity amidst the cultural disarray of early twentieth-century America.
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
Eileen Charbonneau’s love affair with New York City was cemented the day she was downtown on jury duty and witnessed the 9/11 terrorist attacks. New York is the Melting Pot birthplace of her parents, home of her first job (Brooklyn) first Shakespeare (Central Park) and Folk music (Greenwich Village) performances, first apartments (West Village and Washington Heights), and first cocktail (Kir Royale at the Algonquin). Many family stories and deep roots remain.
This one is set in the early 20th century. Coralie, works at her father’s Coney Island freak show as a mermaid and has extraordinary swimming abilities but is as sheltered as a goldfish in a bowl. She meets and falls in love with a photographer who is on hand to document the famous Triangle Shirtwaist Factory fire. This is for readers who like their historical fiction touched with that kitchen-sink magical realism that Alice Hoffman is celebrated for. Turn-of-the-century New York sparkles throughout. This one is closer to my own Melting Pot roots and its eccentric characters seem so New York!
Coney Island, 1911: Coralie Sardie is the daughter of a self-proclaimed scientist and professor who acts as the impresario of The Museum of Extraordinary Things, a boardwalk freak show offering amazement and entertainment to the masses. An extraordinary swimmer, Coralie appears as the Mermaid alongside performers like the Wolfman, the Butterfly Girl,and a 100 year old turtle, in her father's ""museum"". She swims regularly in New York's Hudson River, and one night stumbles upon a striking young man alone in the woods photographing moon-lit trees. From that moment, Coralie knows her life will never be the same.
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
Before I’m a scholar, author, or policy wonk, I’m a Christian who believes that God has shown us that our highest and greatest call after loving God is to love each other—and thus we are to value people’s and communities’ well-being above profit, wealth, and status. Thus, I come to sociology with a sense of mission: to use the tools of social science to understand the mechanisms creating inequitable resource access and, with that insight, to imagine and work alongside like-minded others to build economic and political systems that foster communal and individual prosperity. By studying the Black middle class, specifically, I gain traction for understanding how racial status distorts our economic and political systems.
This book helped me to understand the cultural complexity of my family—my father is a Jamaican immigrant, and my mother is a native-born African American—and the cultural richness of my neighborhood, Harlem, in New York City.
Like Lacy, Clerge centers her research in suburbia, not in a city. And Clerge explains how cultural distinctions across Caribbean and African American communities offer a rich tapestry of expression, and ways of being and belonging.
She reveals how cultural differentiation shapes and is shaped by class variation and strategies for navigating White domination and anti-Black racism. Clerge also discusses the implications for solidaristic behaviors across people of African descent in the United States.
The expansion of the Black American middle class and the unprecedented increase in the number of Black immigrants since the 1960s have transformed the cultural landscape of New York.
In The New Noir, Orly Clerge explores the richly complex worlds of an extraordinary generation of Black middle class adults who have migrated from different corners of the African diaspora to suburbia. The Black middle class today consists of diverse groups whose ongoing cultural, political, and material ties to the American South and Global South shape their cultural interactions at work, in their suburban neighborhoods, and at their kitchen tables. Clerge…
