100 Books Like One Day in Bethlehem

I loved this book because of the many years I spent living in Mexico and the deep connection I have to that country, culture, and its people. The sheer potency and ferocity from which the various authors wrote of the tragedies and struggles plaguing contemporary Mexico was astounding.

With bravery that is hard to fathom, the collection of celebrated journalists exposed the realities and truths of their beloved country that government officials, police, and military have killed to keep silent. I was angry, sad, moved, and inspired all at the same time while reading this book, and it showed me the power of writing as realistically as possible without compromise.

David Simon’s Homicide stands as one of the most honest and most vivid looks at police work ever put on paper.

Simon drags us into this violent and chaotic world as few could, based on a year he spent alongside detectives in the Baltimore Police Department’s homicide unit. This insider access produces an immersive experience that unfolds in dramatic fashion.

What absolutely leaps off the page is the weight of the implications of such violent crimes and what it demands of the detectives investigating. These are men and women gripped in a desperate vice, toiling relentlessly in the darkest corners of the city, absorbing grief, frustration, and exhaustion while trying to bring answers to families who are desperate for them.

Simon doesn’t overdramatize the work. He doesn’t need to. He brings us inside the grind: sleepless nights, leads that don’t pan out, political machinations, and the quiet toll the constant… show more.

This book showed me in a way I’d never seen before what life was like for an imprisoned bureaucrat in Stalin-era Russia. The author proved to me that through undeniable detail and unflinching sincerity, you can show an unsettling reality that powerful authorities have worked tirelessly to conceal.

Found within the book’s pages are poignant anecdotes, lessons, and reflective moments that made me question the very concepts of what a person is capable of doing and enduring under extreme circumstances. I could not get the chapter “The Buddha’s Smile” out of my head, and I don’t think I ever will.

Written over 160 years ago, this book was one of the earliest works of literature that exposed the horrors of European colonialism. By using scathing wit, Multatuli weaved together a story that shamed a system that committed terrible crimes that, at that point in time, many Europeans were ignorant of.

Despite the book being written so long ago, not a shred of its incisiveness has been lost. I believe this book is a great example of how fearlessly written prose about a reality people don’t want to, or can’t, see can lead to direct changes in that reality in the short and long term (Pramoedya Ananta Toer, author of the powerful "Buru Quartet" was quoted as saying, "Max Havelaar was the book that killed colonialism"). I remain in awe of how the story so skillfully utilized controlled outrage to take on something as terrible as the colonization of Indonesia.

I enjoyed the local setting, the intensity of the novel, and its unflinching exploration of South Africa’s violent crime problems and how crime ties into cultural beliefs.

The novel goes to some dark places, in terms of events and character arcs, and the pacing and well-written scenes keep the reader nailed to the story – you’ll see a side of South Africa which is very real, but perhaps largely unknown to the rest of the world.

Beukes has range and a keen eye, two things that are showcased perfectly in this collection. Experimenting in style, in genre, in tone, in point of view, in everything really. A lot of the stories are overtly speculative, but not all of them are, even though they have a speculative sensibility. Some stories are under 100 words, others closer to 10,000. As someone who enjoys experimental writing, I loved this book. Almost every story features the recurring theme of dehumanization, and they are largely set in South Africa or featuring South African characters. And if that wasn’t enough, there are even 5 nonfiction pieces from her time as a journalist. It's excellent reading. 

First published in 1948, this book will forever occupy a special place in my heart.

Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.

I was forever moved by the story and characters, and discovered the power of fiction by reading it.

I find the notion of the “unknown” writer quite problematic.

Most of the time, at least somebody has, in fact, heard of the writer. So by whom is this writer unknown, and for what reasons has their reputation been erased?

The South African writer Miriam Tlali – the first South African woman writer to publish a book in English - is a case in point.

Tlali’s novel Muriel at Metropolitan (about an office worker in apartheid Johannesburg) was banned when it was published in 1975 for its critical portrayal of white South Africans.

Tlali was subsequently ignored by her literary (almost entirely male) peers, dismissed as offering “reportage” rather than “art”. Yet since 2017, Tlali’s work has been celebrated.

The question of whether a writer is “known” or “unknown” is complex with many layers to consider, including the prejudices of racism and sexism. 

This book by South Africa’s most eminent historian, Charles van Onselen, tells the story of the night trains which brought poverty-stricken Mozambican men from Rossania Garcia on the Mozambique border to work as migrant labourers on the gold mines in Johannesburg between 1902 and 1955.

The men travelled in appalling conditions and were preyed on by petty criminals, con men, and corrupt officials. The night trains were a transport system run in partnership between the mining houses and the railways and designed to maximise profit at the expense of the health, well-being, and even the lives of the men it conveyed. 

At the end of their time in the mines, the trains sent the men back to Mozambique, often ill and broken and even insane after their experiences in the mines and in the trains. The story reflects South Africa’s evolving system of segregation and apartheid and the brutal logic… show more.

At the time this book hit the shelves, it was dangerous to write about the facts of state capture in South Africa. The courageous author was meticulous when doing his research and had to be careful at the same time not to be detected. He got the book published despite many threats against his life and attempts to discredit him. I’ll be forever grateful that the South African public was given this opportunity to learn more about corruption in politics. The book was sold out for months for a reason.