Books like Border — picked by fans

This book is a gem for lovers of Greece and of superlative English prose.

For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.

His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.   

The Colossus of Maroussi is a book all wanderers and visitors of Greece should dip into at least once.

It’s a travelogue that drips with humour from the brilliant Henry Miller. It is a collection of fantastic prose inspired by the islands and mainland that Miller visited in the early 20th Century. It offers great wit and wisdom as well as cultural insights that still feel incredibly relevant to Greece today, despite the book being published in the 1940s.

When I think of great travel literature, this book is a classic. It speaks on the Greek people - their strength, stoicism, and humour - and chronicles a time in Greece before mass tourism descended and changed the islands forever.

As a woman, I’ll never be able to visit the fantastical Orthodox monasteries of Mount Athos, although I’ve looked at from land and sea often enough! But after reading this evocative account from the 1920s by a very young Robert Byron (best known for his classic, The Road to Oxiana) I feel as if I had been there, in a completely other (and rather eccentric) world long before the monasteries’ current revival and modernization—they say the monks even have mobile phones these days! Byron’s black-and-white photographs and drawings add to the charm. 

In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.  

We are reminded on almost a daily basis of the plight of refugees in fragile boats that this sea can be cruel as well as kind. The present diaspora has its forerunners – in this book the great population exchange of 1923 that saw the displacement of two million people across the Mediterranean: Greeks living in the Ottoman Empire, Turks living in Greece. Bruce Clarke both explains the chain of events in the aftermath of the First World War and records the personal stories of those who were uprooted from the places they called home. They have a familiar resonance, the repeating patterns of memory and loss: ‘I remember the day they went away,’ recorded a Greek woman of her Muslim neighbours. ‘Some kissed the earth, some took bowls of soil with them. They were decent types; their menfolk used to attend our funerals, and we would exchange presents of… show more.

This story begins in the first person in the company of a young boy. I lived with him through his early teens and schooling, a huge tragedy, and his fate as the isolated offspring of high-flying achievers, his early experiences, and the casual physical and mental cruelty associated with boarding schools.

Abruptly, I was plunged into the life of a young woman in her late teens, still in the first person. Surprisingly, this overnight transition, both physical and mental, caused me only a short pause to reflect on the nature of gender. I travelled with this developing young woman as she experienced love, sex, and the joys and sorrows life throws at a sensitive, intelligent, and creative soul who enters the world of writing. Her journey as a budding novelist struck a real chord with me, having travelled that difficult and demanding route.

This book explores many important, controversial aspects of Heinrich Schliemann's Trojan searches in the second half of the 19th century. The reading is very interesting both to deepen the details of that archaeological discovery, considered one of the most important of the nineteenth century, and to better understand the controversial figure of Schliemann, who in addition to his great merits also presents some not small shadows.

I love how this book documents the many ways in which borders are not nearly as solid as we typically imagine. We tend to think about how migrants move across borders, and they do, but the book traces how people, ideas, and things have moved back and forth between Greece and north Macedonia over the past century.

I was drawn in by the compelling stories of how less dramatic movements of this kind have transformed individuals and societies on both sides of the border.

This is a dual memoir and each woman is on a quest to redefine herself. Sue Monk Kidd as a writer and her daughter, Ann Kidd Taylor as she asks the age-old question: “what to do with my life.” 

Written in alternating chapters, mother and daughter write of their experiences and insights as they visit sacred sights in ancient lands, places rich with myth and legend and the sacred feminine. My journey too was as a seeker, a woman thick with an urgency to write as Sue was, and as a single woman exploring “now what?” 

While I traveled alone and these women traveled together, each of us was on our own individual journey, exploring, discovering, asking questions, and seeking answers that can often only be found when we travel within.

It is this book, about the successors of Alexander the Great, that inspired me to write my first novel, the Atlantis Papyrus. It is a great read—the pages feel less like an academic paper and more like an action novel and keeps one’s interest until the very end. I learned about so many fascinating figures in Alexander’s world I had never really known about and the tumultuous years following his death. In my work, I drew inspiration from some of the characters and events depicted in this book.