Here are 100 books that The Human Factor fans have personally recommended if you like
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I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years?
A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them.
Kim Philby was the most notorious British defector and Soviet mole in history. Agent, double agent, traitor and enigma, he betrayed every secret of Allied operations to the Russians in the early years of the Cold War.
Philby's two closest friends in the intelligence world, Nicholas Elliott of MI6 and James Jesus Angleton, the CIA intelligence chief, thought they knew Philby better than anyone, and then discovered they had not known him at all. This is a story of intimate duplicity; of loyalty, trust and treachery, class and conscience; of an ideological battle waged by men with cut-glass accents and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
This book taught me that good writers describe the effects of violence, but great writers leave things to the imagination. Early in the novel, retired spymaster George Smiley is summoned to the scene of a murder. The corpse, lying facedown on Hampstead Heath, is one of Smiley’s former spies—shot in the face at very close range. But Le Carré, whose descriptive chops are second to none, never shows us the wound, relying instead on dialogue and reactions to convey the horror.
The constable who rolls the body over instantly throws up. And then there’s this chilling question from a police superintendent: “Did he have a moustache at all, sir? My sergeant fancied a trace of white whisker on the upper jaw.” Less is always more when describing you’re the unspeakable.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
Tell Max that it concerns the Sandman...
A very junior agent answers Vladimir's call, but it could have been the Chief of the Circus himself. No one at the British Secret Service considers the old spy to be anything except a senile has-been who can't give up the game-until he's shot in the face at point-blank range. Although George Smiley (code name: Max) is officially retired, he's summoned to identify the body now…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a former U.S. Army service member and a student of life, espionage and intelligence have often been staples in my research (as a creative writer), the cornerstones of my professional experience (as a combat veteran and slum baby), and a central theme in most of my novels. I’ve always enjoyed dissecting the inherent struggles of mankind and their inevitable fallouts—the pain, the joy, the misguided hopes and leaps of faith. Espionage and intelligence weaponize these sentiments. They transform them into actionable information and, sometimes, life-altering schemes.
That is what drives my work and sparks my interest in this subject matter: the psychological warfare we subject ourselves—and others—to.
This book takes a comic yet piercing look at espionage.
Jim Wormold, a vacuum-cleaner salesman in pre-revolutionary Cuba, is recruited by MI6 out of desperation and fabricates his spy reports. He invents agents, sketches of weaponized vacuum parts, and absurd clandestine plots—all to keep the money coming and satisfy his daughter’s extravagances.
What makes the novel shine is its satire of the spy apparatus—how credulity, vanity, and bureaucratic inertia turn fiction into danger. Greene balances light humor with real human stakes: financial strain, moral compromise, a man pretending to be something he is not. Even decades after its writing, Our Man in Havana remains sharp, funny, and deeply relevant in its critique of power, truth, and illusion.
This is both your main course and palate cleanser. Absolutely riveting!
MI6’s man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb’s Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true…
First published in 1959 against the backdrop of the Cold War, Our Man in Havana remains one of Graham Greene’s most widely read novels. It is an espionage thriller, a penetrating character study, and a political satire of government intelligence that still resonates today. This Penguin Classics edition features an introduction by…
My passion for old-school genre fiction began as that of a writer learning to write. What started out as self-education soon turned into a love of all things thrilling and fantastic. I was able to truly enjoy reading, something I felt discouraged from in school (beyond the classics and a few exceptions). I discovered a great many works and writers in my studies who I look up to now, for they taught me some key ingredients, from creating intelligent, dynamic heroes to captivating world-building to, above all else, well-paced prose, whether in action, dialogue, or exposition. These five are not only great teachers; they are simply great fun.
I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.
The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.
Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!
In the novel that introduced James Bond to the world, Ian Fleming’s agent 007 is dispatched to a French casino in Royale-les-Eaux. His mission? Bankrupt a ruthless Russian agent who’s been on a bad luck streak at the baccarat table.
One of SMERSH’s most deadly operatives, the man known only as “Le Chiffre,” has been a prime target of the British Secret Service for years. If Bond can wipe out his bankroll, Le Chiffre will likely be “retired” by his paymasters in Moscow. But what if the cards won’t cooperate? After a brutal night at the gaming tables, Bond soon…
I’m a former military intelligence officer who left the British Army to become a journalist, initially with the BBC, then with The Daily Telegraph and The Sunday Times, working as a war correspondent in the Balkans, Afghanistan, and Iraq, and breaking a number of key stories, including the infamous Downing St Memos which exposed the truth about the intelligence that led to the 2003 war in Iraq. I have written a number of books on intelligence, including the UK number one bestsellerStation Xand theNew York Times bestseller Killer Elite.
My selections are based on good writing and authenticity, even Fleming peppered his Bond books with elements of the real thing that no one but insiders would know, like ‘M’ writing his memos in green ink on blue notepaper. Alan Judd who served as a British army officer before joining MI6 has written a series of books about Charles Thoroughgood, a former army officer who like Judd himself ‒ his real name is Alan Petty ‒ then joined MI6. Every one of them is a gem, reeking of authenticity. A former colleague of Judd even told me that one of his books was based on a real case. He knew because he shared an office with the author at the time! Judd is by far the best of the current bunch!
Charles Thorougood is an agent of MI6 working in London during the Cold War, with a young Soviet assistant. Unexpectedly he learns of a strange legacy left to him by his estranged father, the implications of which are much darker than expected at first. The first novel in a spy trilogy.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been into spy stories for many years. I love the intrigue, the deception, the secrecy of that world. Of course, real spying may involve lots of periods of doing nothing, possibly followed by manic, dangerous action. All while dealing with the anxiety of hiding the fact that you might be a traitor to your country or simply not the person the world thinks you are. It’s a fascinating world, and that fascination is what draws me in.
I love this book because it captures the essence of cold war espionage when the wall was still up in Berlin. It’s a tale of a time in recent history that no longer exists. It’s written with humour, the characters are well represented, and it’s believable in an English, often eccentric way.
'Masterly ... dazzlingly intelligent and subtle' Sunday Times
'Deighton's best novel to date - sharp, witty and sour, like Raymond Chandler adapted to British gloom and the multiple betrayals of the spy' Observer
Embattled agent Bernard Samson is used to being passed over for promotion as his younger, more ambitious colleagues - including his own wife Fiona - rise up the ranks of MI6. When a valued agent in East Berlin warns the British of a mole at the heart of the Service, Samson must return to the field and the city he loves to uncover the traitor's identity. This…
I spent 21 years in the Central Intelligence Agency as a linguist, analyst, and speechwriter. It was a love-hate relationship. I found the culture of the place fascinating and sometimes maddening. The intellectual challenge was addictive. I met some of the best people I’ve ever known and a few of the worst. I learned about high stakes and moral ambiguity, intellectual integrity and bald careerism, selfless service, and rollicking arrogance. I discovered that the intelligence world is a world apart yet an eerily accurate reflection of broader society. I’ve chosen books written by authors who spent time in intelligence work and crafted novels that define and sometimes defy the spy genre.
I love this book because it doesn’t dress up espionage in a tuxedo or pretend that the world is black and white. Ashenden is a novel about humanity and hard choices rather than high-speed chases and spy gadgetry.
It is about one human lever in a relentless machine. Maugham gives us small tragedies and cold moments alone with the conscience. His literary genius makes a single death off-stage more resonant than an explosion.
When war broke out in 1914, Somerset Maugham was dispatched by the British Secret Service to Switzerland under the guise of completing a play. Multilingual, knowledgeable about many European countries and a celebrated writer, Maugham had the perfect cover, and the assignment appealed to his love of romance, and of the ridiculous. The stories collected in Ashenden are rooted in Maugham's own experiences as an agent, reflecting the ruthlessness and brutality of espionage, its intrigue and treachery, as well as its absurdity.
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Tim Powers is best known for his secret histories. Unlike alternate history, a secret history doesn’t change the publicly known facts of the past; instead, it tells a story hidden beneath those facts that may change their meaning.
Powers takes a strict approach to secret history that I admire and try to follow when I can: all the known historical details (who was where and when and what they were doing) must remain the same. His marvelous novel Declare applies this rule to the Kim Philby spy case. Powerful beings that have been dwelling among us provide the hidden motivations for espionage and treason from WWII into the Cold War.
Declare is fun both for its spycraft and occult details.
As a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Andrew Hale finds himself caught up in a secret, even more ruthless war. Two decades later, in 1963, he will be forced to confront again the nightmarethat has haunted his adult life: a lethal unfinished operation code-named Declare. From the corridors of Whitehall to the Arabian desert, from post-war Berlin to the streets of Cold War Moscow, Hale's desperate quest draws him into international politics and gritty espionage tradecraft -- and inexorably drives Hale, the fiery and beautiful Communist agent Elena Teresa Ceniza-Bendiga, and Kim Philby, mysterious…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
This meticulously researched history of the unsung women of the British intelligence services is like a master key that will unlock a vault of quiet heroines who were never known in their lifetimes. Dr Hubbard-Hall explores the world of ‘secretaries’ and administrators who almost always knew as much, if more, as the men of the Secret Service.
I particularly enjoyed learning about Kathleen Pettigrew, who inspired Ian Fleming’s Miss Moneypenny, and the intrepid Rita Winsor and Ena Molesworth, who set up an extraordinary ‘travel agency’ to gain access to Russia, China, and other restricted countries in the 1950s. What makes this book shine is Hubbard-Hall’s ability to tell a rip-roaring story so that the lady spies, with all their quirks and daring, come to glorious life on the page.
Drawing on private and previously classified documents, this definitive history of women's contributions to the intelligence services is the first authoritative account of the hidden female army of clerks, typists, telephonists, and secretaries who were the cornerstone of the British secret state across two world wars and beyond.
A must read for fans of A WOMAN OF NO IMPORTANCE by Sonia Purnell and THE SISTERHOOD by Liza Mundy.
To the undiscerning eye, they were secretaries, typists, personal assistants, and telephonists. But those innocuous job titles provided the perfect cover for what were in reality a range of complex technical, clerical,…
