100 Books Like Just The Way I Am

I’m of Indian heritage, and when I see Indian-origin protagonists, I’m on it like white on rice! Add to it another trope: I love the marriage of convenience, and I was hooked.

Now, you can expect Indian protagonists to mean Indian families, usually big, often messy, and definitely loud. I just needed a Bollywood-style soundtrack in the background, and this one would’ve been a perfect blockbuster from Bollywood.

Vash Karuppa also knows how to write feelings, delve deep, and make you feel everything that’s roiling inside her main characters’ hearts. Definitely, a thrilling, colourful, boisterous ride where love is swept along whether it wants to or not!

Imagine if Bridget Jones had been African–Nigerian, to be more precise, and instead of just a nosy/meddling mother, she had a huge Yoruba family to contend with! I absolutely adored the POV of the heroine, Nifemi, in this tale! I could read her stream-of-consciousness chapter starts forever and not be bored.

Feyi Aina writes with humour and that special touch of "down to Earth" that makes her heroine resonate. Anyone with a big, traditional family–whether Nigerian, Indian, or even Irish–will totally get Nifemi and her struggle to find what love means and where it’s waiting for her.

I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!

Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!

This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!

Another one with the amnesia trope (I told you it’s a fave of mine!) Except in this one, the hero wakes up with amnesia, not recalling that his gorgeous wife is his on paper only…Kiru Taye can write angst! Feelings in general, but angst, turmoil, and passion that don’t just mean an opened bedroom door? She delivers.

I loved witnessing the romance brewing here and just waiting for the other shoe to drop. When it did, everything escalated, yet at no point did it feel like "too much." I also loved how it showed me a slice of Nigeria, in lifestyle, culture, and day-to-day living, that I’d never experienced before, opening my eyes to what life on the African continent is truly like when one looks beyond the trauma and misery overflowing in African literature.

This book described not just a heinous crime that was committed near Johannesburg, South Africa, but the effects it had on a man falsely accused and imprisoned for that crime. Instead of focusing on a single perspective, the author chose to focus on several perspectives, some of which were totally unreliable. As a result, I was shown the messy mind states of all those people associated with the crime, 2 decades after it was committed.

I was in a constant state of curiosity with every page, and as soon as I finished the book, I wanted to learn more, not just about the case itself, but the culture and society from which it took place. 

I enjoyed the local setting, the intensity of the novel, and its unflinching exploration of South Africa’s violent crime problems and how crime ties into cultural beliefs.

The novel goes to some dark places, in terms of events and character arcs, and the pacing and well-written scenes keep the reader nailed to the story – you’ll see a side of South Africa which is very real, but perhaps largely unknown to the rest of the world.

Beukes has range and a keen eye, two things that are showcased perfectly in this collection. Experimenting in style, in genre, in tone, in point of view, in everything really. A lot of the stories are overtly speculative, but not all of them are, even though they have a speculative sensibility. Some stories are under 100 words, others closer to 10,000. As someone who enjoys experimental writing, I loved this book. Almost every story features the recurring theme of dehumanization, and they are largely set in South Africa or featuring South African characters. And if that wasn’t enough, there are even 5 nonfiction pieces from her time as a journalist. It's excellent reading. 

All hail Paige Toon! She is the best of women’s fiction—not too raunchy or over the top or gut-wrenching. Simple, sweet stories with a bit of heat. I recommend her to everyone I know. This particular novel, The Minute I Saw You, touched my heart from the very first page. When we meet Hannah and Sonny, they are both at a crossroads in their lives, not sure which way to turn or how to move on from respective tragedies in their past. I love that Hannah’s history involves something so unexpected that isn’t revealed until halfway through the book and becomes ever more the reason to root for her. And I love that she and Sonny spend so much time working through their demons independently before coming together. It’s a feel-good novel that leaves you with a smile on your face and a song in your heart.  

This is no less than Kasril’s fourth memoir, and the one that resonates most with my own existential worries as a privileged white man. Why did a nice, working-class, Jewish boy from Johannesburg take up armed struggle against institutionalized racism? Become a cabinet minister in the country’s first democratic government devoted to expanding social welfare for Africans? Become a trenchant critic of the rot that subsequently set into the party he helped bring to power?

With profound humility and wit, Kasrils takes us through his boyhood years to reflect upon the often-humiliating process of acquiring political consciousness. He speaks to anyone with a leg up in a rigged system: it’s good to have existential doubts about your privileges. But you should still, and more importantly, you can still do the right thing.

First published in 1948, this book will forever occupy a special place in my heart.

Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.

I was forever moved by the story and characters, and discovered the power of fiction by reading it.