100 Books Like The Reindeer People

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

The whole storyline is unique.

It’s not a typical paranormal romance, it’s a vampire book without it. It’s well written, and I love how the author takes the reader on a journey around the world not based in one location.

There is suspense but with a historical factor driving it and that’s what makes it such a unique book.

I definitely recommend this book for the audience who is steering away from the paranormal romance tropes and wants to sit down to read a unique book. 

In her final novel of the Mayfair Witch Trilogy, Anne Rice really seduced me with the concept of the sympathetic monster. Ash, her Taltos character is inhuman, but so pure and love-filled, I understood that an inhuman character can be used to highlight humanity’s greatest strengths. Around the creation of her creatures, she wove a history of fiction and legend and Celtic history that I found fascinating. I read this book almost thirty years ago, and it’s still one of those books that I hark back to as inspiration.

I stumbled upon this book. Thank goodness for that stumble.

So many outcasts trying to survive in a world not only rarely giving them notice, but when it does, it is in an active effort to destroy the poor devils.

As they find each other, and in some cases, redefine each other, they build new friendships and rebuild old ones, all in an effort to become who each was meant to be and do so as a family built from the challenges bent on destroying loyalty and love.

It is as much an adventure against the world as a journey to the self.

This one is a polar opposite of Cook’s, in that it has a strong chronological structure to it and presents the story in five chapters, each devoted to a segment of time. It is the only world history that is really strong on gender, family, marriage, and women. But it also tackles the more traditional subjects for historians. A strength that it shares with Cook’s and Manning’s books is attention to the history of social inequality, a subject that more and more historians have taken up. At 376 pages, this one is not the briefest on my list. 

This was one of those books that as I got past the halfway point I became sad as I realised I was heading towards the ending.

Set in prehistory, this book follows a young apprentice shaman making his way in a small hunter-gatherer band. I've never read a book that does such a good job of helping me live in my mind outside of our modern civilsation and with something approaching the view of the rest of the living world that our ancestors may have had.

The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.

When I say to you ‘Religions of Asia’ you will automatically think of the usual suspects: Buddhism, Confucianism, Hinduism, and so on. Here is something different from Prof Eliade one of the great scholars of his generation. Shamanism is a major influence across the whole of the northern hemisphere from Canada through Siberia and into eastern and central Asia. The cover of the paperback has an Eskimo ceremonial mask. The shaman is medicine man, magician, miracle worker, priest, mystic and poet. We immediately think of the drum and the ecstatic body, but think also of eagle feathers, rattle, and robe of an animal. Shamanism is still practiced but has suffered from commercial exploitation and the general erosion of native cultures. As a religion of fire and ice, climate change may be its final blow.

Because of its beautiful presentation of this complex topic, the stunning illustrations and the superb, world-class knowledge the author brings to an enigmatic subject, in which the ability of certain individuals to access the spirit world is discussed. The theatre in which the author performs is worldwide, and, although shamanism differs hugely from the Americas to Siberia, from India to southern Africa, and way beyond, he brilliantly presents a cohesive and totally enthralling picture of the essential ingredients of shamanism: shape-shifting, ‘soul-flight’, healing through contact with the spirits, are just some of the themes covered in this short volume. The book engages academics as a sound starting-point for the understanding of what a shaman is but its concise style and gorgeous colour images will engage anyone remotely interested in world religions.

An expert in approaching your dream life with beautiful and imaginative consciousness, Robert Moss shows you how to use your dreams, both figurative and literal, as the backdrop for immense personal discovery and growth, and as a powerful tool in reclaiming yourself after trauma.