Here are 100 books that Kill Sequence fans have personally recommended if you like
Kill Sequence.
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I love reading stories that are a good mix of reality and fantasy, just as much as I like to write them myself. And I guess that comes from my background as a journalist. But perhaps not so, as the first stories I wrote in my teens that were published in a Dutch women’s magazine were retellings of Biblical stories. I recounted those from the point of view of women: the (future) wives of Joseph (with the ten brothers) and of Moses. I was a writer long before I became a journalist, a profession I needed to gather the knowledge I could then use to write my books, so it seems.
I loved the way the writer used the real story of a Jewish family that got saved by the inhabitants of a small Greek island from the Germans during World War II.
There are different elements I love, too, like the fact the book is situated on an island off the coast of Crete, which I love. And how the main character is caught between two cultures, that’s also a theme I like to read about. And yes, there were moments when the story made me cry.
On a beautiful Greek island, myths, magic, and a colorful cast of characters come together in When the Cypress Whispers, Yvette Manessis Corporon's lushly atmospheric story about past and present, family and fate, love and dreams that poignantly captures the deep bond between an American woman and her Greek grandmother. The daughter of Greek immigrants, Daphne aspires to the American Dream, yet feels as if she's been sleepwalking through life. Caught between her family's old-world traditions and the demands of a modern career, she cannot seem to find her place. Only her beloved grandmother on Erikousa, a magical island off…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My passion for the Spartans and ancient history in general comes from the iconic idea that those men needed to have a lot of courage to face the battles they faced and survive that. These soldiers faced terrible deaths in every battle to defend their families, their lands, their cities. More specifically, the ability of the Spartans to understand that through suffering and lack they could become stronger even if that meant suffering it in their flesh or seeing their children suffer. The different ways of understanding the world by the Persians, the Romans, the Greeks, the Celts... is something incredible.
This series of three books are very exciting. From beginning to end the reader is immersed in Alejandro's life in an impressive way. A recommended reading both as entertainment and at the level of historical and cultural learning. The story is well documented and explained, helping you feel what the different characters feel.
The first title in an international blockbuster trilogy of brutal passion and grand adventure in ancient Greece.This is the story of a boy, born to a great king - Philip of Macedon - and his sensuous queen, Olympias. It tells of the stern discipline of Philip and the wild passions of Olympias, and how, together, they formed Alexander, a young man of immense, unfathomable potential, capable of subjugating the known world to his power, and thought of by his contemporaries as a god. Alexander's swift ascent to manhood, as a protege of Aristotle and close friend of Ptolemy and Hephiaston,…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Fifth-century BCAthenian society was male-dominated, so most of our evidence comes from – and is about – men. Elegantly written, immaculately researched, and pleasingly illustrated, Aphrodite’s Tortoise goes a long way towards restoring the gender balance, uncovering the complex role that women played in Greek society, whether as wives, priestesses or slaves. At the heart of the book is the use of the veil, which not only protected women from the male gaze as they ventured outside (hence the title) but could convey a variety of visual signals depending on how it was worn. It’s a really stimulating book, the kind that makes you sit up and think about not just the ancient world but our own.
Greek women routinely wore the veil. That is the unexpected finding of this major study. The Greeks, rightly credited with the invention of civic openness, are revealed as also part of a more eastern tradition of seclusion. From the iconography as well as the literature of Greece, Lloyd Llewellyn-Jones shows that fully veiling of face and head was commonplace. He analyses the elaborate Greek vocabulary for veiling, and explores what the veil was meant to achieve. He also uses Greek and more recent - mainly Islamic - evidence to show how women could exploit and subvert the veil to achieve…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Herodotus—the “Father of History”—when studying Ancient Greek for the UK A-level exams. I read the Greek text laboriously, with help from Aubrey de Selincourt’s translation. My teacher and fellow students could hardly believe that I didn’t find Book Two, which covers the customs of the Egyptians, boring. They were also surprised that I wasn’t contemptuous of Herodotus’s willingness to record what he was told without judgment.
The myth Herodotus created—of a Western world devoted to the rule of law and the freedom of individuals under that law, in opposition to a “despotic” East—has echoed down the years. It has also been accompanied by a skeptical, even cynical, approach to any claims of miracles or almost divine insight. However, what I learned from Herodotus was that the Greeks were conscious of other, older, and sometimes more impressive “barbarian” cultures all around them. I thought…
'The first example of non-fiction, the text that underlies the entire discipline of history ... it is above all a treasure trove' Tom Holland
One of the masterpieces of classical literature, The Histories describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colourful digressions - a description of the natural wonders of Egypt; tales of lake-dwellers, dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, The Histories…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Greek Mysteries brings together a collection of essays on a variety of specialist topics related to the ancient mystery cults. Written by some of the world’s leading scholars, many of these essays were originally published in academic journals and are therefore appropriate for a more scholarly readership. That said, this important work provides the perfect entry into contemporary academic scholarship on the mysteries.
Written by an international team of acknowledged experts, this excellent book studies a wide range of contributions and showcases new research on the archaeology, ritual and history of Greek mystery cults.
With a lack of written evidence that exists for the mysteries, archaeology has proved central to explaining their significance and this volume is key to understanding a phenomenon central to Greek religion and society.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.
I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.
The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.
Zissimos Lorenzatos (1915-2004), essayist, thinker and poet, was arguably Greece's most significant man of letters in the twentieth century. In the Aegean Notebooks, a record of his observations and reflections while sailing among the Greek islands in the 1970s and 1980s, the special quality of his literary and philosophical gifts, and of the man himself, are vividly present. Along with everything a mariner yearns to bring ashore, all he has felt and experienced at sea with the wake of the boat unfurling behind him, Lorenzatos brings us in addition a lifetime's learning and contemplation. For him, life, and the living…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
A scathing and detailed analysis of the Ango-French invasion of Greece and the military, political, and strategic debacle that ensured as they attempted to open a third front against the Central Powers. If you’ve ever wondered why this isn’t much talked about, or even mentioned, Abbott explains it.
From the preface: "The late convulsions in Greece and Turkey, and the consequent revival of all the mis-statements which, during the War, flowed from ignorance or malice, render the publication of this book particularly opportune. Mr. Abbott deals with his subject in all its aspects, and presents for the first time to the British public a complete and coherent view of the complicated circumstances that made Greece, during the War, the battle-ground of rival interests and intrigues, from which have grown the present troubles. In this book we get a clear account of the little-understood relations between the Greek and…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This book is a gem for lovers of Greece and of superlative English prose.
For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.
His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.
This is Patrick Leigh Fermor's spellbinding part-travelogue, part inspired evocation of a part of Greece's past. Joining him in the Mani, one of Europe's wildest and most isolated regions, cut off from the rest of Greece by the towering Taygettus mountain range and hemmed in by the Aegean and Ionian seas, we discover a rocky central prong of the Peleponnese at the southernmost point in Europe.
Bad communications only heightening the remoteness, this Greece - south of ancient Sparta - is one that maintains perhaps a stronger relationship with the ancient past than with the present. Myth becomes history, and…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I am a retired psychotherapist and teacher, but if someone asked me what the purpose of life is, I’d say, “to become aware.” Awareness is the capacity to see without prejudice, bias, or conditioning. I don’t like being in the dark, and so I have been on a lifelong journey to become aware. I have stepped into seeing several times in my life, so now my task is to teach others. It’s who I am—my essence is to continue teaching, to set people free from societal conditioning and their upbringings. Growing up means losing certain comforting illusions, but greater understanding fills their place.
This book doesn’t allow for any preparation—it bites you right away! The beauty of it lies in how Kazantzakis deals with human experiences from moment to moment. He shows us how to live in the moment. For instance, in the end, Zorba and his friend have lost all their money, but Zorba says, “Let’s dance.”
They aren’t defeated but go on to the next experience. It touched me to see how they could live in the now, for life is rich.
This moving fable sees a young Greek writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, he is gradually won over, transformed and inspired along with the reader.
Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's…
