Here are 100 books that Danged Black Thing fans have personally recommended if you like
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I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.
This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.
These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.
“Nick Wood’s short stories are powerful, impassioned visions of worlds and worldviews remade by way of redemptive engagement with the spirits of the earth and the earth of the spirit. Joining ancestral wisdom and transformative technologies, combining searing self-scrutiny with joyous awareness of the Other, Learning Monkey and Crocodile is a book for Africa and for all of us.”
Nick Gevers
Nick’s stories have delighted readers across the world and have appeared in publications such as Interzone, Albedo One, Omenana, among others. His debut novel Azanian Bridges was shortlisted for the BSFA award. Embark on a journey where science meets…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
Tobi Ogundiran’s Shirley Jackson Award-winning collection puts new wine into old skins.
Jackal, Jackal is an assured assemblage for the reader prepared to be astonished. The highly-imaginative stories and invented worlds take fairytales that we know and boldly recast them in an African yet universal culture that woos a far-reaching readership.
From Shirley Jackson award-nominated author Tobi Ogundiran, comes a highly anticipated debut collection of stories full of magic and wonder and breathtaking imagination!
In "The Lady of the Yellow-Painted Library" -- featured in Levar Burton Reads -- a hapless salesman flees the otherworldly librarian hell-bent on retrieving her lost library book.
"The Tale of Jaja and Canti" sees Ogundiran riffing off of Pinocchio. But this wooden boy doesn't seek to become real. Wanting to be loved, he journeys the world in search of his mother-an ancient and powerful entity who is best not sought out.
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
Dare Segun Falowo is an unusual storyteller, writing with levity and a sense of humour, even for sombre topics.
Caged Ocean Dub is an inventively-structured collection of short stories tiered with African hue. It blends sudden fiction and novelette-length stories that are all dark and spellbinding in a dream-like lure that keeps the reader enthralled. For lovers of culturally-tinted speculative fiction.
There are dragons in Lagos and witches who wear their sons’ skins, while a cabal of otherworldly beings are collecting intelligent life forms in the depths of the universe.
Nigerian author Dare Segun Falowo’s poetically precise language and spine-tingling plot twists are reminiscent of both Poe and Kafka as they tackle themes of belonging, abusive maternal relationships, and tragic love in an unforgettable literary adventure.
This collection features some of Falowo’s most notable previously published stories alongside new tales of magic and terror. Ngozi Ugegbe Nwa was longlisted for the 2021 NOMMO for short stories and Vain Knife was longlisted…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
As a Zimbabwean sarungano, Ndlovu is an expert storyteller, and that skill truly shows in this collection of fourteen stories chronicling the strangeness and surrealism of the lives of African women at home and abroad.
Exploring everything from the legacy of colonization to cultural appropriation and from literalized metaphors to exploring the nature of time in African thought, this is a collection that is clever and funny and emotionally astute, rendered in poetic and clear prose.
As a collection, the stories reinforce each other making this an experience to read. I highly recommend it.
"Even in death, who has ownership over Black women's bodies?"
Questions like this sit between the lines of this stunning collection of stories that engage the nuance of African women's histories. Their history is not just one thing, there is heartbreak and pain, and joy, and flying and magic, so much magic. An avenging spirit takes on the patriarchy from beyond the grave.
An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most to be allowed to stay. A first-generation Zimbabwean-American woman haunted by…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
Dilman Dila’s Philip K. Dick Award finalist collection is an Afrocentric medley, a penetrating, and cross-genre assortment of stories that explore African spirituality through fantasy and technology, war-torn settings, and permeations of science and witchcraft.
Casting back to Dila’s own filmmaking expertise, the stories in Where Rivers Go to Die have a high affinity for cinematic adaptation.
The stunning, new collection from the Ugandan master of Africanfuturism.
A young teen, haunted by the ghost of his father, takes it upon himself to save his brother and his people from a warlord's marauding army. A frustrated detective is driven to the brink, confronting the vengeful spirit killing grooms on their wedding night. What happens when British colonials find Martians in Africa, a brash warrior battles his elders and ancient horrors in order to secure paradise for his people, or an exiled abiba is stolen away to find his true destiny?
Emerging Africanfuturist writer/director, Dilman Dila, brings us Where…
I’ve always been fascinated by people, especially people who don’t follow the herd, who lurk on the edges of society, who are strongly individual. Their opinions often seem wiser than those of society and the media, and I find it refreshing to climb into their shoes… That’s why my fictional characters might be obsessively making harps, counting everything in sight, or embarking on a mission to save penguins! The books I’ve listed here contain a range of eccentrics. Molly The Maid, Harold Fry, Iona Iverson, Noman Foreman, and Janice are all marvellous characters who made me laugh, cry and ponder. I hope you’ll enjoy them as much as I did.
Again, here is a fantastic cast of characters: the bold Mrs. B, the swearing Fox terrier, Decius, and the unassuming protagonist, Janice. Quiet, kind, thorough, outwardly unremarkable, Janice is a cleaner. She is also a wonderful listener. What a joy it is when, with a little help from her friends, she finally unlocks her own story and transforms her life.
Here’s the moment when Janice grasps how much hope can be found in stories: "She looks around at the shelves of books, every one of which she has handled, and she begins to think there may be a way. A way of finding that hope. She is, after all, a collector of stories and a storyteller. Maybe she could tell her story as she has told other stories?"
'I absolutely loved it! So different, clever, funny and charming' Sunday Times bestseller Katie Fforde
'Funny, wise, moving and full of lovely moments...The characters are endearing and unforgettable' Hazel Prior, author of the Richard & Judy Book Club Pick Away with the Penguins
'Janice is a wonderful woman whose authenticity pulls you along...the breadth and originality of supporting characters makes this debut an immersive delight' Dorset Magazine
'Absolutely spellbinding...a warm-hearted, thoughtful, funny and yet deeply poignant' Celia Anderson, author of 59 Memory Lane
'A treasure of a book. Beautiful, emotional and heartfelt with a cornucopia of characters you'll love spending…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period. Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.
Although I am no gardening expert, I’ve always been intrigued by seeds. It amazes me that such tiny things hold so much: colour, scent, flavour, food, and the community that grows in the tending and sharing of it. Every winter since I published What Grew in Larry’s Garden,the real Larry sends me an envelope filled with tomato seeds and reminds me to give some to my neighbours. It makes me smile to think that my story has become its own kind of seed, growing friendship, and connecting people. I hope the book does that for you too.
This book is colourful, joyful, and deliciously diverse. The simple rhyme is rollicking but not too sweet, the illustrations are bright and playful, with plenty of fun detail. I love the mixture of people (all ages and colours and abilities) at work in the community garden, and how there is room for different ways of doing things (some plots are neat and proper while others are messy and wild). Best of all is how the story ends with everyone sitting down together to enjoy a garden-grown feast. Community, humour, hospitality, gratitude, and care for the earth—this little story is a cornucopia of good things.
From the author of the Caldecott Honor-winning picture book All the World comes an exuberant, lyrical celebration of the plants-and people-that grow and thrive in a busy community garden.
A community garden unites children and neighbors in this celebration of all the things that grow there, from flowers and fruits to friendships. In the spirit of her Caldecott Honor -winning picture book All the World, this ode to friendship, community, and working together for a better world will have young readers gathering their friends young and old to plant something together.
I have liked maps since childhood and remember them prompting all sorts of questions, like why was that city, mountain, or border there instead of someplace else, or I would imagine what it would be like to visit those places. I don’t feel like I can truly understand or make sense of a place until I can see it from above, so I spend too much time on Google Earth. I have especially valued how maps or other cartographic representations can help illuminate the connections and interdependencies between peoples and places, between society and nature, and ultimately help us understand our place in the world.
I was struck by this book’s unusual topic and perspective, namely focusing on maps in fantasy, children’s and science fiction literature, movies, and television. I really appreciated that the book is a collection of essays in which writers and cartographers reflect on the maps of imaginary places that featured in their works and the maps, real or imagined, that inspired their creations.
That really gives the essays a personal feeling, and you get to know a little about the creation of maps like the Marauder’s Map from the Harry Potter franchise or the various maps of Middle Earth featured in The Hobbit series. I like that the essays are conversational, and with over 200 illustrations, I was anxious to turn to the next page.
It’s one of the first things we discover as children, reading and drawing: Maps have a unique power to transport us to distant lands on wondrous travels. Put a map at the start of a book, and we know an adventure is going to follow. Displaying this truth with beautiful full-color illustrations, The Writer’s Map is an atlas of the journeys that our most creative storytellers have made throughout their lives. This magnificent collection encompasses not only the maps that appear in their books but also the many maps that have inspired them, the sketches that they used while writing,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Ostensibly an academic dissertation, the footnotes begin to reveal a far wilder and manic story happening to the writer.
There are trilingual puns, verbal pratfalls, and all the wild humour that Nabokov is known for throughout this book. Of all the metafiction I have ever read, this book made me feel as if I’d been given something rather than just had a big literary joke played on me.
A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue—and "one of the great works of art of this century" (Mary McCarthy)—from one of the leading writers of the 20th century.
In Pale Fire Nabokov offers a cornucopia of deceptive pleasures: a 999-line poem by the reclusive genius John Shade; an adoring foreword and commentary by Shade's self-styled Boswell, Dr. Charles Kinbote; a darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue.
