Books like The Reindeer People

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

 I was stunned by this book.

Kostova took Stoker’s Dracula and made him a universal symbol of evil—an evil that is reflected in mankind’s history and religions. The plot is a merging of a travelogue, a mystery, a family tragedy, and a philosophical examination of generational wickedness. 

As a history buff, I was enthralled by the idea of historians as vampire hunters. And I was rocked by the imagery of Dracula as a timeless monster whose spirit can haunt the ages. You don’t get up close and personal with the vampire in this book, because he is more than just a monster—he is life itself! You see the vampire not through description of the beast, but by seeing the effects of his reign.

This novel carries a real weight often missing in the horror genre.

In her final novel of the Mayfair Witch Trilogy, Anne Rice really seduced me with the concept of the sympathetic monster. Ash, her Taltos character is inhuman, but so pure and love-filled, I understood that an inhuman character can be used to highlight humanity’s greatest strengths. Around the creation of her creatures, she wove a history of fiction and legend and Celtic history that I found fascinating. I read this book almost thirty years ago, and it’s still one of those books that I hark back to as inspiration.

I stumbled upon this book. Thank goodness for that stumble.

So many outcasts trying to survive in a world not only rarely giving them notice, but when it does, it is in an active effort to destroy the poor devils.

As they find each other, and in some cases, redefine each other, they build new friendships and rebuild old ones, all in an effort to become who each was meant to be and do so as a family built from the challenges bent on destroying loyalty and love.

It is as much an adventure against the world as a journey to the self.

This one is a polar opposite of Cook’s, in that it has a strong chronological structure to it and presents the story in five chapters, each devoted to a segment of time. It is the only world history that is really strong on gender, family, marriage, and women. But it also tackles the more traditional subjects for historians. A strength that it shares with Cook’s and Manning’s books is attention to the history of social inequality, a subject that more and more historians have taken up. At 376 pages, this one is not the briefest on my list. 

This was one of those books that as I got past the halfway point I became sad as I realised I was heading towards the ending.

Set in prehistory, this book follows a young apprentice shaman making his way in a small hunter-gatherer band. I've never read a book that does such a good job of helping me live in my mind outside of our modern civilsation and with something approaching the view of the rest of the living world that our ancestors may have had.

The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.

Because of its beautiful presentation of this complex topic, the stunning illustrations and the superb, world-class knowledge the author brings to an enigmatic subject, in which the ability of certain individuals to access the spirit world is discussed. The theatre in which the author performs is worldwide, and, although shamanism differs hugely from the Americas to Siberia, from India to southern Africa, and way beyond, he brilliantly presents a cohesive and totally enthralling picture of the essential ingredients of shamanism: shape-shifting, ‘soul-flight’, healing through contact with the spirits, are just some of the themes covered in this short volume. The book engages academics as a sound starting-point for the understanding of what a shaman is but its concise style and gorgeous colour images will engage anyone remotely interested in world religions.

Reading this book in my teen years changed my life.

Instinctually, I had always known there was a deeper layer of reality beyond the veneer of modern experience, waiting for me to connect. Tom’s meditations were part of a larger awakening process that opened my eyes to the spiritual world.

These true stories inspired me to get outside and make real connections with animals and ecosystems of my place, and with the spirit-that-moves-through-all-things. Through this practice, I found renewed hope and motivation and began building my own experiential understanding of nature’s mysteries.

Ultimately, this book sent me on a journey that continues to this day, thirty years later! Thank you, Tom.

Monumental architecture was thought up as an explicit manifestation of religious power, and for this reason, it was in uncountable many cases connected with the sky. The key to understanding Archaeoastronomy is therefore to understand the connections between astronomy, power, religion, and architecture. This is exactly the aim of this inspiring book, written by an outstanding astronomer and archaeoastronomer. The author describes from this viewpoint many fascinating places - from Giza in Egypt to Palenque in Mexico - using a narrative that is richly enhanced by more than 150 photographs and illustrations.