Here are 12 books that Luck of the Wheels fans have personally recommended if you like
Luck of the Wheels.
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As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
Hold Still by Sally Mann – another memoir by an intriguing, strong-willed, fascinating woman. I became interested in Sally Mann when I first saw her book of amazing photographs of her children, Immediate Family. Since then I kept up with her photography and was thrilled to read her memoir. She writes of her childhood in the south, her parents, her relationship with her husband and children, the controversy surrounding those early stages photographs, her career, and beyond in absolutely lovely prose accompanied by many photos. She’s an impressive, talented woman, and her success is well deserved.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
A reissue of classic backlist titles from the author of the best selling Farseer Trilogy and The Liveship Traders books.
The third book in the Megan Lindholm (Robin Hobb) backlist .
The Limbreth Gate is book three in The Windsingers series, following Harpy's Flight and The Windsingers, which introduced her popular gypsy characters, Ki and Vandien.
I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.
This is the first book I’ve read where I truly believed in a world existing alongside our own.
One where the ordinary and the supernatural live side by side and quietly shape each other, even if they don’t fully realise it. I absolutely loved the humour.
It’s a remarkable book that made me feel like I’d been pulled into another world entirely. One that’s dirtier, stranger, more magical, and just a little bit beyond understanding.
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
Talk about the perfect escape! Vampire novels aren't usually my thing, but when the witchy main character is a medieval manuscript scholar who falls in love with a vampire hundreds of years old in a cross-species Romeo and Juliet scenario, written by an author who's both a historian and fantastic writer of sex scenes, and the plot hinges on a lost book, what's there not to like?
In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont.
I've enjoyed being frightened my whole life. From childhood, when I watched old monster movies on TV and read forbidden comic books by flashlight, I have always been a fan of scary films and books. To me, horror is one of the essential human emotions by which we interact with the world. The vampire has always been my favorite monster to fear. But over the years, I have watched bloodsuckers shift from monster to anti-hero and, finally, to sexy companion. Personally, I still prefer the old-school vampires of literature—nasty, mean, with blood-covered fangs and a cold, dead heart. Luckily, the scary OG vamps can still be found. Here are some of my favorites.
Kostova took Stoker’s Dracula and made him a universal symbol of evil—an evil that is reflected in mankind’s history and religions. The plot is a merging of a travelogue, a mystery, a family tragedy, and a philosophical examination of generational wickedness.
As a history buff, I was enthralled by the idea of historians as vampire hunters. And I was rocked by the imagery of Dracula as a timeless monster whose spirit can haunt the ages. You don’t get up close and personal with the vampire in this book, because he is more than just a monster—he is life itself! You see the vampire not through description of the beast, but by seeing the effects of his reign.
This novel carries a real weight often missing in the horror genre.
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters addressed ominously to 'My dear and unfortunate successor'. Her discovery plunges her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history. In those few quiet moments, she unwittingly assumes a quest she will discover is her birthright - a hunt for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of…
I’ve been a connoisseur of all things terrifying and fantastical since I was 5, and so scared of my Baba Yaga book downstairs I couldn’t sleep. I pursued the delicious fear of a well-written monster through my teens and into adulthood but found that so many books within the horror and fantasy genres are aimed at younger readers. So I wrote the books I wanted to read. I’d always planned to write, but it was developing extreme anxiety that inspired me to nurture my creative side and finally do it. I was having terrible nightmares at the time, and these awful dreams became the central scenes of my novels.
In her final novel of the Mayfair Witch Trilogy, Anne Rice really seduced me with the concept of the sympathetic monster. Ash, her Taltos character is inhuman, but so pure and love-filled, I understood that an inhuman character can be used to highlight humanity’s greatest strengths. Around the creation of her creatures, she wove a history of fiction and legend and Celtic history that I found fascinating. I read this book almost thirty years ago, and it’s still one of those books that I hark back to as inspiration.
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
The Mayfair Witches face an unimaginable new threat: the Taltos - the giant race gifted with preternatural knowledge, who breed in minutes and live for centuries. The race that spawned the monster-innocent Lasher, who gave the witches their power…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I'm the product of a man who married more times than I like to admit to strangers and even family. We moved all the time. Those two elements in my life led me to run out the door immediately upon release from sorting my belongings from their thoroughly packed boxes. I made friends at once with everyone I came across. Who knew how long we’d live there? Over the years, I acquired deep friendships from around the U.S. and often daydreamed of them all being in the same place at once and loving the solidarity. It never happened, but it's a theme that runs through me. It’s what I like to write about.
I stumbled upon this book. Thank goodness for that stumble.
So many outcasts trying to survive in a world not only rarely giving them notice, but when it does, it is in an active effort to destroy the poor devils.
As they find each other, and in some cases, redefine each other, they build new friendships and rebuild old ones, all in an effort to become who each was meant to be and do so as a family built from the challenges bent on destroying loyalty and love.
It is as much an adventure against the world as a journey to the self.
'Fantasy as it ought to be written' George R.R. Martin
Tom Badgerlock has been living peaceably in the manor house at Withywoods with his beloved wife Molly these many years, the estate a reward to his family for loyal service to the crown.
But behind the facade of respectable middle-age lies a turbulent and violent past. For Tom Badgerlock is actually FitzChivalry Farseer, bastard scion of the Farseer line, convicted user of Beast-magic, and assassin. A man who has risked much for his king and lost more...
I’ve been a connoisseur of all things terrifying and fantastical since I was 5, and so scared of my Baba Yaga book downstairs I couldn’t sleep. I pursued the delicious fear of a well-written monster through my teens and into adulthood but found that so many books within the horror and fantasy genres are aimed at younger readers. So I wrote the books I wanted to read. I’d always planned to write, but it was developing extreme anxiety that inspired me to nurture my creative side and finally do it. I was having terrible nightmares at the time, and these awful dreams became the central scenes of my novels.
Evocative, believable, beautifully written. Dark Fantasy at its finest; Megan’s characters will resonate with anyone who feels a bit different, like they don’t fit in with everyone else. Megan explores all this can mean in her trilogy, the good, the bad, and the downright terrifying. Her world is richly written, you can smell the tangy woodfires, and feel the biting cold.
A voyage of discovery into the life of a remote aboriginal community in the Siberian Arctic, where the reindeer has been a part of daily life since Palaeolithic times.
The Reindeer People is the first in a series of reissues of Megan Lindholm's (Robin Hobb) classic backlist titles. It is set in the harsh wilderness of a prehistoric North America, and tells the story of a tribe of nomads and hunters as they try to survive, battling against enemy tribes, marauding packs of wolves and the very land itself.
I’ve had a passion for weirdness in mundane settings since my childhood days watchingThe Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushidointroduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrunnovels.
War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.
Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.
Acclaimed by critics and readers on its first publication in 1987, winner of the Locus Award for Best First Novel, Emma Bull's War for the Oaks is one of the novels that has defined modern urban fantasy.
Eddi McCandry sings rock and roll. But her boyfriend just dumped her, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve had a passion for weirdness in mundane settings since my childhood days watchingThe Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushidointroduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrunnovels.
The difference between urban fantasy and horror is that in urban fantasy, the supernatural elements may be benign, not scary. In Tea With the Black Dragon, the fantasy element is Mayland Long, a black dragon converted to Buddhism and transformed into human form to search for a Zen master. In San Francisco, he meets middle-aged Martha Macnamara, violinist and zazen practitioner, and assists her in looking for her daughter. Amateur detectives (one of them a dragon) vs. computer criminals; there’s no magic and not much violence.
In this "astonishing fantasy debut," a mother and a mysterious Chinese man-who is more than he appears-search for her missing daughter in San Francisco (Locus).
Offering "a deft blend of the oldest of magicks in a dragon, and the newest of sorceries in computers" (Anne McCaffrey), this is the incomparable novel that garnered Nebula, Hugo, World Fantasy, and Philip K. Dick Award nominations, and earned its author the John W. Campbell Best New Writer award.
Martha Macnamara knows that her daughter, Elizabeth, is in trouble-she just doesn't know what kind. Mysterious phone calls from San Francisco at odd hours…
