Books like Just William — picked by fans

I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.

The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.

I love books that are clever, imaginative, and portray a particular person or character as the main theme. This book does it for me.

The character is a murderer robot, but I came to like him and his weird but insightful perspective. I could see his world through his eyes. I felt sorry for him by the end of the book and was rooting for him. That was great.

I always like a bit of technology thrown in, but not have it be the main story or too complicated that it gets in the way of the characters. The writing was especially good, and I found myself turning page after page, engrossed in the story.

When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.

It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.

This novel is hilarious. When I first read it, I was jealous that I hadn't written it—which is a silly feeling to have about a book that came out in the 1920s, I admit. It's a diary written by a blonde showgirl named Lorelei Lee, who uses her feminine wiles to get wealth from the gentlemen callers who want to "educate" her. Loralei isn't very smart—the diary is riddled with misspellings and confused assumptions—but she has a kind of innocence and practicality that keeps you rooting for her throughout. With her friend Dorothy, a brunette, she arranges it so that everything always works out in her favor, which usually includes lots and lots of diamond jewelry. 

There is a spiritual dimension to elevating your income. If you are not aligned with that statement, this book is not for you. If you are aligned, Bijan will blow your mind! Alongside some really cool spiritual stories, Bijan lays out a 30-day challenge to transform your relationship with what is possible in your life. The lessons start out relatively easy but get increasingly harder. For example, on day 13 the assignment is to “Find a homeless person and give that person some money. When you do, notice your judgment. That judgment is about you.” Wow! I guarantee that if you diligently complete the 30 lessons in 30 days, something big will shift in your life and you will elevate your income! Enjoy!

As a former foreign correspondent based in India, Beijing, and Washington I found myself wanting to press this book by former top UK diplomatic and national security advisor Peter Ricketts into the hands of every British politician I have ever met.

Having spent more than a decade overseas reporting on the UK’s struggle to stay relevant, I was struck on my return to the UK in 2015 at just how myopic and insular British politics had become.

Brexit was the most obvious expression of this. It has left the UK piggy-in-the-middle, between the US and the EU and this book sets out, alongside a wealth of personal anecdote and experience, how the UK needs to think strategically if it is to retain a place at the global top table.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

A similar concept to Man in the High Castle, The UNtied Kingdom explores an alternate reality in which the Axis won World War II. The book begins in modern-day England where down-on-her-luck and former pop star, Eve, suffers a hang-gliding accident while filming a has-been “where are they now” reality TV show. She falls through a wormhole into the WWII alternate reality and is saved by Major Harker, only to be arrested as a potential Axis spy. When Harker embarks on a mission to infiltrate enemy lines, he drags Eve along on his mission for her Axis intelligence, and so begins their exciting, adventure-filled romance. Will he ever believe that she came from a different reality? Will she be able to help right the wrongs in his? Is this world the one she belongs in—with him? The questions that Johnson (no relation!) explores are intriguing, heart-wrenching, and kept me riveted… show more.

Boll, a Second World War veteran, tells this episodic story from the perspective of a German soldier during the last year of the war. Loosely episodic and propelled by a kind of grim, fatalistic absurdity, it follows the hapless infantryman Feinhals as he lurches from misadventure to misadventure on the Eastern Front. What really stuck with me is the awfulness of the predicaments Feinhals finds himself in, such as the moment when a soldier sets out to surrender a hospital full of wounded men, only to accidentally set off a dud shell beside the hospital’s cesspool. The Soviets, thinking they have been attacked, respond by levelling the place. "This war’s a load of shit," says one cynical character, and with a magnificent kaboom, that statement becomes literal.