100 Books Like Legacy

This book taught me that good writers describe the effects of violence, but great writers leave things to the imagination. Early in the novel, retired spymaster George Smiley is summoned to the scene of a murder. The corpse, lying facedown on Hampstead Heath, is one of Smiley’s former spies—shot in the face at very close range. But Le Carré, whose descriptive chops are second to none, never shows us the wound, relying instead on dialogue and reactions to convey the horror.

The constable who rolls the body over instantly throws up. And then there’s this chilling question from a police superintendent: “Did he have a moustache at all, sir? My sergeant fancied a trace of white whisker on the upper jaw.” Less is always more when describing you’re the unspeakable. 

This book takes a comic yet piercing look at espionage. 

Jim Wormold, a vacuum-cleaner salesman in pre-revolutionary Cuba, is recruited by MI6 out of desperation and fabricates his spy reports. He invents agents, sketches of weaponized vacuum parts, and absurd clandestine plots—all to keep the money coming and satisfy his daughter’s extravagances.

What makes the novel shine is its satire of the spy apparatus—how credulity, vanity, and bureaucratic inertia turn fiction into danger. Greene balances light humor with real human stakes: financial strain, moral compromise, a man pretending to be something he is not. Even decades after its writing, Our Man in Havana remains sharp, funny, and deeply relevant in its critique of power, truth, and illusion.

This is both your main course and palate cleanser. Absolutely riveting!

I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.

The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.

Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!

Before I started writing my first spy novel, I came across a hardback second-hand copy of The Human Factor in an antique store. On the inside flap, Greene wrote about wanting to write about spies with pensions. The phrase stuck with me.

Greene’s spy lives in a suburban house and commutes to work like any of his neighbours but he is a traitor with his own dark secrets. What an intriguing idea. Greene himself was a spy during WW2 and a friend of one of the greatest traitors in British history – Kim Philby.

A love letter to London, this novel takes place immediately after the war, as a newlywed couple tries to pick up the pieces and fall in love again. But she’s keeping secrets from him—she must, having served as a codebreaker at Bletchley Park. And he’s struggling with nightmares from his service as an army medic. When her former boss ropes her in to help bring down a Soviet spy ring somehow connected to her beloved Christopher Wren churches, the secrets and nightmares could very well defeat them. A beautiful tale with literary depth.

The sins and tragedies of the Cold War are resurrected in Le Carré’s late-career novel, A Legacy of Spies.

After retiring from MI6, Peter Guillam is summoned back to London by his former bosses, intent on clearing up a botched spy operation first described in The Spy Who Came in From the Cold. 

A Legacy of Spies shows that a story revolving around bureaucratic turf wars and incriminating paper trails can be just as suspenseful as any of James Bond’s implausible high-tech adventures.

George Smiley, among the 20th century’s most compelling fictional characters, makes a guest appearance, drawing us back into the Cold War’s darkest days, when men and women served as pawns in a geopolitical power game—and often paid the price for their role in these international dramas. 

The Secret Intelligence Service, SIS and also known now as MI6, is one of Britain’s most secret organisations, and as such has provoked intrigue, mystique, and fascination; all partly fuelled by Ian Fleming’s successful James Bond novels. But whilst there is some crossover at points with the fictional world, the official history makes it plain that much of its work was mundane. That does not lessen our interest in the organisation. This book provides the first authorised recognition that SIS existed, but also the first glimpse into its clandestine activities. Told chronologically rather than thematically, there is a sense of the developing history of the organisation, from the threats in 1909, through to the deceptions and counter-espionage ops of the First and Second World Wars to 1949 (the start of the early Cold War). The book is the first insight into some of the central characters – those who can… show more.

Wilderness of Mirrors, written more than 40 years ago by Martin, the still-distinguished CBS News correspondent, remains a classic of espionage nonfiction. As the title suggests, the book captures the Byzantine world of counterintelligence during the Angleton era. Martin was the first to write knowledgeably about the Berlin Tunnel, and this book is also the first in-depth look at one of the most fascinating, important, and ultimately self-destructive officers of the first decades of the CIA, William King Harvey.

This meticulously researched history of the unsung women of the British intelligence services is like a master key that will unlock a vault of quiet heroines who were never known in their lifetimes. Dr Hubbard-Hall explores the world of ‘secretaries’ and administrators who almost always knew as much, if more, as the men of the Secret Service.

I particularly enjoyed learning about Kathleen Pettigrew, who inspired Ian Fleming’s Miss Moneypenny, and the intrepid Rita Winsor and Ena Molesworth, who set up an extraordinary ‘travel agency’ to gain access to Russia, China, and other restricted countries in the 1950s. What makes this book shine is Hubbard-Hall’s ability to tell a rip-roaring story so that the lady spies, with all their quirks and daring, come to glorious life on the page.

Though Deighton has gone on to write several hugely popular and better-known spy stories, none of them beats Funeral In Berlin for sheer fun. Narrated by its nameless, smart-ass protagonist, who works for an obscure and underfunded British intelligence agency, the book has all the Cold War suspense, plot twists, and dubious characters you could wish for. Swiftly paced and told with great irreverent humor, it’s terrific entertainment.