Here are 100 books that Keeper Academy fans have personally recommended if you like
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I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
I enjoy a new twist on an old story. Nineteen-year-old author Chloe Gong twisted Shakespeare’s Romeo and Juliet so tightly that it bled out an intense new version set in 1920s Shanghai. The sweet, tragic innocence of Shakespeare’s young lovers is chucked out the window in favor of two former sweethearts teaming up long after their days of young love are over.
I enjoy Gong’s writing style; her words practically jump off the page straight into my eyeballs. Gangsters? Blood feuds? Monsters? Yes, please!
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
I love that this book was born out of the need for a story that no one else was writing. When authors are willing to step off the mainstream road and write what’s really in their hearts, everyone wins. There’s a saying I love: “Write the book you want to read.”
When fifteen-year-old Beth Reekles went searching for a teen romance story to read, she was frustrated by not finding one about regular, everyday teenagers. Everyone was publishing supernatural stories filled with vampires, werewolves, and angels. So, she wrote this book and shared it on Wattpad.
The timing was right, and it pulled in 19 million readers, including me! Beth was offered a multi-book publishing contract, and it went on to become a Netflix series.
** Read the book behind the smash-hit Netflix film, starring Joey King! **
Meet Elle Evans: pretty, popular - and never been kissed.
Meet Noah Flynn: badass, volatile - and a total player.
When Elle decides to run a kissing booth for the school carnival, she never imagines she'll sit in it - or that her first ever kiss would be with bad boy Noah.
From that moment, her life is turned upside down - but is this a romance destined for happiness or heartbreak?
If you love Holly Bourne and John Green, then you will adore The Kissing Booth!
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
It’s such a thrill to discover a premise I’ve never heard of before. The concept of two souls existing in one body caught my attention. When I read on the back cover that this wasn’t just a fluke happening to one person but that everyone in this alternate reality started life with two souls, I knew I had to find out how that worked and how society would handle it. Never underestimate the power of a good back-cover blurb!
Kat Zhang put in the hard work and had all the details worked out. I was impressed. So was HarperCollins, who offered the nineteen-year-old a contract for the “Hybrid Chronicles” trilogy.
HOW I LIVE NOW meets HIS DARK MATERIALS in this stunningly written and intensely moving debut, the first book in the Hybrid trilogy.
Imagine that you have two minds, sharing one body. You and your other self are closer than twins, better than friends. You have known each other forever.
Then imagine that people like you are hated and feared. That the government want to hunt you down and tear out your second soul, separating you from the person you love most in the world.
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
This older, quieter novel by Sarah Dunant has stayed with me over the years. It tells the story of a young Italian woman forced into a convent after a clandestine love affair. This was the fate of thousands of Renaissance women, whether or not they had a religious vocation: convents were repositories for “surplus” women who couldn’t be respectably married off.
I appreciate how this book focuses on the surprising complexity of the cloister, from the friendships and enmities among the nuns to their incredible knowledge and expertise in music and medicine.
Dunant’s books about Renaissance Italy are always well-researched, and she has a flair for integrating small details that bring this hidden world to life.
1570 in the Italian city of Ferrara. Sixteen-year-old Serafina is fipped by her family from an illicit love affair and forced into the convent of Santa Caterina, renowned for its superb music. Serafina's one weapon is her glorious voice, but she refuses to sing. Madonna Chiara, an abbess as fluent in politics as she is in prayer, finds her new charge has unleased a power play - rebellion, ecstasies and hysterias - within the convent. However, watching over Serafina is Zuana, the sister in charge of the infirmary, who understands and might even challenge her incarceration.
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
This stunning short novel captures everything about the deep ties that both religion and family have on the Irish experience.
As a boy, I remember my grandmother’s deep religious devotion and how it fueled her way of life. The story touches on this, including an affection for the land, love of community, and the power in doing the right thing. Its moodiness reflects both the story’s unspoken depth and its sublime tenderness.
In Small Things Like These, the protagonist struggles with what he should or should not do after hearing rumors about the local convent and the young girls who live there.
Keegan is a master at delivering the below-the-surface emotions that drive men and women through life’s difficult decisions.
"A hypnotic and electrifying Irish tale that transcends country, transcends time." —Lily King, New York Times bestselling author of Writers & Lovers
Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family
It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
I rarely experience “book hangover” after finishing a novel. The Passion of Mary-Margaret was a notable exception. The story centers on a religious sister (nun) and mystic, Mary-Margaret Fischer, who, before taking final vows, gives up religious life in order to marry her troubled childhood friend. The Passion of Mary-Margaretdelves unflinchingly into difficult themes—abuse, prostitution, racism and bigotry, absentee parents, and self-sacrifice—with an eye toward grace. After finishing the book, I thought, “Yes. This is what love looks like.” It was so good, I couldn’t pick up another novel for weeks.
Mary-Margaret yearned to dedicate her life to the Lord. Jesus had another idea.
When Mary-Margaret Fischer met Jude Keller, the lighthouse keeper's son, she was studying at a convent school on a small island off Chesapeake Bay. Destined for a life as a religious sister, she nevertheless felt a pull toward Jude--gorgeous, rebellious, promiscuous Jude. But Jude, driven by demons no one really understood, disappeared into Baltimore's seamy red-light district. Mary-Margaret moved on with her life, preparing to serve God with her sisters as a teacher and artist.
Then Jude comes home--but now he's bitter, dissolute, and diseased. And Mary-Margaret…
I love reading. I’ve been an avid reader since I was a child. Having been raised in a conservative, Persian family, it was a tool I used to escape and imagine another way of life. I’m always traveling now and searching for ways to better myself, and for topics or places to write about. I’m so inspired when a book just grabs me and pulls me in and makes me think. Whether that’s a romance, or a book about self-actualization, I think of everything I read as a teacher. We can never stop learning, stop growing, or dreaming.
She is the queen of historical romance for a reason. I will never forget reading this book as a teen, and I don’t know how many times I’ve read this as an adult. It has everything you can want - adventure, a crazy kind of love, an alpha male who is hot as hell, and of course, an innocent virgin. It’s a book that made me want to be a romance novelist. I bow to Judith McNaught for life.
The #1 New York Times bestselling author continues her evocative Westmoreland Dynasty Saga with this romance following two defiant hearts clashing over a furious battle of wills in the glorious age of chivalry.
Abducted from her convent school, headstrong Scottish beauty Jennifer Merrick does not easily surrender to Royce Westmoreland, Duke of Claymore. Known as "The Wolf," his very name strikes terror in the hearts of his enemies. But proud Jennifer will have nothing to do with the fierce English warrior who holds her captive, this handsome rogue who taunts her with his blazing arrogance.
I'm a historian of gender in colonial Latin America. I'm always looking for surprises in these stories: men's and women's lives in the past were not narrower than ours, and I love to find their strategies for dealing with a system that was often stacked against them. I enjoy learning that my expectations were wrong, and thinking about the past as a living world. As a researcher who is always stumbling on unusual documents that I have to confront with fresh eyes, I really love a book that challenges me to think about how we can even know about the past, especially in terms of race and gender.
I've always wondered why Latin American colonial cities had so many convents, surely there were not enough nuns to populate them in the sixteenth and seventeenth centuries?
Kathryn Burns not only clears up this mystery but shows us that convents were more or less the banks of their era, taking in funds in the form of nuns' entrance fees and gifts and bequests and then investing and lending them out (at interest) to local notables, often relatives of the women inside.
Convents were not simply homes for religious women, but were places where young women were formed, Spaniards, Indigenous, and Black, for the sake of the new colonial society. I would not have thought I would find the history of convents a page-turner, but I loved the scandals, the race relations, and the unexpected economic history.
In Colonial Habits Kathryn Burns transforms our view of nuns as marginal recluses, making them central actors on the colonial stage. Beginning with the 1558 founding of South America's first convent, Burns shows that nuns in Cuzco played a vital part in subjugating Incas, creating a creole elite, and reproducing an Andean colonial order in which economic and spiritual interests were inextricably fused. Based on unprecedented archival research, Colonial Habits demonstrates how nuns became leading guarantors of their city's social order by making loans, managing property, containing "unruly" women, and raising girls. Coining the phrase "spiritual economy" to analyze the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Laven’s readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of their…
